UNESCO urgent safeguarding list1 sources
Les connaissances et les savoir-faire musicaux ancestraux d’Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu
Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu, ancestral musical sound knowledge and skills relates to the specific traditional music of the Nama people, one of Namibia’s tribal minority groups. It involves the use of traditional musical instruments: the khab (musical bow) and !guitsib (traditional guitar), usually played by men or women, and the...
AfricaNamibiaNot specified in UNESCO dataset
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Al-Ayyala, un art traditionnel du spectacle dans le Sultanat d’Oman et aux Émirats arabes unis
Al-Ayyala is a popular and expressive cultural performance practised in north-western Oman and throughout the United Arab Emirates. Al-Ayyala involves chanted poetry, drum music and dance, and simulates a battle scene. Two rows of about twenty men face each other, carrying thin bamboo sticks to signify spears or swords. Between the rows...
Middle EastOman / United Arab EmiratesNot specified in UNESCO dataset
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L’art des Ashiqs d’Azerbaïdjan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. Characterized by the accompaniment of the ''saz,'' a stringed musical instrument, the classical repertoire includes 200 songs, 150 literary-musical...
Middle EastAzerbaijanNot specified in UNESCO dataset
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L’art de fabriquer et de jouer du kobyz
The kobyz, made and played in the Republic of Karakalpakstan, an autonomous region of Uzbekistan, is a traditional string instrument with an arc shape and two strings made from horsehair. The body is covered with leather and includes detailed decorations made from local wood such as mulberry or apricot tree. A special bow, also made...
Central AsiaUzbekistanNot specified in UNESCO dataset
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L’art de fabriquer et de jouer la mbira/sanza, lamellophone traditionnel au Malawi et au Zimbabwe
The art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe, plays a key role in the communities concerned. The basic Mbira/Sansi instrument consists of a wooden board with metal keys attached on top, and the instrument is sometimes mounted on a calabash/wooden resonator. The...
AfricaMalawi / ZimbabweNot specified in UNESCO dataset
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L’art de la fabrication et de la pratique du rubab/rabab
One of the oldest musical instruments in Central, South and Southwest Asia, the rubab is a string instrument made with dried mulberry wood collected in deserts. It is played on many occasions, including for celebrations, weddings, funerals, gatherings and ritual healings. It is also a leading instrument in orchestral and contemporary...
Global DiasporasAfghanistan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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L’art de fabriquer et de jouer du kamantcheh/kamanche, instrument de musique à cordes frottées
The art of crafting and playing with Kamantcheh/Kamancha (‘little bow’), a bowed string instrument, has existed for over 1,000 years. In the Islamic Republic of Iran and Azerbaijan, it constitutes a major element of classical and folkloric music, and performances occupy a central place in a wide number of social and cultural gatherings....
Global DiasporasAzerbaijan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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L'art du đờn ça tài tử, musique et chants, dans le sud du Viet Nam
A musical art with both scholarly and folk roots, Đờn ca tài tử is an indispensable part of the spiritual activity and cultural heritage of the people of southern Viet Nam. The music and songs evoke the people’s life and work on the land and rivers of the Mekong Delta region. Performed at numerous events such as festivals, death...
Southeast AsiaViet NamNot specified in UNESCO dataset
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L’art de jouer, chanter et fabriquer la lahuta
The lahuta is a single-stringed wooden instrument with a sound box covered in leather and a carved neck that is made, played and sung with by which the rural communities of north and northwestern Albania. The instrument is handcrafted from wood such as maple or walnut, with strings once made of horsehair and now often nylon. It is...
EuropeAlbaniaNot specified in UNESCO dataset
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La culture de la cornemuse
Bagpipe culture consists of a wide range of expressions and knowledge associated with bagpipes and their use, including music repertoire, style and ornamentation, songs, dances, instrument-making, folk customs and traditions and special verbal expressions. The bagpipe tradition exists throughout Slovakia, with regional differences...
