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L’art de la fabrication et de la pratique du rubab/rabab
One of the oldest musical instruments in Central, South and Southwest Asia, the rubab is a string instrument made with dried mulberry wood collected in deserts. It is played on many occasions, including for celebrations, weddings, funerals, gatherings and ritual healings. It is also a leading instrument in orchestral and contemporary...
Global DiasporasAfghanistan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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Le mugham azerbaïdjanais
The Azerbaijani Mugham is a traditional musical form, characterized by a large degree of improvisation. The Mugham, though a classical and academic art, draws upon popular bard melodies, rhythms and performance techniques and is performed in many venues throughout the country. Contemporary representations of the Azerbaijani Mugham...
Middle EastAzerbaijanNot specified in UNESCO dataset
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La culture de la cornemuse
Bagpipe culture consists of a wide range of expressions and knowledge associated with bagpipes and their use, including music repertoire, style and ornamentation, songs, dances, instrument-making, folk customs and traditions and special verbal expressions. The bagpipe tradition exists throughout Slovakia, with regional differences...
EuropeSlovakiaNot specified in UNESCO dataset
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Les cornemuses et la pratique de la cornemuse en Bulgarie : transmission des connaissances et des savoir-faire
The bagpipe is a traditional wind instrument made of a leather bag connected to a chanter (a pipe with finger holes and a reed), a drone (a pipe that produces a continuous tone), and a blowpipe used to fill the bag with air. There are different types based on pitch: high, medium and low. The bagpipe is played at social and cultural...
EuropeBulgariaNot specified in UNESCO dataset
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Le chant byzantin
As a living art that has existed for more than 2000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire. Highlighting and musically enhancing the liturgical texts of the Greek Orthodox Church, it is inextricably...
Global DiasporasCyprus / GreeceNot specified in UNESCO dataset
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La cobza, connaissances, savoir-faire et musique traditionnels
The cobza is a pear-shaped string instrument with a short neck and wooden body, traditionally used to provide rhythm and harmony in folk music. It can be played solo or in groups and is usually strummed with a folded goose feather. Though its design has changed slightly over time, such as with the recent use of metal strings, the...
EuropeRomania / Moldova, Republic ofNot specified in UNESCO dataset
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La fabrication et la pratique de l’oud
The oud is a traditional, lute-type instrument played in Iran and Syria. The musician places the short-necked instrument on their leg, fretting with one hand and plucking the chords with the other. In both countries, the oud consists of a pear-shaped sound box made of walnut, rose, poplar, ebony or apricot wood. Crafting an oud takes up...
Global DiasporasIran, Islamic Republic of / Syrian Arab RepublicNot specified in UNESCO dataset
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La facture et la pratique musicale du tar, instrument à cordes à long manche
The Tar is a long-necked plucked lute, traditionally crafted and performed in communities throughout Azerbaijan. Considered by many to be the country’s leading musical instrument, it features alone or with other instruments in numerous traditional musical styles. Tar makers transmit their skills to apprentices, often within the family....
Middle EastAzerbaijanNot specified in UNESCO dataset
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L’artisanat et l’art de jouer du balaban/mey
Balaban (in Azerbaijan) or Mey (in Türkiye) is a centuries-old woodwind instrument made up of three parts: a body, a wide and flat double reed and a clip. The instrument is traditionally made of plum or apricot wood and coated with linseed or olive oil. Once dry, crafters drill several holes into the front of the body and one hole into...
Middle EastAzerbaijan / TürkiyeNot specified in UNESCO dataset
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Les pratiques et expressions culturelles liées au balafon et au kolintang au Mali, au Burkina Faso, en Côte d’Ivoire et en Indonésie
The balafon (in Mali, Burkina Faso and Côte d’Ivoire) and kolintang (in Indonesia) refer to a set of wooden xylophones of different lengths. The Indonesian and West African instruments share similarities in material, shapes, keys, functions, transmission processes and values. They are believed to represent mutual respect and tolerance...
Global DiasporasMali / Burkina FasoNot specified in UNESCO dataset
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L’espace culturel du Sosso-Bala
The sacred balafon instrument, known as the Sosso- Bala, has been perceived as the symbol of the freedom and cohesion of the Mandingue community, which is spread across a territory that once belonged to the Empire of Mali. Originally owned and played by King Sumaoro Kanté, who succeeded to the Sosso throne in the early thirteenth...
