Relationship
62 public knowledge systems connected to this registry facet.
L’Ahellil du Gourara
Performed during collective ceremonies, the Ahellil is a poetic and musical genre emblematic of the Zenete population of Gourara. This region in southwest Algeria includes some one hundred oases populated by over 50,000 inhabitants of Berber, Arab and Sudanese origin. The Ahellil, which is specific to the Berber-speaking part of...
L'aitysh/aitys, art de l'improvisation
Aitysh/Aitys is a contest centred on improvised oral poetry spoken or sung to the accompaniment of traditional musical instruments – the Kazakh dombra or Kyrgyz komuz. Two performers (''akyns'') compete with one other to improvise verses on topical themes in a battle of wits that alternates between humorous ripostes and penetrating...
Al ‘azi, élégie, marche processionnelle et poésie
Al ‘azi is a genre of sung poetry performed in the northern regions of the Sultanate of Oman. It constitutes one of the major expressions of Omani cultural and musical identity. It takes the form of a poetry contest punctuated by sword and step movements and poetic exchanges between a singer poet and a choir. It may involve a large...
Al Ahalla, un art du spectacle vivant aux Émirats arabes unis
Al Ahalla is a traditional art form that blends performing arts with oral tradition. Historically tied to diving trips, the performances entail the recitation of poetry verses, typically at joyful celebrations such as weddings, holidays and public events. The practice unites people through its captivating chants and performances. Unlike...
L’Al 'azi, art de la poésie, symbole de louange, de fierté et de force d’âme
Al Azi is a traditional poetry recital performed by a group of individuals without rhythmical or musical instruments. It consists of a full-rhymed poem based on traditional poetry and the lines of poetry are sometimes interposed with sayings and proverbs. Bearers and practitioners include the poet, performer, chorus and audience. The...
Al-Ayyala, un art traditionnel du spectacle dans le Sultanat d’Oman et aux Émirats arabes unis
Al-Ayyala is a popular and expressive cultural performance practised in north-western Oman and throughout the United Arab Emirates. Al-Ayyala involves chanted poetry, drum music and dance, and simulates a battle scene. Two rows of about twenty men face each other, carrying thin bamboo sticks to signify spears or swords. Between the rows...
L’Al-Razfa, un art traditionnel du spectacle
Al-Razfa is a traditional performing art practised throughout the United Arab Emirates and the Sultanate of Oman. It is performed by men of all ages and classes during social occasions, such as weddings and national festivals. Male performers form two facing lines with dancers filling the space between. Led by the main singer, the two...
Al-Taghrooda, poésie chantée traditionnelle des Bédouins dans les Émirats arabes unis et le Sultanat d’Oman
Al-Taghrooda traditional Bedouin chanted poetry is composed and recited by men travelling on camelback through desert areas of the United Arab Emirates and the Sultanate of Oman. Bedouins believe that chanting entertains the riders and stimulates animals to walk in time. Short poems of seven lines or less are improvised and repeated...
Al-Zajal, poésie déclamée ou chantée
Al-Zajal is a form of Lebanese folk poetry declaimed or sung at social and family celebrations and in daily life. The performers, both men and women, express themselves either individually or collectively on a variety of themes including life, love, nostalgia, death, politics and daily events. During poetic jousts, troupes of poets and...
Alardah Alnajdiyah, danse, tambours et poésie d’Arabie saoudite
Alardah is a traditional performance combining dance, drumming and chanting poetry that signifies the start and end of notable occasions, such as religious holidays, weddings, births, graduation ceremonies, or events of national or local significance. It is considered a fundamental component of the cultural expressions of the practicing...
Alheda’a, traditions orales de l’appel des troupeaux de dromadaires
Alheda’a is an oral polyphonic expression accompanied by gestures or musical instruments played by herders to communicate with their camels. The rhythmic expression is inspired by poetry, and the herder uses a unique repository of sounds that the camels have become accustomed to in order to direct herds through the desert or pasture to...