EuropeSlovakiaNot specified in UNESCO dataset
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Les cornemuses et la pratique de la cornemuse en Bulgarie : transmission des connaissances et des savoir-faire
The bagpipe is a traditional wind instrument made of a leather bag connected to a chanter (a pipe with finger holes and a reed), a drone (a pipe that produces a continuous tone), and a blowpipe used to fill the bag with air. There are different types based on pitch: high, medium and low. The bagpipe is played at social and cultural...
EuropeBulgariaNot specified in UNESCO dataset
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Le boreendo, bhorindo : un ancien instrument de musique traditionnel en voie de disparition, ses mélodies, connaissances et savoir-faire
The boreendo, or bhorindo, is a traditional musical instrument that is deeply rooted in village life and nature amongst the Thari community. It has a hollow, spherical shape with sound holes, and is made of clay that is sun dried and kiln fired. It is played by men, while women are involved in decorating the instrument with clay paint....
South AsiaPakistanNot specified in UNESCO dataset
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Le Candombe et son espace socioculturel : une pratique communautaire
Every Sunday and on many holidays, the ''llamadas'' ''de'' ''tambores'' ''de'' ''candombe'' or candombe drum calls enliven the Sur, Palermo and Cordón districts in southern Montevideo, Uruguay, home to a population of African descent. The practice of the candombe begins around communal fires as people gather to tune their drums and...
Latin America and CaribbeanUruguayNot specified in UNESCO dataset
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Le chamamé
Chamamé is a form of popular cultural expression that is mainly practised in the Corrientes province. Its key components include a style of ‘close embrace’ dancing where participants hold each other chest to chest and follow the music without set choreography. Other elements include musiqueada, a celebratory act that includes a party,...
Latin America and CaribbeanArgentinaNot specified in UNESCO dataset
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Le Chopi Timbila
The Chopi communities live mainly in the southern part of Inhambane province in southern Mozambique and are famous for their orchestra music. Their orchestras consist of five to thirty wooden xylophones, called timbila, of varying sizes and ranges of pitch. The timbila are finely manufactured and tuned wooden instruments made from the...
AfricaMozambiqueNot specified in UNESCO dataset
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La cobza, connaissances, savoir-faire et musique traditionnels
The cobza is a pear-shaped string instrument with a short neck and wooden body, traditionally used to provide rhythm and harmony in folk music. It can be played solo or in groups and is usually strummed with a folded goose feather. Though its design has changed slightly over time, such as with the recent use of metal strings, the...
EuropeRomania / Moldova, Republic ofNot specified in UNESCO dataset
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La fabrication et la pratique de l’oud
The oud is a traditional, lute-type instrument played in Iran and Syria. The musician places the short-necked instrument on their leg, fretting with one hand and plucking the chords with the other. In both countries, the oud consists of a pear-shaped sound box made of walnut, rose, poplar, ebony or apricot wood. Crafting an oud takes up...
Global DiasporasIran, Islamic Republic of / Syrian Arab RepublicNot specified in UNESCO dataset
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La facture et la pratique musicale du tar, instrument à cordes à long manche
The Tar is a long-necked plucked lute, traditionally crafted and performed in communities throughout Azerbaijan. Considered by many to be the country’s leading musical instrument, it features alone or with other instruments in numerous traditional musical styles. Tar makers transmit their skills to apprentices, often within the family....
Middle EastAzerbaijanNot specified in UNESCO dataset
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L’artisanat et l’art de jouer du balaban/mey
Balaban (in Azerbaijan) or Mey (in Türkiye) is a centuries-old woodwind instrument made up of three parts: a body, a wide and flat double reed and a clip. The instrument is traditionally made of plum or apricot wood and coated with linseed or olive oil. Once dry, crafters drill several holes into the front of the body and one hole into...