AfricaGuineaNot specified in UNESCO dataset
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L’espace culturel de la Fraternité du Saint-Esprit des congos de Villa Mella
The Brotherhood of the Holy Spirit of the Congos of Villa Mella is distinguished in the fields of music, dance and popular festivities. The Brotherhood musicians play instruments called congos. These congos, the origin of which is attributed to the Holy Spirit, are hand-drums. The Brotherhood, which is nowadays open to all without...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
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Le gamelan
Gamelan refers to the traditional Indonesian percussion orchestra and to the set of musical instruments used. Consisting primarily of ornate, percussive instruments made of hand-forged metal, the ensemble typically includes xylophones, gongs, gong-chimes, drums, cymbals, string instruments and bamboo flutes. Gamelan music follows...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le Ganggangsullae
Ganggangsullae is a seasonal harvest and fertility ritual popular in the south-western part of the Republic of Korea, performed primarily on Korea’s Thanksgiving in the eighth lunar month. Under a bright full moon, dozens of young, unmarried village women gather in a circle, join hands and sing and dance all night under the direction of...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
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Le Guqin et sa musique
The Chinese zither, called guqin, has existed for over 3,000 years and represents China’s foremost solo musical instrument tradition. Described in early literary sources and corroborated by archaeological finds, this ancient instrument is inseparable from Chinese intellectual history. Guqin playing developed as an elite art form,...
East AsiaChinaNot specified in UNESCO dataset
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La musique et la danse highlife
Highlife music and dance is a popular form of musical expression and storytelling known for its lively rhythms, lyrics and strong connection to everyday life. It features a mix of instruments, including guitars, horns, drums, xylophones and percussion. The music is often built around call-and-response singing, with the lead singer...
AfricaGhanaNot specified in UNESCO dataset
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La tradition de l’ensemble à cordes hongrois
The Hungarian string band tradition is one of the country’s defining ensembles and one of the most common representatives of folk music culture. The basic fiddle-viola-bass line-up takes many forms across regions and eras and can be expanded to include additional string players or reed instruments. Up until the middle of the twentieth...
EuropeHungaryNot specified in UNESCO dataset
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L’Angklung indonésien
Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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La pratique de la harpe irlandaise
Irish harping is at the heart of the identity of the people of the island of Ireland. The harp is Ireland’s national symbol and has been played for more than 1,000 years; its bell-like sounds and music captivate all those who hear it and are celebrated in Irish mythology, folklore and literature. Nowadays, instead of a harp hewn from a...
EuropeIrelandNot specified in UNESCO dataset
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Le Maloya
Maloya is a form of music, song and dance native to Réunion Island. Of mixed racial origins since its outset, maloya was created by Malagasy and African slaves on the sugar plantations and was eventually appropriated by the whole of the island’s population. Initially conceived as a dialogue between a soloist and a choir accompanied by...
EuropeFranceNot specified in UNESCO dataset
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L'art musical des sonneurs de trompe, une technique instrumentale liée au chant, à la maîtrise du souffle, au vibrato, à la résonance des lieux et à la convivialité
The musical art of horn players, an instrumental technique linked to singing, breath control, vibrato, resonance of place and conviviality, brings together the techniques and skills used to play the horn. The pitch, accuracy and quality of the notes produced are influenced by the musician’s breath and the instrumental technique is based...
EuropeFrance / BelgiumNot specified in UNESCO dataset
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Le Nanyin
Nanyin is a musical performing art central to the culture of the people of Minnan in southern Fujian Province along China’s south-eastern coast, and to Minnan populations overseas. The slow, simple and elegant melodies are performed on distinctive instruments such as a bamboo flute called the ''dongxiao'' and a crooked-neck lute played...
East AsiaChinaNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le réseau dédié au nyckelharpa, diffusion innovante d’une tradition musicale et de lutherie ayant ses racines en Suède
The nyckelharpa is a bowed instrument, originally built and played by farmers and craftspeople in northern Uppland in Sweden. Dating back to the seventeenth century, it was the most common instrument in this region, played at dances and in various ceremonies and rituals. In the early twentieth century, interest in the nyckelharpa waned...
EuropeSwedenNot specified in UNESCO dataset
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La culture du pehlevanliq : jeux, sports et lutte traditionnels de zorkhana
Pehlevanliq culture in Azerbaijan includes games and sports, such as wrestling, and individual performances. Pehlevans use specific tools that resemble medieval weapons (such as swords, shields and bows), but are heavier (originally, to allow pehlevans to handle real weapons easily). The competitions are overseen by referees and...
