UNESCO urgent safeguarding list1 sources
Les connaissances et les savoir-faire musicaux ancestraux d’Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu
Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu, ancestral musical sound knowledge and skills relates to the specific traditional music of the Nama people, one of Namibia’s tribal minority groups. It involves the use of traditional musical instruments: the khab (musical bow) and !guitsib (traditional guitar), usually played by men or women, and the...
AfricaNamibiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’Ahellil du Gourara
Performed during collective ceremonies, the Ahellil is a poetic and musical genre emblematic of the Zenete population of Gourara. This region in southwest Algeria includes some one hundred oases populated by over 50,000 inhabitants of Berber, Arab and Sudanese origin. The Ahellil, which is specific to the Berber-speaking part of...
AfricaAlgeriaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al-Bar’ah, musique et danse des vallées du Dhofar d’Oman
Al-Bar’ah is a Bedouin musical tradition from the Dhofar mountains in southern Oman. It takes the form of a warlike dance performed to drums and the chanting of poetry in a local tribal dialect. Al-Bar’ah is performed in a half circle formed by ten to thirty men and women. As they chant and clap, two male dancers holding ''khanjars''...
Middle EastOmanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al-Jertiq : pratiques, rituels et expressions pour la préservation, la protection, l’abondance et la fertilité au Soudan
Among the Nubian populations residing in northern Sudan, along the Nile, up to the Egyptian border, Al-Jertiq is a ritual for protection, fertility and abundance that is held during significant life events such as marriage, childbirth and circumcision, or to mourn the death of a young, unmarried man. Although the ritual has adapted over...
AfricaSudanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al-Mansaf en Jordanie, un banquet festif et ses significations sociales et culturelles
Al-Mansaf is a festive dish that is central to Jordan’s socio-cultural events. An important and well-known symbol that evokes a deep sense of identity and social cohesion, it is associated with the agro-pastoral lifestyle in which meat and dairy are readily available. Large chunks of sheep or goat meat are boiled with spices in a yogurt...
Middle EastJordanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L'Almezmar, danse du bâton au son des tambours
Almezmar is a traditional group performance practised by members of the Hijazi community in Saudi Arabia for festive occasions, such as family and national celebrations, religious holidays or government events. It involves about 15 to 100 practitioners dressed in long white garments who begin by standing in two rows opposite each other....
Middle EastSaudi ArabiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art des Meddah, conteurs publics
Meddahlik was a Turkish theatre form performed by a single storyteller called a meddah and practised throughout Turkey and Turkishspeaking countries. Through the ages, similar narrative genres have flourished due to interaction among the peoples of Asia, the Caucasus and the Middle East within this wide geographical area. Historically,...
Middle EastTürkiyeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Cheoyongmu
Cheoyongmu is a court dance today performed on stage but formerly used to dispel evil spirits and pray for tranquillity at royal banquets or during exorcism rites on New Year’s Eve to promote good fortune. Based on the Korean legend of Cheoyong, a son of the dragon king Yongwang, who took human form and saved his human wife from the...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chidaoba, lutte en Géorgie
Chidaoba (wrestling) is an ancient form of martial art practised by a large proportion of the male population throughout all the regions, villages and communities of Georgia. Bearers of the tradition include young people, city residents, sports clubs, educational institutions and amateur organizations. The practice is a complex...
Middle EastGeorgiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La sortie des masques et marionnettes de Markala
The coming forth of the masks and puppets is a ritual festivity practised among the Bambara, Bozo, Marka and Somono communities in Markala, and is characterized by masked dances, drums and songs featuring dancers and puppeteers. Each mask and puppet symbolizes the sacred link between man and nature, with particular animals incarnating...
AfricaMaliNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel des Bedu de Petra et Wadi Rum
The Bedu are settled and nomadic communities living in the southern part of Jordan, particularly near Petra and Wadi Rum, within a region of semi-arid highlands and deserts. These conditions have allowed for the development and existence in complementary relationship of both types of communities. Several Bedu tribes, namely the Bdul,...
Middle EastJordanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les danses et expressions associées à la Fête-Dieu
The Corpus Christi festival is a religious festival in Panama that celebrates the body and blood of Christ. The festival combines Catholic tradition with popular practices and festivities and is characterized by theatre, music, burlesque dances and colourful costumes and masks. A day before the festival, a theatrical and musical...