Middle EastAzerbaijan / TürkiyeNot specified in UNESCO dataset
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Le savoir-faire lié à l’incrustation de nacre
Mother of pearl inlay is the practice of inserting mother of pearl pieces into wooden objects such as Koran cases, desks, chests, chairs, mirrors, jewel cases and musical instruments. Craftspeople begin by cutting the inner shells of molluscs into different shapes. They draw motifs on a piece of wood, carve out the outlines and shape...
Middle EastAzerbaijan / TürkiyeNot specified in UNESCO dataset
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Les pratiques et expressions culturelles liées au balafon et au kolintang au Mali, au Burkina Faso, en Côte d’Ivoire et en Indonésie
The balafon (in Mali, Burkina Faso and Côte d’Ivoire) and kolintang (in Indonesia) refer to a set of wooden xylophones of different lengths. The Indonesian and West African instruments share similarities in material, shapes, keys, functions, transmission processes and values. They are believed to represent mutual respect and tolerance...
Global DiasporasMali / Burkina FasoNot specified in UNESCO dataset
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L’espace culturel du Sosso-Bala
The sacred balafon instrument, known as the Sosso- Bala, has been perceived as the symbol of the freedom and cohesion of the Mandingue community, which is spread across a territory that once belonged to the Empire of Mali. Originally owned and played by King Sumaoro Kanté, who succeeded to the Sosso throne in the early thirteenth...
AfricaGuineaNot specified in UNESCO dataset
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Le Duduk et sa musique
The duduk, the Armenian oboe, is a double-reed wind instrument characterized by a warm, soft, slightly nasal timbre. It belongs to the category of aerophones, which also includes the balaban played in Azerbaijan and Iran, the duduki common in Georgia and the ney in Turkey.The soft wood of the apricot tree is the ideal material for the...
Middle EastArmeniaNot specified in UNESCO dataset
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La fabrication artisanale du dutar et l’art de pratiquer la musique traditionnelle associée au chant
Dutar is a traditional instrument and musical genre from Turkmenistan. The dutar instrument is a long-necked, two-stringed lute with a pear-shaped body covered by a thin wooden sounding board. The resonating body and soundboard are made from a piece of mulberry wood, and the neck is made with the dried trunk of an apricot tree. To make...
Central AsiaTurkmenistanNot specified in UNESCO dataset
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La Fujara et sa musique
The Fujara, an extremely long flute with three finger holes traditionally played by Slovak shepherds, is regarded as an integral part of the traditional culture of Central Slovakia. It is not just a musical instrument, but also an artefact of great artistic value due to its highly elaborate, individual ornamentation. The main tube of...
EuropeSlovakiaNot specified in UNESCO dataset
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Le gamelan
Gamelan refers to the traditional Indonesian percussion orchestra and to the set of musical instruments used. Consisting primarily of ornate, percussive instruments made of hand-forged metal, the ensemble typically includes xylophones, gongs, gong-chimes, drums, cymbals, string instruments and bamboo flutes. Gamelan music follows...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le Gbofe d’Afounkaha, la musique des trompes traversières de la communauté Tagbana
The Gbofe is mainly performed in the village of Afounkaha in the Tagbana community. The term Gbofe is used both for the transverse horns and for the performance as a whole, which encompasses music, song and dance. The Gbofe horns are made of roots covered by cowhide. Six of these horns are used together, ranging in length from 50 to 70...
AfricaCôte d'IvoireNot specified in UNESCO dataset
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Gnaoua
Gnawa refers to a set of musical events, performances, fraternal practices and therapeutic rituals mixing the secular with the sacred. Gnawa is first and foremost a Sufi brotherhood music combined with lyrics with a generally religious content, invoking ancestors and spirits. Originally practised by groups and individuals from slavery...
AfricaMoroccoNot specified in UNESCO dataset
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Le Guqin et sa musique
The Chinese zither, called guqin, has existed for over 3,000 years and represents China’s foremost solo musical instrument tradition. Described in early literary sources and corroborated by archaeological finds, this ancient instrument is inseparable from Chinese intellectual history. Guqin playing developed as an elite art form,...