Middle EastAzerbaijanNot specified in UNESCO dataset
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Le Radif de la musique iranienne
The Radif of Iranian music is the traditional repertoire of the classical music of Iran that forms the essence of Persian musical culture. More than 250 melodic units, called ''gushe,'' are arranged into cycles, with an underlying modal layer providing the backdrop against which a variety of melodic motifs are set. Although the main...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le concept Kodály, sauvegarde du patrimoine musical traditionnel
Over the past century, the Kodály concept of safeguarding traditional folk music has helped to promote, transmit and document local practices in Hungary and assisted communities abroad for similar purposes. Devised by researcher, composer and pedagogue Zoltán Kodály and supported by the Hungarian Academy of Sciences, it advocates:...
EuropeHungaryNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
La sauvegarde de la culture du carillon : préservation, transmission, échange et sensibilisation
The art of making music with bells (carillon) is performed by carillonneurs, traditionally during market and festive days. The programme to safeguard carillon culture exists in seventy-six cities and villages of Belgium and in thirty countries worldwide. The primary objectives are to preserve the components of historic carillon culture...
EuropeBelgiumNot specified in UNESCO dataset
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La musique Shashmaqom
For over ten centuries, the classical music tradition of Shashmaqom has evolved in the urban centres of Central Asia formerly known as Mâwarâ al-nahr, an area which now encompasses present-day Tajikistan and Uzbekistan. Shashmaqom, meaning “six maqoms”, constitutes a fusion of vocal and instrumental music, melodic and rhythmic idioms...
Central AsiaUzbekistan / TajikistanNot specified in UNESCO dataset
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La pratique du chant lyrique en Italie
Italian opera singing is a physiologically controlled way of singing that enhances the carrying power of the voice in acoustic spaces such as auditoriums, amphitheatres, arenas and churches. Performed by people of all genders, it is associated with specific facial expressions and body gestures and involves a combination of music, drama,...
EuropeItalyNot specified in UNESCO dataset
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La fabrication et la pratique de la cornemuse traditionnelle (gayda/tulum)
The traditional bagpipe (Gayda/Tulum) is a traditional woodwind instrument that is made and performed across the area that includes the Republic of North Macedonia, and the Eastern Black Sea and Thrace regions of Türkiye. In North Macedonia, it consists of four parts: a melody pipe, a drone pipe, a blowing pipe and an air reservoir. In...
Global DiasporasNorth Macedonia / TürkiyeNot specified in UNESCO dataset
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La fabrication traditionnelle de jouets en bois pour enfants à Hrvatsko Zagorje
Villagers along the pilgrimage route to the Marian shrine of Our Lady of the Snow in Marija Bistrica in Hrvatsko Zagorje in northern Croatia developed a technique for traditional manufacturing of children’s wooden toys that has now been handed down for generations. The men in a family take soft willow, lime, beech and maple wood from...
EuropeCroatiaNot specified in UNESCO dataset
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Le chant et la musique à deux voix dans la gamme istrienne
On the Istrian peninsula in western Croatia, several varieties of two-part singing and playing in the Istrian scale are preserved by Croatian, Istro-Romanian and Italian communities. The style is characterized by vigorous, partly nasal singing. It involves a degree of variation and improvisation in both vocal parts but always ends with...
EuropeCroatiaNot specified in UNESCO dataset
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L'uilleann piping
Uilleann piping is a musical practice which uses a particular type of bagpipe (known as the ‘uilleann’, ‘Irish’ or ‘union’ pipes) to play Irish music. It is a highly developed instrument with strong roots in tradition dating back many generations. Bearers and practitioners are dispersed throughout the world, but the greatest...
EuropeIrelandNot specified in UNESCO dataset
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L’ensemble d’instruments à vent et à percussion de Xi’an
Xi’an wind and percussion ensemble, which has been played for more than a millennium in China’s ancient capital of Xi’an, in Shaanxi Province, is a type of music integrating drums and wind instruments, sometimes with a male chorus. The content of the verses is mostly related to local life and religious belief and the music is mainly...
East AsiaChinaNot specified in UNESCO dataset
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Le chant Xoan de la Province de Phú Thọ (Viet Nam)
As a performing art, Xoan singing of Pho Tho province includes singing, dancing, drumming and clapper beating. It is closely linked to the worship of the Hung Kings, a belief rooted in the ancestor worship practice of the Viet people. Bearers and practitioners form four guilds, in which the male and female Trum play the most important...
Southeast AsiaViet NamNot specified in UNESCO dataset
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Yodel
Yodelling is a vocal technique involving the use of different vocal registers, such as chest and head voices, to create melodies with meaningless syllables instead of words. The syllables chosen are often determined by the local dialect. There are two types of yodelling: natural and sung. Natural yodelling consists of wordless melodies...
EuropeSwitzerlandNot specified in UNESCO dataset
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