L’As-Samer en Jordanie
Practised across many areas of Jordan, As-Samer consists mainly of dancing and singing and is performed on various occasions, most commonly during marriage ceremonies. Practitioners range from young to older individuals, with children being encouraged to take part during performances. On the wedding day, the father of the groom...
La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
Le boléro, identité, émotion et poésie en chanson
Bolero is an indispensable part of the Latin American sentimental song, with a strong lyrical character deeply rooted in Cuba and Mexico. A cultural amalgam, it combines the language used in European poetry, with African rhythms of enslaved peoples and the sentiments of the native peoples of the Americas. Bolero lyrics allude to daily...
Le chant Ca trù
Ca trù is a complex form of sung poetry found in the north of Viet Nam using lyrics written in traditional Vietnamese poetic forms. Ca trù groups comprise three performers: a female singer who uses breathing techniques and vibrato to create unique ornamented sounds, while playing the clappers or striking a wooden box, and two...
La course de dromadaires, pratique sociale et patrimoine festif associés aux dromadaires
Camel racing, a social practice and festive heritage associated with camels, is a popular social practice in the communities concerned. Preparing the racing camels involves several stages. Camels are selected based on type, origin and age and are given a special diet. They practise on the racetrack in groups and are trained to take part...
Le cante alentejano, chant polyphonique de l’Alentejo (sud du Portugal)
Cante Alentejano is a genre of traditional two-part singing performed by amateur choral groups in southern Portugal, characterized by distinctive melodies, lyrics and vocal styles, and performed without instrumentation. Groups consist of up to thirty singers divided into groups. The ponto, in the lower range, starts the singing,...
Le Canto a tenore, chant pastoral sarde
Canto a tenore has developed within the pastoral culture of Sardinia. It represents a form of polyphonic singing performed by a group of four men using four different voices called bassu, contra, boche and mesu boche. One of its characteristics is the deep and guttural timbre of the bassu and contra voices. It is performed standing in a...
Le chapei Dang Veng
Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the Cambodian people. It features the chapei (a type of lute often played at cultural festivals) accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while incorporating...
La dabkeh, danse traditionnelle en Palestine
Dabkeh is a popular group dance in Palestine that is accompanied by traditional wind instruments and popular singing. A social activity, it is performed in several regions during festivals, celebrations and events such as weddings and graduations. Dabkeh is performed by eleven dancers, regardless of gender. The dancers stand in a...
Le Dondang Sayang
Dondang Sayang is a traditional Malay art still practised in Melaka by four communities: the Malay, Baba Nyonya, Chitty and Portuguese communities. The practice combines elements of music (violins, gongs and tambourines or the tambour), songs and chants, and features beautiful melodious strains of poetry. Also known as love ballads, the...
Le Fado, chant populaire urbain du Portugal
Fado is a performance genre incorporating music and poetry widely practised by various communities in Lisbon. It represents a Portuguese multicultural synthesis of Afro-Brazilian sung dances, local traditional genres of song and dance, musical traditions from rural areas of the country brought by successive waves of internal...
Le falak
Falak, meaning ‘heaven’, ‘fortune’ and ‘universe’, is the traditional folklore music of the mountain people of Tajikistan. The expressive and philosophical musical genre may be performed by a male or female soloist, either acappella, or with a single instrumental accompaniment or an ensemble and dancers. Characterized by their high...
Le fjiri
Fjiri is a musical performance that commemorates the history of pearl diving in Bahrain. Dating back to the late nineteenth century, it was traditionally performed by pearl divers and pearling crews to express the hardships faced at sea. The performers sit in a circle, singing and playing different types of drums, finger chimes and a...
Le grand chant du groupe ethnique Dong
A popular saying among the Dong people in Guizhou Province in southern China has it that ‘rice nourishes the body and songs nourish the soul’. Their tradition of passing on culture and knowledge in music is exemplified in the Grand Song of the Dong ethnic group, multi-part singing performed without instrumental accompaniment or a...
La guarania, son de l'âme paraguayenne
The Guarania is a musical genre originating in Paraguay. Created in the early twentieth century, it is a collective expression of Paraguayan values. It uses the Guarani language, combining elements of native and popular music. The genre is characterized by syncopated rhythms and a slow tempo that is inspired by the Paraguayan polka. It...
