UNESCO representative list1 sources
L’artisanat de l’ak-kalpak, connaissances et savoir-faire traditionnels liés à la fabrication et au port du chapeau masculin kirghiz
Ak-kalpak craftsmanship is a traditional Kyrgyz handicraft. The Ak-kalpak is a traditional male hat made with white felt, which bears deep sacral meanings. Ak-kalpak craftsmanship is a cumulative, ever-evolving body of knowledge and skills passed down by craftswomen in the communities concerned comprising felting, cutting and sewing and...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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Al Sadu, tissage traditionnel dans les Émirats arabes unis
Between 2011 and 2023, a safeguarding programme was put in place to address the risk of disappearance of Al Sadu weaving, whose know-how is preserved by a dwindling number of older women. Thanks to the combined efforts and resources of social actors, research, documentation, knowledge transfer, dissemination, marketing support, and...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
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Al-Bar’ah, musique et danse des vallées du Dhofar d’Oman
Al-Bar’ah is a Bedouin musical tradition from the Dhofar mountains in southern Oman. It takes the form of a warlike dance performed to drums and the chanting of poetry in a local tribal dialect. Al-Bar’ah is performed in a half circle formed by ten to thirty men and women. As they chant and clap, two male dancers holding ''khanjars''...
Middle EastOmanNot specified in UNESCO dataset
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Al-Taghrooda, poésie chantée traditionnelle des Bédouins dans les Émirats arabes unis et le Sultanat d’Oman
Al-Taghrooda traditional Bedouin chanted poetry is composed and recited by men travelling on camelback through desert areas of the United Arab Emirates and the Sultanate of Oman. Bedouins believe that chanting entertains the riders and stimulates animals to walk in time. Short poems of seven lines or less are improvised and repeated...
Middle EastUnited Arab Emirates / OmanNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
L’ala-kiyiz et le chirdak, l’art du tapis traditionnel kirghiz en feutre
Traditional felt carpets are one of the foremost arts of the Kyrgyz people and an integral part of their cultural heritage. The Kyrgyz traditionally produce two types of felt carpets: Ala-kiyiz and Shyrdaks. Knowledge, skills, diversity, the semantics of ornamentation, and the ceremonies of creating carpets are all important cultural...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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Le pèlerinage annuel au mausolée de Sidi ‘Abd el-Qader Ben Mohammed dit « Sidi Cheikh »
Every year, nomadic and settled Sufi communities undertake a pilgrimage to the mausoleum of the Muslim mystic, Sidi ‘Abd el-Qader Ben Mohammed (Sidi Cheikh), located in El Abiodh Sidi Cheikh. Beginning on the last Thursday of June, three days of religious rituals and secular festive events honour the founder of the brotherhood. The...
AfricaAlgeriaNot specified in UNESCO dataset
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L’art des Akyn, conteurs épiques Kirghiz
The predominant form of cultural expression among the Kyrgyz nomads is the narration of epics. The art of the Akyns, the Kyrgyz epic tellers, combines singing, improvisation and musical composition. The epics are performed at religious and private festivities, seasonal ceremonies and national holidays and have survived over the...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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L’art des Ashiqs d’Azerbaïdjan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. Characterized by the accompaniment of the ''saz,'' a stringed musical instrument, the classical repertoire includes 200 songs, 150 literary-musical...
Middle EastAzerbaijanNot specified in UNESCO dataset
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La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
Middle EastTürkiyeNot specified in UNESCO dataset
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La course de dromadaires, pratique sociale et patrimoine festif associés aux dromadaires
Camel racing, a social practice and festive heritage associated with camels, is a popular social practice in the communities concerned. Preparing the racing camels involves several stages. Camels are selected based on type, origin and age and are given a special diet. They practise on the racetrack in groups and are trained to take part...
