UNESCO representative list1 sources
L’art des Ashiqs d’Azerbaïdjan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. Characterized by the accompaniment of the ''saz,'' a stringed musical instrument, the classical repertoire includes 200 songs, 150 literary-musical...
Middle EastAzerbaijanNot specified in UNESCO dataset
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La culture du petit déjeuner en Malaisie : expérience culinaire dans une société multiethnique
Breakfast culture in Malaysia plays an important role among Malaysia’s multi-ethnic societies. The element can be found throughout the submitting State, which comprises 14 states. It is centred on food and spending time together over a morning meal. The element is a living heritage related to the traditional dietary practices which...
Southeast AsiaMalaysiaNot specified in UNESCO dataset
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Le carnaval de Barranquilla
Every year during the four days before Lent, the Carnival de Barranquilla offers a repertory of dances and musical expressions originating from different Colombian sub-cultures. Because of its geographical location situated on the Caribbean coast and the commercial development during the colonial period, the city of Barranquilla became...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
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Ch’utillos, la fête de Saint Barthélemy et de Saint Ignace de Loyola : la rencontre des cultures à Potosí
Ch’utillos, or the Festival of San Bartolomé and San Ignacio de Loyola, is celebrated in Potosí, Bolivia in the month of August. An integral part of the local cultural identity, the festival is characterised by gastronomic fairs, dance performances and a procession to the sanctuary located in the Mullu Punku gorge, a natural site with...
Latin America and CaribbeanBolivia, Plurinational State ofNot specified in UNESCO dataset
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La sortie des masques et marionnettes de Markala
The coming forth of the masks and puppets is a ritual festivity practised among the Bambara, Bozo, Marka and Somono communities in Markala, and is characterized by masked dances, drums and songs featuring dancers and puppeteers. Each mask and puppet symbolizes the sacred link between man and nature, with particular animals incarnating...
AfricaMaliNot specified in UNESCO dataset
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Le festival de la déesse Bà Chúa Xứ au Mont Sam
The festival of Bà Chúa Xứ Goddess at Sam Mountain takes place from the 22nd to the 27th day of the fourth lunar month. Observed by the Kinh, Khmer, Cham and Hoa communities in Châu Đốc city, it entails performing religious ceremonies and music and dance to express gratitude to the Mother Earth goddess, who is believed to grant...
Southeast AsiaViet NamNot specified in UNESCO dataset
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Le Fichee-Chambalaalla, festival du Nouvel an des Sidamas
Fichee-Chambalaalla is a New Year festival celebrated among the Sidama people. According to the oral tradition, Fichee commemorates a Sidama woman who visited her parents and relatives once a year after her marriage, bringing ''buurisame'', a meal prepared from false banana, milk and butter, which was shared with neighbours. Fichee has...
AfricaEthiopiaNot specified in UNESCO dataset
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Le glasoechko, chant d'hommes à deux voix dans le bas Polog
Male two-part singing in Dolni Polog is a traditional form of vocal music, known locally as Glasoechko, which is characteristic to the region. Songs are sung in a polyphonic manner with the drone voice moving contrapuntally in relation to the melodic leading voice, often accompanied by a shepherd’s flute and a bagpipe. Glasoechko is...
EuropeNorth MacedoniaNot specified in UNESCO dataset
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Le gwoka : musique, chants, danses et pratique culturelle représentatifs de l’identité guadeloupéenne
Gwoka is found among all ethnic and religious groups of Guadeloupean society. It combines responsorial singing in Guadeloupean Creole, rhythms played on the Ka drums and dancing. In its traditional form, Gwoka unites these three areas of expression and emphasizes individual qualities of improvisation. The participants and public form a...
EuropeFranceNot specified in UNESCO dataset
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Le joropo au Venezuela
Joropo is a lively festive tradition resulting from the encounter between Indigenous People, Africans and Europeans. Its practice varies according to the regions: East, Guayana, The Andes, West Central, Central and The Plains. It combines music, poetry, singing and dancing, and involves various instruments such as the harp, cuatro,...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
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Le Katta Ashula
Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. An original genre, Katta Ashula combines performing arts, singing,...
