Relationship
40 public knowledge systems connected to this registry facet.
Le tissage à la main de la piña des Aklanons
Piña is a textile made from pineapple leaf fibres and woven using a handloom. Farmers harvest the leaves of the pinya Bisaya, a specific pineapple species, and extract the fibres by hand. The fibres are weighed using a local unit of measurement and method involving old coins of different denominations. The knowledge and skills of piña...
Le programme éducatif Al Sadu : former les formateurs à l’art du tissage
The Al Sadu Society developed the Educational Programme: Train the Trainers in The Art of Weaving in collaboration with the Arts Department in the Ministry of Education, in order to raise awareness about traditional Al Sadu weaving among younger generations in Kuwait. A national curriculum was developed, along with training workshops to...
Les techniques ancestrales et traditionnelles d’élaboration du « Poncho Para’i de 60 Listas » de la ville de Piribebuy, République du Paraguay
The Poncho Para’í de 60 Listas de Piribebuy is a handmade garment from Paraguay consisting of three parts: the body, the fringes and the fajita or guard. Each part entails different crafting procedures which are carried out collaboratively by women weavers. To create the poncho, the practitioners weave three types of cotton threads,...
La tapisserie d’Aubusson
A centuries-old tradition, the craft of Aubusson tapestry consists of weaving an image using processes practised in Aubusson and a number of other localities in the Creuse region of France. This craft produces mainly large decorative wall hangings but also rugs and pieces of furniture. Aubusson tapestry can be based on an image in any...
Le Blaudruck/Modrotisk/ Kékfestés/Modrotlač, impression de réserves à la planche et teinture à l'indigo en Europe
Blaudruck/Modrotisk/Kékfestés/Modrotlač, which translates directly as blueprint or blue-dyeing, refers to the practice of printing a dye-resistant paste onto a cloth before dyeing over it with indigo dye. The resistant paste prevents the dye from penetrating the design, thereby ensuring the applied design remains white or undyed after...
Le chakan, art de la broderie en République du Tadjikistan
The art of Chakan embroidery is the practice of sewing ornaments, images of flowers and symbolic drawings with colourful threads on cotton or silk fabrics. The tradition is widespread among women and girls in Tajikistan. Chakan embroidery is used to decorate clothing and household items such as women’s shirts, headscarves, curtains,...
Le Círio de Nazaré (Le Cierge de Notre-Dame de Nazareth) à Belém, dans l’État du Pará
The Círio de Nazaré festival in Belém honours Our Lady of Nazareth. The main procession concludes the festivities on the second Sunday of October, when a wooden image of Our Lady of Nazareth is carried from Sé Cathedral to Sanctuary Square¬¬¬, but the celebrations start in August and run until fifteen days after the procession. Almost...
Le savoir-faire de la dentelle au point d’Alençon
The technique of ''point d’Alençon'' is a rare technique of needle lace-making, practised in the town of Alençon in Normandy in north-west France. Alençon needle lace is unusual because of the high level of craftsmanship required and the very long time that it takes to produce (seven hours per square centimetre). The pieces of openwork...
L'artisanat du kente, un textile traditionnel tissé
In Ghana, Kente is a fabric made of strips that are woven from silk, cotton or rayon using horizontal looms. The age, social status and gender of users influence the choice of colour and design of the fabric. Finished products are named with proverbs, sayings and social situations, among others. The craft has been enriched over time...
Les pratiques et expressions culturelles liées au krama, un textile traditionnel tissé au Cambodge
Krama is a woven textile associated with traditional practices and cultural expressions of the daily life in Cambodia. A rectangular cloth made of either cotton or silk, krama features a variety of grid-pattern motifs. The white, yellow, red and blue dyes used are extracted from natural vegetation and insects, and the cloth is woven...
Éducation et formation au patrimoine culturel du batik indonésien à destination des étudiants des écoles élémentaires, secondaires, supérieures, professionnelles et polytechniques en collaboration avec le Musée du Batik de Pekalongan
Indonesian Batik is a traditional hand-crafted dye-resist textile rich in intangible cultural values, passed down for generations in Java and elsewhere since the early nineteenth century. The batik community noted the younger generation’s interest in batik was waning, and felt the need to increase efforts to transmit batik cultural...