Middle EastUnited Arab Emirates / OmanNot specified in UNESCO dataset
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Le tchovgan, jeu équestre traditionnel pratiqué à dos de chevaux karabakhs en République d'Azerbaïdjan
Chovqan is a traditional horse-riding game played on a flat, grassy field by two competing teams of players mounted on Karabakh horses. Each team has five riders, with two fullbacks and three forwards. The game starts at the centre of the field and players use wooden mallets to try to drive a small leather or wooden ball into their...
Middle EastAzerbaijanNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
Le rituel pour amadouer les chamelles
Mongol herders perform the coaxing ritual to encourage a female camel to accept a new-born calf or to adopt an orphan. The mother is tied close to the calf and a singer begins a monotone song accompanied by gestures and chanting. The coaxer changes the melody depending on the mother’s behaviour, which may be initially aggressive, and...
East AsiaMongoliaNot specified in UNESCO dataset
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L’espace culturel des Bedu de Petra et Wadi Rum
The Bedu are settled and nomadic communities living in the southern part of Jordan, particularly near Petra and Wadi Rum, within a region of semi-arid highlands and deserts. These conditions have allowed for the development and existence in complementary relationship of both types of communities. Several Bedu tribes, namely the Bdul,...
Middle EastJordanNot specified in UNESCO dataset
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L’espace culturel du yaaral et du degal
The cultural space of the Yaaral and the Degal encompasses the vast pastoral lands of the Peul of the inner Niger Delta. The Yaaral and the Degal festivities mark the crossing of the river at the time of the transhumance. Twice a year, herds of cattle cross the arid land of the Sahel and the flood plains of the inner Niger River. The...
AfricaMaliNot specified in UNESCO dataset
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La culture de la fabrication et du partage de pain plat Lavash, Katyrma, Jupka, Yufka
The culture of making and sharing flatbread in communities of Azerbaijan, Iran, Kazakhstan, Kyrgyzstan and Turkey carries social functions that have enabled it to continue as a widely-practised tradition. Making the bread (lavash, katyrma, jupka or yufka) involves at least three people, often family members, with each having a role in...
Global DiasporasAzerbaijan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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La technique d’interprétation du chant long des joueurs de flûte limbe – la respiration circulaire
The Limbe is a side-blown flute of hardwood or bamboo, traditionally used to perform Mongolian folk long songs. Through the use of circular breathing, Limbe performers are able to produce the continuous, wide-ranging melodies characteristic of the long song. Players breathe in through the nose while simultaneously blowing out through...
East AsiaMongoliaNot specified in UNESCO dataset
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La tradition épique du Gesar
The ethnic Tibetan, Mongolian and Tu communities in western and northern China share the story of the ancient hero King Gesar, sent to heaven to vanquish monsters, depose the powerful, and aid the weak while unifying disparate tribes. The singers and storytellers who preserve the Gesar epic tradition perform episodes of the vast oral...
East AsiaChinaNot specified in UNESCO dataset
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Le koures au Kazakhstan
Kuresi in Kazakhstan is a type of wrestling that requires players to battle it out on foot, the objective being to get the opponent’s shoulders on the ground. It is a traditional practice where trainers would coach young boys who would then take part in local contests. These days, kuresi in Kazakhstan is a national sport practised by...
Central AsiaKazakhstanNot specified in UNESCO dataset
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Manas, Semetey, Seitek : trilogie épique kirghize
The Kyrgyz epic trilogy of Manas, Semetey and Seytek describes the unification of scattered tribes into one nation. The trilogy expresses the historical memory of the Kyrgyz people and survives thanks to a community of epic tellers, both women and men, of all ages. Narrators accept their calling after experiencing a prophetic dream,...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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Le Majlis, un espace culturel et social
Majlis are ‘sitting places’ where community members gather to discuss local events and issues, exchange news, receive guests, socialize and be entertained. The Majlis is where the community gathers to resolve problems, pay condolences and hold wedding receptions. It is typically a large space with carpets on the floor and cushions...