Le rassemblement hadrami dan
Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles. The performance begins with the rhythmic chanting of...
Le système de divination Ifa
The Ifa divination system, which makes use of an extensive corpus of texts and mathematical formulas, is practiced among Yoruba communities and by the African diaspora in the Americas and the Caribbean. The word Ifa refers to the mystical figure Ifa or Orunmila, regarded by the Yoruba as the deity of wisdom and intellectual development....
Intore
Intore is a Rwandan dance performed by a troupe. The dancers are arranged in lines representing the ranks of warriors on a battlefield. Through their movements, they mimic a battle with an invisible adversary, leaping and wielding their spears and shields to the rhythm of the traditional drums and horns. They are supported by songs and...
Le maqâm iraquien
Widely recognized as Iraq’s predominant classical music tradition, the Maqam encompasses a vast repertory of songs, accompanied by traditional instruments. Moreover, this popular genre provides a wealth of information on the musical history of the region and the Arab influences that have held sway over the centuries. The Iraqi Maqam is...
La pratique de la harpe irlandaise
Irish harping is at the heart of the identity of the people of the island of Ireland. The harp is Ireland’s national symbol and has been played for more than 1,000 years; its bell-like sounds and music captivate all those who hear it and are celebrated in Irish mythology, folklore and literature. Nowadays, instead of a harp hewn from a...
Le joropo au Venezuela
Joropo is a lively festive tradition resulting from the encounter between Indigenous People, Africans and Europeans. Its practice varies according to the regions: East, Guayana, The Andes, West Central, Central and The Plains. It combines music, poetry, singing and dancing, and involves various instruments such as the harp, cuatro,...
La tradition orale Koogere des Basongora, Banyabidi et Batooro
Koogere was a female chief of Busongora about 1,500 years ago. Oral tradition describes her exceptional wisdom and the prosperity of the chiefdom through a series of narratives, which form part of the collective memory of Basongora, Banyabindi and Batooro communities in Kasese. This oral tradition is an essential and inspirational part...
Le rite chanté et dansé de Kushtdepdi
The Kushtdepdi rite of singing and dancing is a performing art involving creative poeticizing focused on good feelings and wishes. It involves singing with vocal improvisation and dancing with movements of the hands, gestures and footsteps in accordance with the tune of the song. The rite serves as a tool for conveying good wishes and...
Mahadra, système communautaire de transmission des savoirs traditionnels et des expressions orales
Mahadra, sometimes called ‘the university of the desert’, is a community framework for education and socialization in which traditional knowledge and literary expressions are transmitted, mainly through listening and memorization. Dating back centuries, it has become a key feature of Mauritanian society and has led to the reproduction,...
Le Malhoun, un art poético-musical populaire
Malhun is a popular form of poetic expression in Morocco. The verses are sung in dialectical Arabic and sometimes Hebrew. They are accompanied by music played on traditional instruments, notably the lute, the violin, the rebab and small drums. Popular topics include love, the joys of life, the beauty of people, nature, religious prayer...
Le Maloya
Maloya is a form of music, song and dance native to Réunion Island. Of mixed racial origins since its outset, maloya was created by Malagasy and African slaves on the sugar plantations and was eventually appropriated by the whole of the island’s population. Initially conceived as a dialogue between a soloist and a choir accompanied by...
Les musiques de marimba, les chants et les danses traditionnels de la région du Pacifique Sud colombien et de la province d'Esmeraldas d'Équateur
Marimba music and traditional chants and dances are musical expressions integral to the family and community fabric of people of African descent in the Colombian South Pacific region and Esmeraldas Province of Ecuador. Chanted stories and poems are performed by men and women at ritual, religious and festive events as a celebration of...
Le Sema, cérémonie Mevlevi
The Mevleviye is an ascetic Sufi order founded in 1273 in Konya, from where it gradually spread throughout the Ottoman Empire. Today, the Mevleviye can be found in many Turkish communities throughout the world, but the most active and famous centres of the order’s activity are in Konya and Istanbul. The Mevleviye are renowned for their...