Le tissage à la main en Haute-Égypte (Sa’eed)
The craft tradition ‘Handmade weaving in Upper Egypt (Sa’eed)’ is a complex process that requires time, effort, patience and practice. Many steps and techniques are involved in the loom preparation, threading and weaving to achieve the final product; it is a work of precision and intricate workmanship. For centuries, men and women have...
Le Batik indonésien
The techniques, symbolism and culture surrounding hand-dyed cotton and silk garments known as Indonesian Batik permeate the lives of Indonesians from beginning to end: infants are carried in batik slings decorated with symbols designed to bring the child luck, and the dead are shrouded in funerary batik. Clothes with everyday designs...
L’espace culturel de Kihnu
Lying off Estonia’s Baltic coast, the small islands of Kihnu and Manija are home to a community of 600 people whose cultural expressions and agricultural traditions have been kept alive over the centuries largely through the island’s female population. The men of the Kihnu community have taken to sea to hunt seals and fish, while the...
La dentellerie en Croatie
At least three distinct traditions of Lacemaking in Croatia persist today, centred on the towns of Pag on the Adriatic, Lepoglava in northern Croatia and Hvar on the Dalmatian island of the same name. Pag needle-point lace was originally used to make ecclesiastical garments, tablecloths and ornaments for clothing. The process involves...
La dentelle de Lefkara ou Lefkaritika
The tradition of lace-making in the village of Lefkara in southeastern Cyprus dates back to at least the fourteenth century. Influenced by indigenous craft, the embroidery of Venetian courtiers who ruled the country beginning in 1489, and ancient Greek and Byzantine geometric patterns, Lefkara lace is made by hand in designs combining...
Le Centre de développement artisanal de Marguilan, sauvegarde des technologies traditionnelles de fabrication d’atlas et d’adras
The history of ikat atlas and adras-making technologies in the territory of modern-day Uzbekistan dates back to the Late Antique Period. Historically, Margilan was the centre for making atlas and adras – vivid and fine traditional fabrics. Traditional crafts went through turbulent times during the Soviet period, jeopardizing some...
L’Ojiya-chijimi, Echigo-jofu : techniques de fabrication du tissu de ramie dans la région d’Uonuma, de la préfecture de Niigata
The high-quality, lightweight patterned textiles made from the ramie plant are ideal for the hot and humid Japanese summer. Ojiya-chijimi, Echigo-jofu: techniques of making ramie fabric in Uonuma region, Niigata Prefecture developed in the north-western part of Japan’s main island and bear the mark of the region’s cooler climate –...
Les arts Regong
In monasteries and villages along the Longwu River basin in Qinghai Province in western China, Buddhist monks and folk artists of the Tibetan and Tu ethnicity carry on the plastic arts of painting ''thangka'' and murals, crafting patchwork ''barbola'' and sculpting known collectively as the Regong arts. Their influence extends to nearby...
La sauvegarde du patrimoine culturel immatériel des communautés Aymara de la Bolivie, du Chili et du Pérou
The proposed sub-regional project aims at developing safeguarding measures to ensure the viability of the oral expressions, music and traditional knowledge (textile art and agricultural technologies) of the Aymara communities of Bolivia (La Paz-Oruro-Potosí), Chile (Tarapacá-Arica-Parinacota-Antofagasta) and Peru (Tacna-Puno-Moquegua)....
La sériciculture et la production traditionnelle de soie pour tissage
In sericulture and the traditional production of silk for weaving, farmers care for the silkworms through their entire lifecycle, growing the mulberry trees that provide leaves upon which the worms feed and produce silkworm eggs. The fibres are reeled from the cocoons, spun into silk threads, cleaned and dyed. The threads are then used...