Latin America and CaribbeanPanamaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L’Enkipaata, l’Eunoto et l’Olng’esherr, trois rites de passage masculins de la communauté masaï
Enkipaata, Eunoto and Olng’esherr are three interrelated male rites of passage of the Maasai community: Enkipaata is the induction of boys leading to initiation; Eunoto is the shaving of the morans paving the way to adulthood; and Olng’esherr is the meat-eating ceremony that marks the end of moranism and the beginning of eldership. The...
AfricaKenyaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant épique Görogly
The epic art of Gorogly is an oral performing tradition describing the achievements of the legendary hero Gorogly and his forty cavalrymen. The epic incorporates narration, singing, composition, prose, poetry and vocal improvisation, and also functions as an oral encyclopaedia of traditional customs and knowledge (including stock...
Central AsiaTurkmenistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition épique du Gesar
The ethnic Tibetan, Mongolian and Tu communities in western and northern China share the story of the ancient hero King Gesar, sent to heaven to vanquish monsters, depose the powerful, and aid the weak while unifying disparate tribes. The singers and storytellers who preserve the Gesar epic tradition perform episodes of the vast oral...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le grand chant du groupe ethnique Dong
A popular saying among the Dong people in Guizhou Province in southern China has it that ‘rice nourishes the body and songs nourish the soul’. Their tradition of passing on culture and knowledge in music is exemplified in the Grand Song of the Dong ethnic group, multi-part singing performed without instrumental accompaniment or a...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La guarania, son de l'âme paraguayenne
The Guarania is a musical genre originating in Paraguay. Created in the early twentieth century, it is a collective expression of Paraguayan values. It uses the Guarani language, combining elements of native and popular music. The genre is characterized by syncopated rhythms and a slow tempo that is inspired by the Paraguayan polka. It...
Latin America and CaribbeanParaguayNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Gule Wamkulu
Gule Wamkulu was a secret cult, involving a ritual dance practiced among the Chewa in Malawi, Zambia, and Mozambique. It was performed by members of the Nyau brotherhood, a secret society of initiated men.Within the Chewa’s traditional matrilineal society, where married men played a rather marginal role, the Nyau offered a means to...
AfricaMalawi / MozambiqueNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Guruna, pratique des retraites pastorale, socioculturelle et artistique autour du bétail chez les Massa
Guruna is a cultural retreat that acts as a school of life for members of the Massa community, located on both sides of the Logone River in Chad and Cameroon. The term refers to both the participants and the retreat itself, which takes place once a year. During this time, young boys and men move with their cattle to a camp located some...
AfricaChad / CameroonNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Héritage de Dede Qorqud/Korkyt Ata/Dede Korkut : la culture, les légendes populaires et la musique liées à cette épopée
The epic culture, folk tales and music of Dede Qorqud/Korkyt Ata/Dede Korkut are based on twelve heroic legends, stories and tales and thirteen traditional musical compositions shared and transmitted across the generations through oral expressions, performing arts, cultural codes and musical compositions. Dede Qorqud appears in each...
Global DiasporasAzerbaijan / KazakhstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Hiragasy, art du spectacle des Hautes terres Centrales de Madagascar
Hiragasy is a performing art composed of song, dance and speech. Originating in the central highlands of Madagascar, the performance takes place in public spaces. It generally involves two troupes and lasts about one hour and thirty minutes, following a standard structure, including drumming, greetings, storytelling, dance and folk...
AfricaMadagascarNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Huaconada, danse rituelle de Mito
Huaconada is a ritual dance performed in the village of Mito in the province of Concepción in the central Peruvian Andes. Every year, on the first three days of January, masked men known as ''huacones'' perform a choreographed series of dances in the centre of the town. The ''huacones'' represent the former council of elders, and for...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’idée et la pratique d’intérêts communs organisés en coopératives
A cooperative is an association of volunteers that provides services of a social, cultural or economic nature to members of the community to help improve living standards, overcome shared challenges and promote positive change. Based on the subsidiarity principle that puts personal responsibility above state action, cooperatives allow...
EuropeGermanyNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L'Ingoma Ya Mapiko
The mapiko dance is a celebratory dance practiced by the Makonde people of Mozambique. A part of the traditional rite of passage from puberty to adulthood, the dance is performed in an enclosure, usually under mango trees, with dancers, musicians and the public coming together to celebrate the initiation rite. The dance may also be...
AfricaMozambiqueNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les tribunaux d’irrigants du bassin méditerranéen espagnol : le Conseil des bons hommes de la plaine de Murcie et le Tribunal des eaux de la plaine de Valence
The irrigators’ tribunals of the Spanish Mediterranean coast are traditional law courts for water management that date back to the al-Andalus period (ninth to thirteenth centuries). The two main tribunals – the Council of Wise Men of the Plain of Murcia and the Water Tribunal of the Plain of Valencia – are recognized under Spanish law....
EuropeSpainNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La pratique de la danse k’cimi de Tropojë
In Albania, the k’cimi dance is a popular, festive dance performed in spontaneous gatherings or during traditional ceremonies such as weddings, birthdays, initiations and village celebrations. Typically accompanied by drums, k’cimi is performed by men, women and children of all ages, and usually in couples, with partners changing...
EuropeAlbaniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre Kabuki
Kabuki is a Japanese traditional theatre form, which originated in the Edo period at the beginning of the seventeenth century and was particularly popular among townspeople. Originally, both men and women acted in Kabuki plays, but eventually only male actors performed the plays: a tradition that has remained to the present day. Male...
East AsiaJapanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La danse kalela
The Kalela dance originated during colonial times in the Luapula Province of Zambia. It was adopted by mine workers and used for entertainment at the Chief's Palace during traditional ceremonies, funerals, harvest celebrations and other important occasions. Kalela is a kind of dance drill formation in which the dancers form two or three...
AfricaZambiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le kun lbokator, un art martial traditionnel au Cambodge
Kun Lbokator is a martial art dating back to the first century. It aims to develop the mental and physical strength and discipline of its practitioners through self-defence techniques and a philosophy of non-violence. The training of Kun Lbokator is not only about physical techniques and skills, but also about mental disciplines on how...
Southeast AsiaCambodiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le kwagh-hir, représentation théâtrale
Kwagh-Hir theatrical performance is a composite art form encompassing a spectacle that is both visually stimulating and culturally edifying. Kwagh-hir has its roots in the story-telling tradition of the Tiv people called ‘kwagh-alom’, a practice where the family was treated to a storytelling session by creative storytellers, usually in...
AfricaNigeriaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Manas, Semetey, Seitek : trilogie épique kirghize
The Kyrgyz epic trilogy of Manas, Semetey and Seytek describes the unification of scattered tribes into one nation. The trilogy expresses the historical memory of the Kyrgyz people and survives thanks to a community of epic tellers, both women and men, of all ages. Narrators accept their calling after experiencing a prophetic dream,...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Lakalaka, danses et discours chantés du Tonga
The Tonga archipelago lies in the South Pacific approximately 2,000 kilometres north-east of New Zealand. It is the only constitutional monarchy in the Pacific region. Often considered Tonga’s national dance, Lakalaka is a blend of choreography, oratory, and vocal and instrumental polyphony. This cultural expression is practised by...
PacificTongaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le lavash : préparation, signification et aspect du pain traditionnel en tant qu’expression culturelle en Arménie
Lavash is a traditional thin bread that forms an integral part of Armenian cuisine. Its preparation is typically undertaken by a small group of women, and requires great effort, coordination, experience and special skills. A simple dough made of wheat flour and water is kneaded and formed into balls, which are then rolled into thin...
Middle EastArmeniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Mahadra, système communautaire de transmission des savoirs traditionnels et des expressions orales
Mahadra, sometimes called ‘the university of the desert’, is a community framework for education and socialization in which traditional knowledge and literary expressions are transmitted, mainly through listening and memorization. Dating back centuries, it has become a key feature of Mauritanian society and has led to the reproduction,...
AfricaMauritaniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La migration nomade mongole et ses pratiques associées
Mongolian nomadic culture is a way of life that is rooted in the interdependence between pastures, livestock and herders. To ensure the well-being of the livestock and the sustainability of the herders, proper pasture use is crucial. The families move between pastures, which are categorized based on factors such as amount of grass...
East AsiaMongoliaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Mvet Oyeng, art musical, pratiques et savoir-faire associés à la communauté Ekang
Mvet Oyeng is a cultural tradition that is practised by the Ekang community. It entails the singing of a series of epic stories, accompanied by dancing and the playing of a traditional stringed instrument. The audience actively participates in the performance by playing drumsticks or clapping, singing and engaging with the storyteller....
AfricaGabon / CameroonNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Naadam, festival traditionnel mongol
Naadam is a national festival celebrated every year from 11 to 13 July across Mongolia that focuses on three traditional games: horseracing, wrestling and archery. Mongolian Naadam is inseparably connected to the nomadic civilization of the Mongols, who have long practiced pastoralism on Central Asia’s vast steppe. Oral traditions,...
East AsiaMongoliaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre de marionnettes Ningyo Johruri Bunraku
Ranking with Nô and Kabuki as one of Japan’s foremost stage arts, the Ningyo Johruri Bunraku puppet theatre is a blend of sung narrative, instrumental accompaniment and puppet drama. This theatrical form emerged during the early Edo period (ca. 1600) when puppetry was coupled with Johruri, a popular fifteenth-century narrative genre....
East AsiaJapanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La cérémonie Ong Chun/Wangchuan/Wangkang, les rituels et les pratiques associées pour entretenir le lien durable entre l’homme et l’océan
The Ong Chun ceremony and related practices are rooted in folk customs of worshipping Ong Yah, a deity believed to protect people and their lands from disasters. Developed in China’s Minnan region between the fifteenth and seventeenth centuries, the element is now centered in the coastal areas of Xiamen Bay and Quanzhou Bay, as well as...
Global DiasporasChina / MalaysiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Hikaye palestinienne
The Palestinian Hikaye is a narratiave expression practised by women.The fictitious tales, which have evolved over the centuries, deal with current concerns of Middle Eastern Arab society and family issues.The Hikaye offers a critique of society from the women’s perspective and draws a portrait of the social structure that directly...
Middle EastPalestine, State ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La culture du pehlevanliq : jeux, sports et lutte traditionnels de zorkhana
Pehlevanliq culture in Azerbaijan includes games and sports, such as wrestling, and individual performances. Pehlevans use specific tools that resemble medieval weapons (such as swords, shields and bows), but are heavier (originally, to allow pehlevans to handle real weapons easily). The competitions are overseen by referees and...
Middle EastAzerbaijanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre de marionnettes en Slovaquie et en Tchéquie
Puppet theatre for communities in Slovakia and Czechia is not only a popular form of traditional entertainment but also a way of conveying a vision of the world, and an educational tool with messages on moral values. The puppets, whose characters are real or imaginary, are mostly made of wood and animated using various methods. Initial...
EuropeSlovakia / CzechiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les Raiho-shin, visites rituelles de divinités masquées et costumées
Raiho-shin rituals take place annually in various regions of Japan – especially in the Tohoku, Hokuriku, Kyushu and Okinawa regions – on days that mark the beginning of the year or when the seasons change. Such rituals stem from folk beliefs that deities from the outer world – the Raiho-shin – visit communities and usher in the new year...
East AsiaJapanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le rūkada nātya, théâtre traditionnel de marionnettes à fils au Sri Lanka
Rūkada Nātya is a type of drama performed using string puppets, traditionally to provide light entertainment and convey moral lessons to village communities. Rūkada Nātya is performed by family groups who belong to, or are connected with, the lineage known as Gamwari, living around the southern coastal towns of Ambalangoda, Balapitiya...
South AsiaSri LankaNot specified in UNESCO dataset
Source supportedContext required
Register of Good Safeguarding Practices1 sources
Le programme de sauvegarde de la tradition de la kobza et de la vielle à roue
The Ukrainian kobza and wheel lyre tradition is a nomadic music tradition involving visually impaired musicians who sing and play string instruments such as the kobza. Becoming a kobza performer traditionally entailed initiation rites conditioned by a strong knowledge of the music and of the practitioners’ secret language. To regulate...
EuropeUkraineNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le silat
Silat is a combative art of self-defence and survival rooted in the Malay Archipelago. Traced back to the early days of the Langkasuka Kingdom, Silat has evolved into a fine practice of physical and spiritual training also encompassing traditional Malay attire, Silat musical instruments and customs. There are many styles of Silat,...