La morna, pratique musicale de Cabo Verde
Morna, musical practice of Cabo Verde is a traditional Cape Verdean musical and choreographic practice with instrumental accompaniment that incorporates voice, music, poetry, and dance. Morna can be either sung or played only with instruments, mainly chordophones, including the guitar, violin, ten-string guitar, replaced with a...
Le Moussem de Tan-Tan
The Moussem of Tan-Tan in southwest Morocco is an annual gathering of nomadic peoples of the Sahara that brings together more than thirty tribes from southern Morocco and other parts of northwest Africa. Originally this was an annual event around the month of May. Part of the agricultural and herding calendar of the nomads, these...
Le Nawrouz, Novruz, Nowrouz, Nowrouz, Nawrouz, Nauryz, Nooruz, Nowruz, Navruz, Nevruz, Nowruz, Navruz
Nauryz is a traditional folk spring festival based on the worship of nature, the sun and the universe. Observed in several countries in Asia and the Middle East, it is associated with a love of nature and all living things, a respect for human beings, and the spread of good. In Mongolia, it is one of the most important holidays of the...
Le pantun
Pantun is a form of Malay verse used to express intricate ideas and emotions. It is a widespread oral form in maritime Southeast Asia. Pantun has a clear a-b-a-b rhyme scheme. The four-line variety is the most common. Pantuns may be transmitted in music, song and writing. Performances are headed by the ‘pemantun’ (the pantun narrator),...
Le pasillo, chant et poésie
The pasillo is a type of music and dance that emerged in Ecuador in the nineteenth century, during the South American independence wars. It is a fusion of elements of indigenous music, such as the yaraví, with a complex variety of musical genres including the waltz, the minuet and the Spanish bolero. The pasillo, which means ‘small...
Les arts du spectacle chez les ṭwāyef de Ghbonten
In Tunisia, the Twāyef are troupes of poet singers affiliated with the Ghbonten tribe. The troupes perform chants or songs wearing white robes and scarlet chechias (caps). They are accompanied by the sounds of the chenna, a traditional drum. Consisting of a leader and a group of male performers, each troupe boasts a unique repertoire of...
Le punto
Punto is the poetry and music of Cuban farmers, consisting of a tune or melody over which a person sings an improvised or learned stanza of ten octameter verse lines, with a rhyming scheme. There are two main variants of Punto: punto libre, a tune of free metre; and punto fijo, which can be in key or crossed. Throughout history, the...
La coutume du raengmyon de Pyongyang
Pyongyang Raengmyon (cold noodles made primarily from buckwheat) is a customary social and cultural dish in North Korea. It is served in a brass bowl and topped with trimmings of meat, Kimchi, vegetables, fruits and garnish. Cool meat stock or watery radish Kimchi juice is poured over the noodle strips to finish the preparation. A...
Le raï, chant populaire d'Algérie
Raï is a popular folk song from Algeria. A means of conveying social reality without taboos or censorship, Raï music touches on topics such as love, freedom, despair and social pressures. It was originally practised in rural settings by doyens who sang poetic texts in vernacular Arabic, accompanied by a traditional orchestra. At the...
Le rituel et les cérémonies de la Sebeïba dans l'oasis de Djanet, Algérie
The ritual and ceremonies of Sebeïba are practised by two communities living in Djanet during ten days in the first month of the Islamic lunar calendar. Male dancers and female singers compete for the right to represent their communities during a nine-day contest called Timoulawine. The chosen winners take part in the Sebeïba ritual and...
La célébration du Sadeh/Sada
Sadeh, or Sada, is a celebration held annually on 30 January. In the folk calendar, it marks the day when farmlands are prepared for their next spring plantation and when people celebrate the end of the coldest winter days, with 50 days and 50 nights remaining to spring. Accordingly, ‘Sadeh’ means ‘one hundred’. The element enjoys...
