UNESCO representative list1 sources
L’art des Akyn, conteurs épiques Kirghiz
The predominant form of cultural expression among the Kyrgyz nomads is the narration of epics. The art of the Akyns, the Kyrgyz epic tellers, combines singing, improvisation and musical composition. The epics are performed at religious and private festivities, seasonal ceremonies and national holidays and have survived over the...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art des Meddah, conteurs publics
Meddahlik was a Turkish theatre form performed by a single storyteller called a meddah and practised throughout Turkey and Turkishspeaking countries. Through the ages, similar narrative genres have flourished due to interaction among the peoples of Asia, the Caucasus and the Middle East within this wide geographical area. Historically,...
Middle EastTürkiyeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition du théâtre dansé Cocolo
The Cocolo dancing drama tradition developed among descendants of British Caribbean slaves who had come to the Dominican Republic in the mid-nineteenth century to work in the sugar fields. This linguistically and culturally distinct community set up their own churches, schools, benevolent societies and mutual assistance lodges. Their...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel du district de Boysun
The Boysun District located in south-eastern Uzbekistan on the route from Asia Minor to India, is one of the oldest inhabited areas of Central Asia. With the diminishing importance of the Silk Road and the political changes in Central Asia, the region became quite isolated, which favoured the preservation of ancient traditions that show...
Central AsiaUzbekistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel du Sosso-Bala
The sacred balafon instrument, known as the Sosso- Bala, has been perceived as the symbol of the freedom and cohesion of the Mandingue community, which is spread across a territory that once belonged to the Empire of Mali. Originally owned and played by King Sumaoro Kanté, who succeeded to the Sosso throne in the early thirteenth...
AfricaGuineaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’épopée Darangen des Maranao du lac Lanao
The Darangen is an ancient epic song that encompasses a wealth of knowledge of the Maranao people who live in the Lake Lanao region of Mindanao. This southernmost island of the Philippine archipelago is the traditional homeland of the Maranao, one of the country’s three main Muslim groups. Comprising 17 cycles and a total of 72,000...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L’Enkipaata, l’Eunoto et l’Olng’esherr, trois rites de passage masculins de la communauté masaï
Enkipaata, Eunoto and Olng’esherr are three interrelated male rites of passage of the Maasai community: Enkipaata is the induction of boys leading to initiation; Eunoto is the shaving of the morans paving the way to adulthood; and Olng’esherr is the meat-eating ceremony that marks the end of moranism and the beginning of eldership. The...
AfricaKenyaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les fêtes de Gióng des temples de Phù Ðông et de Sóc
The Gióng festival of Phù Đổng and Sóc temples is celebrated annually in outlying districts of Hanoi, the capital of Viet Nam. Each spring, before the rice harvest, the Việt people honour the mythical hero, god and saint, Thánh Gióng, who is credited with defending the country from foreign enemies, and is worshipped as the patron god of...
Southeast AsiaViet NamNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Hudhud, récits chantés des Ifugao
The Hudhud consists of narrative chants traditionally performed by the Ifugao community, which is well known for its rice terraces extending over the highlands of the northern island of the Philippine archipelago. It is practised during the rice sowing season, at harvest time and at funeral wakes and rituals. Thought to have originated...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art traditionnel kazakh du dombra kuï
The art of DombraKuy refers to a short solo composition performed on a traditional pear-shaped, long-necked, two-stringed, plucked musical instrument known as a dombra. The music aims to connect people to their historic roots and traditions through classical and improvised pieces that engage the audience at a spiritual and emotional...
Central AsiaKazakhstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Lakalaka, danses et discours chantés du Tonga
The Tonga archipelago lies in the South Pacific approximately 2,000 kilometres north-east of New Zealand. It is the only constitutional monarchy in the Pacific region. Often considered Tonga’s national dance, Lakalaka is a blend of choreography, oratory, and vocal and instrumental polyphony. This cultural expression is practised by...
PacificTongaNot specified in UNESCO dataset
Source supportedContext required
Register of Good Safeguarding Practices1 sources
Le programme « Terre des légendes »pour promouvoir et redynamiser l’art du conte dans le comté de Kronoberg
The Land-of-Legends programme is aimed at promoting and revitalizing the art of storytelling in the Kronoberg region of southern Sweden. In Sweden, as elsewhere, factors such as industrialization, urbanization and television and social media have led to the disappearance of traditional venues for storytelling and modes of transmission,...
EuropeSwedenNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La musique des Bakhshis du Khorasan
In Khorasan Province, the Bakhshis are renowned for their musical skill with the ''dotār,'' a two-stringed, long-necked lute. They recount Islamic and Gnostic poems and epics containing mythological, historical or legendary themes. Their music, known as ''Maghami,'' consists of instrumental and/or vocal pieces, performed in Turkish,...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Nar Bayrami, fête traditionnelle de la grenade et sa culture
Nar Bayrami is an annual festival in October/November in Azerbaijan’s Goychay region that celebrates the pomegranate and its traditional uses and symbolic meaning. Pomegranate culture is a set of practices, knowledge, traditions and skills related to the cultivation of the fruit, which is used not only in a range of culinary contexts,...
Middle EastAzerbaijanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’Olonkho, épopée héroïque iakoute
One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation. The poetic tales, which vary from 10 to 15,000 verses in length, are performed by...
EuropeRussian FederationNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Zaouli, musique et danse populaires des communautés gouro de Côte d'Ivoire
Zaouli is a popular music and dance practised by the Guro communities of the Bouaflé and Zuénoula departments of Côte d’Ivoire. A homage to feminine beauty, Zaouli is inspired by two masks: the Blou and the Djela. Its other name, Djela lou Zaouli means Zaouli, the daughter of Djela. In a single event, the practice brings together...
AfricaCôte d'IvoireNot specified in UNESCO dataset
Source supportedContext required