East AsiaChinaNot specified in UNESCO dataset
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Le gwoka : musique, chants, danses et pratique culturelle représentatifs de l’identité guadeloupéenne
Gwoka is found among all ethnic and religious groups of Guadeloupean society. It combines responsorial singing in Guadeloupean Creole, rhythms played on the Ka drums and dancing. In its traditional form, Gwoka unites these three areas of expression and emphasizes individual qualities of improvisation. The participants and public form a...
EuropeFranceNot specified in UNESCO dataset
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Héritage de Dede Qorqud/Korkyt Ata/Dede Korkut : la culture, les légendes populaires et la musique liées à cette épopée
The epic culture, folk tales and music of Dede Qorqud/Korkyt Ata/Dede Korkut are based on twelve heroic legends, stories and tales and thirteen traditional musical compositions shared and transmitted across the generations through oral expressions, performing arts, cultural codes and musical compositions. Dede Qorqud appears in each...
Global DiasporasAzerbaijan / KazakhstanNot specified in UNESCO dataset
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La tradition de l’ensemble à cordes hongrois
The Hungarian string band tradition is one of the country’s defining ensembles and one of the most common representatives of folk music culture. The basic fiddle-viola-bass line-up takes many forms across regions and eras and can be expanded to include additional string players or reed instruments. Up until the middle of the twentieth...
EuropeHungaryNot specified in UNESCO dataset
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L’Angklung indonésien
Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le chant et la danse du tambour des Inuits
Drum dancing and drum singing are indigenous forms of Inuit artistic expression and music in Greenland. Drum dances and songs are frequently performed during national holidays, festive celebrations and social events, by a single person or a group. A single drum dancer may also perform with a choir. During a drum dance, the performer...
EuropeDenmarkNot specified in UNESCO dataset
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La pratique de la harpe irlandaise
Irish harping is at the heart of the identity of the people of the island of Ireland. The harp is Ireland’s national symbol and has been played for more than 1,000 years; its bell-like sounds and music captivate all those who hear it and are celebrated in Irish mythology, folklore and literature. Nowadays, instead of a harp hewn from a...
EuropeIrelandNot specified in UNESCO dataset
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La pratique du violon à Kaustinen et les pratiques et expressions connexes
Kaustinen folk music is a Finnish tradition where the fiddle (violin), although not the only instrument, is the main melodic instrument. It is in fact the violin (with or without other instruments) that cadences the dances or the songs. Based on playing by ear, it is characterized by syncopated and accented rhythms that are easy for...
EuropeFinlandNot specified in UNESCO dataset
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La musique du khène du peuple lao
The khaen music of the Lao people is played with a mouth organ that resembles panpipes but made with bamboo tubes of varying lengths, each with a metal reed. The player blows into the instrument through an air chamber and the sound produced depends on the size of the tube. Khaen music is popular in all regions of the Lao People’s...
Southeast AsiaLao People's Democratic RepublicNot specified in UNESCO dataset
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La danse et musique de lyre arquée ma’di
The Ma’di bowl lyre music and dance is a cultural practice of the Madi people of Uganda. Passed on by the community’s ancestors, the songs and dances involved in the tradition are performed for various purposes, including weddings, political rallies, to celebrate good harvests, educate children, resolve conflict or mourn the passing of...
AfricaUgandaNot specified in UNESCO dataset
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Les marches de l’Entre-Sambre-et-Meuse
The Marches of Entre-Sambre-et-Meuse are a major component of the cultural identity of the eponymous region found between the rivers of Sambre and Meuse in Wallonia, Belgium. The marches commemorate the dedication of churches of many villages and small towns honouring the Saint to whom the religious buildings are dedicated. The whole...