La Samba de Roda de Recôncavo de Bahia
The Samba de Roda, which involves music, dance and poetry, is a popular festive event that developed in the State of Bahia, in the region of Recôncavo during the seventeenth century. It drew heavily on the dances and cultural traditions of the region’s African slaves. The performance also included elements of Portuguese culture, such as...
Le sbuâ, pèlerinage annuel à la zawiya Sidi El Hadj Belkacem, Gourara
Each year, pilgrims from Zenata communities in the south-west Algerian Sahara visit mausoleums of saints to commemorate the birth of the Prophet Mohammed. Sbuâ is a pilgrimage, which runs for a week and entails cultural practices that focus on group activities, which include celebrations with singing and dancing. On the seventh day,...
Le théâtre d’ombres
Shadow play is a traditional art consisting of handmade puppets moving behind a thin translucent curtain or screen inside a dark theatre, now practised mainly in Damascus. A light from behind the stage projects the shadows of the puppets onto the screen as they move along to an oral script and music. The theatrical content of Shadow...
La Shakespeare Mas’, une composante traditionnelle du Carnaval annuel à Carriacou
In Grenada, Shakespeare Mas’ combines elements of speechmaking, costume design and public theatre. Practitioners, called ‘kings’, compete against each other, reciting passages from Shakespeare’s Julius Caesar, historical texts, Bible verses and rhetorical boasts meant to show their prowess with words and language. Incorrect recitations...
La musique Shashmaqom
For over ten centuries, the classical music tradition of Shashmaqom has evolved in the urban centres of Central Asia formerly known as Mâwarâ al-nahr, an area which now encompasses present-day Tajikistan and Uzbekistan. Shashmaqom, meaning “six maqoms”, constitutes a fusion of vocal and instrumental music, melodic and rhythmic idioms...
Le chant de Sana’a
The Song of Sana’a, also known as al-Ghina al-San’ani, designates a group of songs that belongs to a rich musical tradition practised throughout Yemen. Derived from various poetic traditions dating from the fourteenth century, this genre constitutes an integral part of social events, such as the samra marriage evenings and the magyal,...
Le Tango
The Argentinian and Uruguayan tradition of the Tango, now familiar around the world, was developed by the urban lower classes in Buenos Aires and Montevideo in the Rio de la Plata basin. Among this mix of European immigrants to the region, descendents of African slaves and the natives of the region known as ''criollos,'' a wide range of...
La tradition du chant védique
The Vedas comprise a vast corpus of Sanskrit poetry, philosophical dialogue, myth, and ritual incantations developed and composed by Aryans over 3,500 years ago. Regarded by Hindus as the primary source of knowledge and the sacred foundation of their religion, the Vedas embody one of the world’s oldest surviving cultural traditions. The...
Les Tsiattista, joutes poétiques
The lively, impromptu oral poetry known as Tsiattista is often performed to the accompaniment of violin or lute in ‘jousts’ in which one poet-singer attempts to outdo another with clever verses made up of rhyming couplets. It has long been a popular component of wedding feasts, fairs and other public celebrations, where eager crowds...
Le muqam ouïgour du Xinjiang
The Xinjiang Uyghur Muqam is the general term for a variety of Muqam practices widespread among the Uyghur communities, which form one of the largest ethnic minorities of the People’s Republic of China. Throughout its history, the Xinjiang region has been marked by a high degree of cultural exchange between East and West, due in...
Les chants populaires ví et giặm de Nghệ Tĩnh
Ví and Giặm songs are sung by a wide range of communities in Nghệ An and Hà Tĩnh Provinces of north-central Viet Nam. Specific songs are sung without instrumental accompaniment while people cultivate rice in the fields, row boats, make conical hats or lull children to sleep. Ví and Giặm lyrics use the specific dialect and linguistic...
Yaldā/Chella
Yaldā/Chella refers to a traditional celebration of the sun and the warmth of life. Practiced in Iran and Afghanistan, the event takes place on the last night of autumn, when families gather at the houses of elders and sit around a table adorned with a series of symbolic objects and foods: a lamp to symbolize light, water to represent...
Heritage, design and Global South stories from established outlets.