Middle EastUnited Arab Emirates / Saudi ArabiaNot specified in UNESCO dataset
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Le Manas
The Kirgiz ethnic minority in China, concentrated in the Xinjiang region in the west, pride themselves on their descent from the hero Manas, whose life and progeny are celebrated in one of the best-known elements of their oral tradition: the Manas epic. Traditionally sung by a Manaschi without musical accompaniment, epic performances...
East AsiaChinaNot specified in UNESCO dataset
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La migration nomade mongole et ses pratiques associées
Mongolian nomadic culture is a way of life that is rooted in the interdependence between pastures, livestock and herders. To ensure the well-being of the livestock and the sustainability of the herders, proper pasture use is crucial. The families move between pastures, which are categorized based on factors such as amount of grass...
East AsiaMongoliaNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
Le Tuuli mongol, épopée mongole
The Mongolian Tuuli is an oral tradition comprising heroic epics that run from hundreds to thousands of lines and combine benedictions, eulogies, spells, idiomatic phrases, fairy tales, myths and folk songs. They are regarded as a living encyclopaedia of Mongolian oral traditions and immortalize the heroic history of the Mongolian...
East AsiaMongoliaNot specified in UNESCO dataset
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L’art mongol du chant Khoomei
The Mongolian art of singing: Khoomei, or Hooliin Chor (‘throat harmony’), is a style of singing in which a single performer produces a diversified harmony of multiple voice parts, including a continued bass element produced in the throat. These singers may perform alone or in groups. Khoomei is practised today among Mongolian...
East AsiaChinaNot specified in UNESCO dataset
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Le tir aux osselets mongol
Mongolians revere certain parts of bones of their domestic livestock and use them in religious rites, plays and traditional games. One such popular team-based game is knuckle-bone shooting. Teams of six to eight players flick thirty domino-like marble tablets on a smooth wooden surface towards a target of sheep knuckle-bones, aiming to...
East AsiaMongoliaNot specified in UNESCO dataset
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L’art traditionnel du Khöömei mongol
Khöömei is a form of singing originating in western Mongolia, in the Altai mountains. The performer imitates sounds of nature, simultaneously emitting two distinct vocal sounds: along with a continuous drone, the singer produces a melody of harmonics. Khöömei literally means pharynx, and it is believed to have been learned from birds,...
East AsiaMongoliaNot specified in UNESCO dataset
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Les pratiques traditionnelles mongoles de vénération de sites sacrés
Mongolian practices of worshipping sacred sites have developed in the cultural space that is home to the nomadic lifestyle, which is characterized by its close harmony with nature and the environment. According to ancient shamanism, these practices are based on the belief in the existence of invisible deities of the sky, earth,...
East AsiaMongoliaNot specified in UNESCO dataset
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Le Moussem de Tan-Tan
The Moussem of Tan-Tan in southwest Morocco is an annual gathering of nomadic peoples of the Sahara that brings together more than thirty tribes from southern Morocco and other parts of northwest Africa. Originally this was an annual event around the month of May. Part of the agricultural and herding calendar of the nomads, these...
AfricaMoroccoNot specified in UNESCO dataset
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Le Namsadang Nori
Namsadang Nori, literally the ‘all-male vagabond clown theatre’, is a multifaceted folk performance tradition originally practised widely by travelling entertainers and now kept alive by professional troupes in the Republic of Korea. The performance is made up of six components: a segment of ‘farmers’ music’ emphasizes the percussive...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
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L’Olonkho, épopée héroïque iakoute
One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation. The poetic tales, which vary from 10 to 15,000 verses in length, are performed by...
EuropeRussian FederationNot specified in UNESCO dataset
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L’ortéké, un art du spectacle traditionnel au Kazakhstan : danse, marionnettes et musique
Orteke is an indigenous Kazakh performing art that combines theatre, music and puppetry. This folk art entails a music performance with a dombyra, a traditional two-stringed instrument, and a dance performed by a wooden puppet. Attached to the surface of a traditional drum with a metal rod, a wooden puppet in the shape of a mountain...