EuropeBelgiumNot specified in UNESCO dataset
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Les musiques de marimba, les chants et les danses traditionnels de la région du Pacifique Sud colombien et de la province d'Esmeraldas d'Équateur
Marimba music and traditional chants and dances are musical expressions integral to the family and community fabric of people of African descent in the Colombian South Pacific region and Esmeraldas Province of Ecuador. Chanted stories and poems are performed by men and women at ritual, religious and festive events as a celebration of...
Latin America and CaribbeanColombia / EcuadorNot specified in UNESCO dataset
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La morna, pratique musicale de Cabo Verde
Morna, musical practice of Cabo Verde is a traditional Cape Verdean musical and choreographic practice with instrumental accompaniment that incorporates voice, music, poetry, and dance. Morna can be either sung or played only with instruments, mainly chordophones, including the guitar, violin, ten-string guitar, replaced with a...
AfricaCabo VerdeNot specified in UNESCO dataset
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Le moutya
Moutya was brought to Seychelles by the enslaved Africans who arrived with the French settlers in the early eighteenth century. They used to practise this dance at night in the forest, at a distance from the plantation house where their masters lived. Historically, Moutya was a psychological comfort against hardship and poverty and a...
AfricaSeychellesNot specified in UNESCO dataset
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La musique et la danse du merengue en République dominicaine
The merengue is considered part of the national identity of the Dominican community. It plays an active role in various aspects of people’s daily lives – from their education to social gatherings and celebrations, even political campaigning. In 2005, the traditional practice was recognised by presidential decree with November 26...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
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La musique de Terchová
The village of Terchová in north-west Slovakia is renowned for its collective vocal and instrumental music, performed by three-, four- or five-member string ensembles with a small two-string bass or diatonic button accordion. It is often accompanied by polyphonic singing and combined with folk dances. The musical tradition of Terchová...
EuropeSlovakiaNot specified in UNESCO dataset
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La musique des Bakhshis du Khorasan
In Khorasan Province, the Bakhshis are renowned for their musical skill with the ''dotār,'' a two-stringed, long-necked lute. They recount Islamic and Gnostic poems and epics containing mythological, historical or legendary themes. Their music, known as ''Maghami,'' consists of instrumental and/or vocal pieces, performed in Turkish,...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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L'art musical des sonneurs de trompe, une technique instrumentale liée au chant, à la maîtrise du souffle, au vibrato, à la résonance des lieux et à la convivialité
The musical art of horn players, an instrumental technique linked to singing, breath control, vibrato, resonance of place and conviviality, brings together the techniques and skills used to play the horn. The pitch, accuracy and quality of the notes produced are influenced by the musician’s breath and the instrumental technique is based...
EuropeFrance / BelgiumNot specified in UNESCO dataset
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Le Nanyin
Nanyin is a musical performing art central to the culture of the people of Minnan in southern Fujian Province along China’s south-eastern coast, and to Minnan populations overseas. The slow, simple and elegant melodies are performed on distinctive instruments such as a bamboo flute called the ''dongxiao'' and a crooked-neck lute played...
East AsiaChinaNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le réseau dédié au nyckelharpa, diffusion innovante d’une tradition musicale et de lutherie ayant ses racines en Suède
The nyckelharpa is a bowed instrument, originally built and played by farmers and craftspeople in northern Uppland in Sweden. Dating back to the seventeenth century, it was the most common instrument in this region, played at dances and in various ceremonies and rituals. In the early twentieth century, interest in the nyckelharpa waned...
EuropeSwedenNot specified in UNESCO dataset
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La fabrication des orgues et leur musique
Organ craftsmanship and music has shaped Germany’s musical landscape and instrument-making for centuries, and there are a diverse number of related traditions in the country. Organ craftsmanship and music are closely related since each instrument is created specifically for the architectural space in which it will be played. The highly...
