For You
Following
Explore
Fieldnotes
For You
Following
Explore
Fieldnotes
Help
Sign in
Create account
For You
Following
Explore
Fieldnotes
Opening the archive
Display
Make yourself comfortable
Live preview
Welcome
Aa Bb Cc, the archive, read your way
Night mode
Easier on the eyes after dark
Reduce motion
Quiet the animations
Larger text
Bigger, easier reading
Higher contrast
Sharper edges and colour
Readable text
Open spacing, clear letter shapes
Highlight links
Underline every link
Language
Voice on
English
Akan (Twi)
Yorùbá
Igbo
Hausa
Kiswahili
isiZulu
Français
Eʋegbe
Ga
አማርኛ
العربية
Português
Afrikaans
chiShona
Soomaali
Latest news
Close
In the news
Refresh
Heritage, design and Global South stories from established outlets.
All
Heritage and museums
Design
Africa and Global South
For You
Following
Explore
Fieldnotes
For You
Following
Explore
Fieldnotes
Help
Sign in
Create account
For You
Following
Explore
Fieldnotes
Opening the archive
For You
Following
Explore
Fieldnotes
For You
Following
Explore
Fieldnotes
Help
Sign in
Create account
For You
Following
Explore
Fieldnotes
Explore the archive
Featured
Visual systems before colonial rule
Coastal contact and transcultural exchange, c. 1471–1874
Colonial print and institutional design, 1874–1945
Anticolonial and independence visual culture, 1945–1966
Post-independence public and popular graphics, 1966–1992
Democratic, digital and diasporic design, 1992–present
Land, cosmology and authority
Memory, proverb and performance
Cloth, pattern and social identity
Print, colonial rule and public culture
Independence and state visual identity
Popular and everyday graphics
Digital, diasporic and contemporary design
Post-independence public and popular graphics, 1966–1992
All
Images
Books
Articles
Collections
Comfortable
With images
Open access
Any period
Drift
Shuffle
Save what’s in view
Article · 1966
Post-Independence Politics in the Congo
M. Crawford Young
Transition
1966
Collection
Save
Gold Weight (abrammuo): Antelope
Image · Cleveland Museum of Art
Collection
Save
Essay · 2013
Ambient occlusion and shadows for molecular graphics
Computer based visualisations of molecules have been produced as early as the 1950s to aid researchers in their understanding of biomolecular structures. An important consideration for Molecular Graphics software is the
Robert Easdon
UEA Digital Repository (University of East Anglia)
2013
Collection
Save
Article · 1992
The distorted image: Stereotype and caricature in American popular graphics, 1850-1922
PsycEXTRA Dataset
1992
Collection
Save
Head
Image · Cleveland Museum of Art
Collection
Save
Chapter · 1992
RECTANGULAR BOUNDING VOLUMES FOR POPULAR PRIMITIVES
Ben Trumbore
Graphics Gems III (IBM Version)
1992
Collection
Save
Disk Pendant (akrafokɔnmu)
Image · Cleveland Museum of Art
Collection
Save
Article · 2015
‘Punk’s dead, Michael’: Artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative
Pamela Karantonis
Punk & Post Punk
2015
Collection
Save
Essay · 1994
The electronic paintbrush : computer graphics and art education
Signature
Flemming Moller Larsen
Summit (Simon Fraser University)
1994
Collection
Save
Article · 2015
THE KURDS: THEIR HISTORY AND STRUGGLE FOR POLITICAL INDEPENDENCE
Diar Mahmood Saeed Mirany
TAFHIM IKIM Journal of Islam and the Contemporary World
2015
Collection
Save