Central AsiaKazakhstanNot specified in UNESCO dataset
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Les pratiques et savoirs liés à l’imzad des communautés touarègues de l’Algérie, du Mali et du Niger
Imzad music is a characteristic feature of Tuareg communities and is performed by women on a single-stringed bowed instrument known as the Imzad. The musician sits with the instrument on her knees and plays it with a wooden, arched bow. Imzad combines music and poetry and is frequently performed on ceremonial occasions in Tuareg camps....
AfricaAlgeria / MaliNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le programme de sauvegarde pour Al Sadu, tissage traditionnel dans les Émirats arabes unis
Since the advent of oil wealth, the dispersion of Bedouin communities to cities, the gradual abandonment of pastoral activities, and the social changes associated with these processes have created threatening conditions for the art of Al Sadu weaving. The time required for artisanal production, the need for traditional knowledge about...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
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L’artisanat traditionnel du ger mongol et les coutumes associées
Craftsmanship of the Mongol Ger is a traditional enterprise involving the labour of a household or group, with men carving the wood and both women and men engaged in painting, sewing and stitching, and felt-making. The Ger is a round structure of walls, poles and a peaked roof covered with canvas and felt, and tightened with ropes. It...
East AsiaMongoliaNot specified in UNESCO dataset
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Les connaissances traditionnelles et contextes culturels de la fabrication du maksym, une boisson traditionnelle kirghize
Maksym is a thick fermented drink that is often consumed in local communities in Kyrgyzstan and valued for its nourishing qualities. The preparation process involves roasting flour (usually wheat, barley or corn) in sheep fat, mixing it with water and salt, and leaving it to ferment for several hours using natural cultures. Although...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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La musique traditionnelle du Morin Khuur
The two-stringed fiddle morin khuur has figured prominently in Mongolia’s nomad culture. String instruments adorned with horse heads are attested to by written sources dating from the Mongol empire of the thirteenth and fourteenth centuries. The fiddle’s significance extends beyond its function as a musical instrument, for it was...
East AsiaMongoliaNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
La musique traditionnelle pour flûte tsuur
Tsuur music is based on a combination of instrumental and vocal performance – a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur music has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an...
East AsiaMongoliaNot specified in UNESCO dataset
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Les savoir-faire traditionnels du tissage des tapis du Fars
Iranians enjoy a global reputation in carpet weaving, and the carpet weavers of Fars, located in the south-west of Iran, are among the most prominent. Wool for the carpets is shorn by local men in spring or autumn. The men then construct the carpet loom – a horizontal frame placed on the ground – while the women convert the wool into...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Le procédé traditionnel de préparation de l’aïrag dans un khokhuur et les coutumes associées
Traditional technique of making Airag in Khokhuur and its associated customs includes the traditional method of making airag – a fermented beverage made from mare’s milk – and the related equipment, such as the khokhuur (cowhide vessel), buluur (paddle) and khovoo (kibble), associated with the social customs and rituals. The basic...
East AsiaMongoliaNot specified in UNESCO dataset
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Le tissage traditionnel Al Sadu
Traditional weaving of Al Sadu refers to a woven textile made by Bedouin women using a ground loom. The weavers use natural fibres found in their environment to make a tightly woven, durable textile. The patterns found in Al Sadu weaving reflect the desert environment in its simple, pure form, featuring geometric designs combined to...
Middle EastSaudi Arabia / KuwaitNot specified in UNESCO dataset
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L’Urtiin Duu, chants longs traditionnels populaires
The Urtiin duu or “long song” is one of the two major forms of Mongolian songs, the other being the short song” (bogino duu). As a ritual form of expression associated with important celebrations and festivities, Urtiin duu plays a distinct and honoured role in Mongolian society. It is performed at weddings, the inauguration of a new...
East AsiaChina / MongoliaNot specified in UNESCO dataset
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