EuropeGermanyNot specified in UNESCO dataset
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La pratique de la musique et de la danse traditionnelles au Setesdal, jouer de la musique, danser et chanter (stev/stevjing)
In the practice of traditional music and dance in Setesdal, playing, dancing and singing (stev/stevjing), traditional dance and music belong together, interwoven in the social context. The melodies are named after the ‘gangar’ dance and are mostly dance tunes; the melodies of the ‘stev’ songs can be played on instruments, and the lyrics...
EuropeNorwayNot specified in UNESCO dataset
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Les pratiques et savoirs liés à l’imzad des communautés touarègues de l’Algérie, du Mali et du Niger
Imzad music is a characteristic feature of Tuareg communities and is performed by women on a single-stringed bowed instrument known as the Imzad. The musician sits with the instrument on her knees and plays it with a wooden, arched bow. Imzad combines music and poetry and is frequently performed on ceremonial occasions in Tuareg camps....
AfricaAlgeria / MaliNot specified in UNESCO dataset
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Le raï, chant populaire d'Algérie
Raï is a popular folk song from Algeria. A means of conveying social reality without taboos or censorship, Raï music touches on topics such as love, freedom, despair and social pressures. It was originally practised in rural settings by doyens who sang poetic texts in vernacular Arabic, accompanied by a traditional orchestra. At the...
AfricaAlgeriaNot specified in UNESCO dataset
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Le rebétiko
Rebetiko is a musical and cultural expression directly linked to song and dance that initially spread among the urban lower and working-class populations in the early twentieth century. Rebetiko songs are now a standardized repertoire in almost every social occasion involving music and dance. The element is performed in public and...
EuropeGreeceNot specified in UNESCO dataset
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Le rituel et les cérémonies de la Sebeïba dans l'oasis de Djanet, Algérie
The ritual and ceremonies of Sebeïba are practised by two communities living in Djanet during ten days in the first month of the Islamic lunar calendar. Male dancers and female singers compete for the right to represent their communities during a nine-day contest called Timoulawine. The chosen winners take part in the Sebeïba ritual and...
AfricaAlgeriaNot specified in UNESCO dataset
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La danse rituelle au tambour royal
The ritual dance of the royal drum is a spectacle combining powerful, synchronized drumming with dancing, heroic poetry and traditional songs. The entire population of Burundi recognizes it as a fundamental part of its heritage and identity. The dance calls for at least a dozen or so drums, always in an odd number, arranged in a...
AfricaBurundiNot specified in UNESCO dataset
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L’art dramatique rituel du Ta‘zīye
Ta‘zīye (or Ta’azyeh) is a ritual dramatic art that recounts religious events, historical and mythical stories and folk tales. Each performance has four elements: poetry, music, song and motion. Some performances have up to a hundred roles, divided into historical, religious, political, social, supernatural, real, imaginary and fantasy...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Le programme de sauvegarde de la tradition de la kobza et de la vielle à roue
The Ukrainian kobza and wheel lyre tradition is a nomadic music tradition involving visually impaired musicians who sing and play string instruments such as the kobza. Becoming a kobza performer traditionally entailed initiation rites conditioned by a strong knowledge of the music and of the practitioners’ secret language. To regulate...
EuropeUkraineNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Stratégie de sauvegarde de l’artisanat traditionnel pour la consolidation de la paix
The safeguarding strategy of traditional crafts for peace building addresses the weakening of traditional crafts through a system of intergenerational transmission of knowledge between master and apprentice based on the non-formal ‘learning by doing’ method. The safeguarding strategy aims to train different sectors of the population,...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
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La sauvegarde de la culture du carillon : préservation, transmission, échange et sensibilisation
The art of making music with bells (carillon) is performed by carillonneurs, traditionally during market and festive days. The programme to safeguard carillon culture exists in seventy-six cities and villages of Belgium and in thirty countries worldwide. The primary objectives are to preserve the components of historic carillon culture...