Central AsiaUzbekistanNot specified in UNESCO dataset
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La fête de Khidr Elias et l'expression des vœux
Every year in February communities in Iraq honour Alkhidr, a holy figure who, according to ancient beliefs, grants worshippers their wishes particularly those in need. In northern Iraq, during the last three days of the month, families gather on a hill where the sanctuary of Alkhidr is thought to be. Dressed in traditional clothes they...
Middle EastIraqNot specified in UNESCO dataset
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La tradition orale Koogere des Basongora, Banyabidi et Batooro
Koogere was a female chief of Busongora about 1,500 years ago. Oral tradition describes her exceptional wisdom and the prosperity of the chiefdom through a series of narratives, which form part of the collective memory of Basongora, Banyabindi and Batooro communities in Kasese. This oral tradition is an essential and inspirational part...
AfricaUgandaNot specified in UNESCO dataset
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La Charte du Mandén, proclamée à Kouroukan Fouga
In the early thirteenth century, following a major military victory, the founder of the Mandingo Empire and the assembly of his wise men proclaimed in Kurukan Fuga the new Manden Charter, named after the territory situated above the upper Niger River basin, between present-day Guinea and Mali. The Charter, one of the oldest...
AfricaMaliNot specified in UNESCO dataset
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La pratique de l’art naïf de Kovačica
The naïve painting practices of Kovačica, Serbia refer to the tradition of painting and decorating objects with representations of the folk life, rural environment, history and everyday lives. Practitioners are self-taught. They use oil paint in bright hues to depict traditional culture, objects, history and values. Increasingly,...
EuropeSerbiaNot specified in UNESCO dataset
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Le Ngondo, culte des oracles de l'eau et traditions culturelles associées chez les Sawa
The Ngondo traditions are based on the worship of water oracles. Practised by the Sawa community of Cameroon, they take place annually from September to the first Sunday of December. The popular and festive part of the practice is marked by a caravan touring the traditional Sawa districts with artistic performances, traditional...
AfricaCameroonNot specified in UNESCO dataset
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Le noken, sac multifonctionnel noué ou tissé, artisanat du peuple de Papouasie
Noken is a knotted net or woven bag handmade from wood fibre or leaves by communities in Papua and West Papua Provinces of Indonesia. Men and women use it for carrying plantation produce, catch from the sea or lake, firewood, babies or small animals as well as for shopping and for storing things in the home. Noken may also be worn,...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Pratiques et expressions de la parenté à plaisanterie au Niger
Joking relationships are a social practice performed among ethnolinguistic communities, groups and individuals to promote fraternity, solidarity and conviviality. They take the form of a playful taunting between two people from two communities that represent symbolically the husband and wife cross-cousin branches of the same family....
AfricaNigerNot specified in UNESCO dataset
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Sarawja, musique et danse aymara de Moquegua
Sarawja, also known as Sarawjatana, is practiced in the valleys of Ticsani and San Felipe, in the Andean region of Moquegua. This annual celebration is held after the Catholic Holy Week, marking the end of the rainy season and the beginning of the harvest. It features a ritual dance performance by dance groups known as ‘ruedas’, or...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
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Les savoir-faire liés à la fabrication de l'attiéké en Côte d'Ivoire
Attiéké is a dish made from steamed cassava tubers. Produced by the lagoon peoples of Côte d’Ivoire, the dish involves growing and harvesting the cassava tubers, grinding and mixing them with fermented cassava to prepare the semolina, and steaming the semolina to prepare the dish. After cooking, the attiéké is removed from the heat and...
AfricaCôte d'IvoireNot specified in UNESCO dataset
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Les traditions et pratiques associées aux Kayas dans les forêts sacrées des Mijikenda
The Mijikenda include nine Bantu-speaking ethnic groups in the Kaya forests of coastal Kenya. The identity of the Mijikenda is expressed through oral traditions and performing arts related to the sacred forests, which are also sources of valuable medicinal plants. These traditions and practices constitute their codes of ethics and...
AfricaKenyaNot specified in UNESCO dataset
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Le xeer ciise, droit coutumier oral des communautés somali-issa en Éthiopie, à Djibouti et en Somalie
The Xeer Ciise refers to the oral customary laws of the Somali-Issa communities in Ethiopia, Djibouti and Somalia. A highly structured and rigorously codified system of democratic governance, it has three main components: (a) a political constitution, which defines the distribution of power and decision-making processes; (b) a penal...
AfricaEthiopia / DjiboutiNot specified in UNESCO dataset
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