Southeast AsiaMalaysiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le tahteeb, jeu du bâton
In ancient Egypt, tahteeb was used as a form of martial arts. Its role has since changed to that of a festive game but some of the symbolism and values associated with the practice remain. Performed in front of an audience, it involves a brief, non-violent interchange between two adversaries, each wielding a long stick while folk music...
AfricaEgyptNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Tchiloli, théâtre vivant de Sao Tomé-et-Principe dans la quête de la justice
Tchiloli is a traditional form of open-air theatre involving actors, musicians and an engaged audience. It is performed in an open space during festivals or public events, typically starting with a ritual led by women. Inspired by a traditional play, the story centres around a murder trial and involves about thirty actors. These actors...
AfricaSao Tome and PrincipeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition du récit des anecdotes de Nasreddin Hodja / Molla Nesreddin / Molla Ependi / Apendi / Afendi Kozhanasyr / Nasriddin Afandi
The Telling Tradition of Nasreddin Anecdotes refers to the social practices and festivals around the telling of anecdotes attributed to Nasreddin, a philosopher and wiseman recognized for his wisdom and humorous analyses and representations of society and life experiences. Although there are slight differences across communities in...
Global DiasporasAzerbaijan / KazakhstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La diwaniya, une pratique culturelle fédératrice au Koweït
The Diwaniya is a space where men of all ages and backgrounds come together to talk, connect and share ideas. It can take place in a home, a public space, or even a tent, and serves as a key setting for family members, neighbours and friends to discuss topics such as family matters, community issues, politics and current events. While...
Middle EastKuwaitNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L'épopée Samba Gueladio
The Epic of Samba Gueladio is a legend in which the hero, Samba Gueladio, the legitimate heir to the throne, was cast aside by his uncle. To regain his throne, he forged alliances wherever he went. For instance, he killed a monster that had been preventing the Moors from fetching water from the river and recovered their cattle from a...
AfricaMauritaniaNot specified in UNESCO dataset
Source supportedContext required
Register of Good Safeguarding Practices1 sources
Tocatì, un programme partagé pour la sauvegarde des jeux et sports traditionnels
As part of coordinated efforts to safeguard traditional games and sports in Italy, Belgium, Croatia, Cyprus and France, the Associazione Giochi Antichi launched Tocatì (‘it's your turn’), a festival and platform uniting communities, groups and individuals that practice traditional games. Tocatì links traditional games and sports to the...
Global DiasporasItaly / BelgiumNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le jeu traditionnel d’intelligence et de stratégie: Togyzqumalaq, Toguz Korgool, Mangala/Göçürme
Traditional intelligence and strategy game: Togyzqumalaq, Toguz Korgool, Mangala/Göçürme is a traditional game which can be played on special boards or improvised ones such as pits on the ground. The game can be played with pellets made of stone, wood, metal and bone, nuts, or seeds, which are distributed across the pits; the player who...
Global DiasporasKazakhstan / KyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les traditions du pencak silat
In addition to their sporting element, Traditions of Pencak Silat also encompass mental-spiritual, self-defence and artistic aspects. The moves and styles of Pencak Silat are strongly influenced by various elements of art, involving a unity of body and movement fitting the accompanying music. The term ‘pencak’ is better known in Java,...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre de marionnettes wayang
Renowned for its elaborate puppets and complex musical styles, this ancient form of storytelling originated on the Indonesian island of Java. For ten centuries wayang flourished at the royal courts of Java and Bali as well as in rural areas. Wayang has spread to other islands (Lombok, Madura, Sumatra and Borneo) where various local...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le système normatif Wayuu, appliqué par le Pütchipü’üi (palabrero)
The Wayuu community inhabits the Guajira Peninsula straddling Colombia and Venezuela. Its legislative system comprises a body of principles, procedures and rites that govern the social and spiritual conduct of the community. The system, inspired by principles of reparation and compensation, is applied by the local moral authorities, the...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Yaldā/Chella
Yaldā/Chella refers to a traditional celebration of the sun and the warmth of life. Practiced in Iran and Afghanistan, the event takes place on the last night of autumn, when families gather at the houses of elders and sit around a table adorned with a series of symbolic objects and foods: a lamp to symbolize light, water to represent...
South AsiaIran, Islamic Republic of / AfghanistanNot specified in UNESCO dataset
Source supportedContext required