EuropeBelgiumNot specified in UNESCO dataset
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La Samba de Roda de Recôncavo de Bahia
The Samba de Roda, which involves music, dance and poetry, is a popular festive event that developed in the State of Bahia, in the region of Recôncavo during the seventeenth century. It drew heavily on the dances and cultural traditions of the region’s African slaves. The performance also included elements of Portuguese culture, such as...
Latin America and CaribbeanBrazilNot specified in UNESCO dataset
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Le séga tambour de Rodrigues
Sega Tambour of Rodrigues Island is a vibrant rhythmic performance of music, song and dance with its origins in slave communities. The leading percussion, the tambour, is banged energetically, while a triyang is hit from the side and the bwat and mayos are clapped. Sega Tambour is performed all over Rodrigues Island in the home and on...
AfricaMauritiusNot specified in UNESCO dataset
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La semsemiah: fabrication et pratique musicale de l'instrument
Semsemiah is a popular harp-like instrument that is crafted and played among communities in the Suez Canal region. The body is attached to three wooden poles that form a triangle. The instrument is usually crafted by the players themselves, using natural or recycled materials such as wood or metal. The semsemiah is used by singers,...
Global DiasporasEgypt / Saudi ArabiaNot specified in UNESCO dataset
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Le chant accompagné au gusle
Singing to the accompaniment of the Gusle – a simple string instrument – is an ancient art of performing primarily heroic epics practised for centuries as a form of historical memory and an expression of cultural identity. Performances involve a complex form of interaction between the audience and performer and are based on the skills...
EuropeSerbiaNot specified in UNESCO dataset
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Slovácko Verbuňk, la danse des recrues
The Slovácko verbŭnk is an improvised dance performed by boys and men living in the South Moravia and Zlín districts of the Czech Republic. The name of the dance is derived from the German term Werbung (changed into verbŭnk), meaning “recruitment”, reflecting its historical origins in the recruitment of dancers and soldiers for the...
EuropeCzechiaNot specified in UNESCO dataset
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Le chant de Sana’a
The Song of Sana’a, also known as al-Ghina al-San’ani, designates a group of songs that belongs to a rich musical tradition practised throughout Yemen. Derived from various poetic traditions dating from the fourteenth century, this genre constitutes an integral part of social events, such as the samra marriage evenings and the magyal,...
Middle EastYemenNot specified in UNESCO dataset
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Les tamboradas, rituels de battements de tambour
Tamboradas drum-playing rituals are loud, group rituals based on the simultaneous, intense beating of thousands of drums, played uninterruptedly for days and nights in public spaces in towns and villages. Each year, this creates a captivating landscape of sound and identity in an atmosphere charged with emotion and an intense feeling of...
EuropeSpainNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
La Taskiwin, danse martiale du Haut-Atlas occidental
Taskiwin is a martial dance specific to the western High Atlas mountain range in Central Morocco. The dance gets its name from the richly decorated horn each dancer carries – the Tiskt – and involves the art of shaking one’s shoulders to the rhythm of tambourines and flutes. The practice fosters social cohesion and harmony and provides...
AfricaMoroccoNot specified in UNESCO dataset
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La tchopa, danse sacrificielle des Lomwe du sud du Malawi
Tchopa is a performing art practised among Lhomwe communities in southern Malawi. The dance is usually performed during celebrations after good harvests and successful hunting trips and during offerings to ancestral spirits after calamities such as droughts and outbreaks of disease. Tchopa entails knowledge of particular dancing skills...
AfricaMalawiNot specified in UNESCO dataset
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La pratique du son cubain
Son is a traditional music and dance practice that blends singing, instruments, rhythm and movement. It is performed in pairs or groups and combines improvisation with structured patterns. Son includes lyrics drawn from daily life, which are passed down orally, and brings together African and European musical influences. The dance is...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
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Trois genres de danse traditionnelle à Bali
There are three genres of traditional Balinese dance – sacred, semi-sacred and that meant for enjoyment by communities at large. Traditional Balinese dances are performed by male and female dancers dressed in traditional costumes consisting of brightly coloured cloth painted with gold floral and faunal motifs, with gold-leafed and...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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La fabrication et la pratique de la cornemuse traditionnelle (gayda/tulum)
The traditional bagpipe (Gayda/Tulum) is a traditional woodwind instrument that is made and performed across the area that includes the Republic of North Macedonia, and the Eastern Black Sea and Thrace regions of Türkiye. In North Macedonia, it consists of four parts: a melody pipe, a drone pipe, a blowing pipe and an air reservoir. In...
Global DiasporasNorth Macedonia / TürkiyeNot specified in UNESCO dataset
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La fabrication traditionnelle de jouets en bois pour enfants à Hrvatsko Zagorje
Villagers along the pilgrimage route to the Marian shrine of Our Lady of the Snow in Marija Bistrica in Hrvatsko Zagorje in northern Croatia developed a technique for traditional manufacturing of children’s wooden toys that has now been handed down for generations. The men in a family take soft willow, lime, beech and maple wood from...
EuropeCroatiaNot specified in UNESCO dataset
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Le séga mauricien traditionnel
Traditional Mauritian Sega Tipik is a vibrant performing art, emblematic of the Creole community and performed at informal private family events or in public spaces. Songs sung in a minor key gradually increase in tempo, as dancers move their hips and hands to a percussive beat, using short steps to manoeuvre around each other in a...
AfricaMauritiusNot specified in UNESCO dataset
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La musique traditionnelle du Morin Khuur
The two-stringed fiddle morin khuur has figured prominently in Mongolia’s nomad culture. String instruments adorned with horse heads are attested to by written sources dating from the Mongol empire of the thirteenth and fourteenth centuries. The fiddle’s significance extends beyond its function as a musical instrument, for it was...
East AsiaMongoliaNot specified in UNESCO dataset
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La musique traditionnelle pour flûte tsuur
Tsuur music is based on a combination of instrumental and vocal performance – a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur music has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an...
East AsiaMongoliaNot specified in UNESCO dataset
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Les savoir-faire traditionnels liés à la fabrication et à la pratique du dotâr
The traditional skills of crafting and playing the Dotār are one of the most prominent social and cultural components of the folkloric music among the ethnic groups and communities of the Dotār regions. Bearers and practitioners are mostly farmers, including male crafters and players and female players. The Dotār is a folkloric plucked...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Le savoir-faire traditionnel du violon à Crémone
Cremonese violin craftsmanship is highly renowned for its traditional process of fashioning and restoring violins, violas, cellos and contrabasses. Violin-makers attend a specialized school, based on a close teacher-pupil relationship, before being apprenticed in a local workshop, where they continue to master and perfect their...
EuropeItalyNot specified in UNESCO dataset
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Les traditions du pencak silat
In addition to their sporting element, Traditions of Pencak Silat also encompass mental-spiritual, self-defence and artistic aspects. The moves and styles of Pencak Silat are strongly influenced by various elements of art, involving a unity of body and movement fitting the accompanying music. The term ‘pencak’ is better known in Java,...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le chant et la musique à deux voix dans la gamme istrienne
On the Istrian peninsula in western Croatia, several varieties of two-part singing and playing in the Istrian scale are preserved by Croatian, Istro-Romanian and Italian communities. The style is characterized by vigorous, partly nasal singing. It involves a degree of variation and improvisation in both vocal parts but always ends with...
EuropeCroatiaNot specified in UNESCO dataset
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L'uilleann piping
Uilleann piping is a musical practice which uses a particular type of bagpipe (known as the ‘uilleann’, ‘Irish’ or ‘union’ pipes) to play Irish music. It is a highly developed instrument with strong roots in tradition dating back many generations. Bearers and practitioners are dispersed throughout the world, but the greatest...
EuropeIrelandNot specified in UNESCO dataset
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