Le songket
Songket is a traditional Malaysian handwoven fabric created by women in the Malay Peninsula and Sarawak. The term songket refers to the decorative weaving technique used to make the fabric, which entails inserting gold or silver thread in between the base threads. As a result, the extra threads seem to float over a colourful woven...
Le tais, tissu traditionnel
Tais, the handwoven traditional textile in Timor-Leste, plays an important role in the life of Timorese people. The textile is used for decoration and to create traditional clothing with specific styles for men and women. People use Tais to welcome new-borns as well as for traditional ceremonies and festivals. Tais is also a means of...
Taquile et son art textile
The island of Taquile located in Lake Titicaca on the Peruvian High Andean Plateau, is known for its textile art, which is produced as an everyday activity by both men and women, regardless of their age, and worn by all community members. The people of Taquile were relatively isolated from the mainland until the 1950s, and the notion of...
L’art de la broderie en Palestine, pratiques, compétences, connaissances et rituels
The art of traditional embroidery is widespread in Palestine. Originally made and worn in rural areas, the practice is now common in all of Palestine and among members of the diaspora. Women’s village clothing usually consists of a long dress, trousers, a jacket, a headdress and a veil. Each of these garments is embroidered with a...
L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards en soie pour les femmes
Rooted in traditions found along the Great Silk Road, the art of Kelaghayi is concentrated in two locations in the Republic of Azerbaijan: the city of Sheki and the Basgal settlement. Kelaghayi making consists of several stages: fabric weaving, dyeing and woodblock decoration. Weavers choose thin silk threads from sericulture producers...
L'art traditionnel du tissage jamdani
Jamdani is a vividly patterned, sheer cotton fabric, traditionally woven on a handloom by craftspeople and apprentices around Dhaka. Jamdani textiles combine intricacy of design with muted or vibrant colours, and the finished garments are highly breathable. Jamdani is a time-consuming and labour-intensive form of weaving because of the...
L’art traditionnel du tissage de shital pati de Sylhet
Shital Pati is the traditional art of making a handcrafted mat by weaving together strips of a green cane known as ‘Murta’. The mat is used by people all over Bangladesh as a sitting mat, bedspread or prayer mat. The main bearers and practitioners are weavers living mostly in the low-lying villages in the greater Sylhet region of...
Les costumes traditionnels en Norvège, artisanat et pratique sociale
In Norway, traditional costumes are tailored garments, decorated with embroidery, ribbons and fabrics, made of natural materials such as silk, wool and linen. The production process involves a variety of craftspeople to embroider the costumes and make the accessories. Often made by hand, a traditional costume may last a lifetime and be...
Les savoir-faire traditionnels relatifs à la fabrication de Dumbara Ratā Kalāla
Sri Lankan Dumbara Rata Kalala, or Dumbara mats, are traditional hand-made mats used as wall hangings, tapestries or cushion covers. The mats are made in two villages (Kalasirigama and Alokagama) by a community called kinnara that traditionally supplied ornamental mats to the royal palace as part of obligatory service to the crown and...
L’artisanat traditionnel du ger mongol et les coutumes associées
Craftsmanship of the Mongol Ger is a traditional enterprise involving the labour of a household or group, with men carving the wood and both women and men engaged in painting, sewing and stitching, and felt-making. The Ger is a round structure of walls, poles and a peaked roof covered with canvas and felt, and tightened with ropes. It...
Les connaissances et savoir-faire traditionnels liés à la fabrication des tissus atlas et adras
Atlas and adras are two kinds of traditional woven fabrics produced in Tajikistan. Atlas is made from silk threads, and adras is woven with silk and cotton threads, but the technique of creating both cloths is similar. There are many steps in the process, from gathering cocoons and collecting cotton, to spinning, wrapping, dyeing and...
Les connaissances et technologies traditionnelles liées à la culture et à la transformation de la curagua
The traditional knowledge and technologies related to the growing and processing of curagua encompass a complex set of practices concerning the cultivation of the plant and the extraction of white fibres, which are characterized by their strength, durability and softness. The fibres are woven into thread and used to produce a range of...
Les techniques textiles traditionnelles des Li : filage, teinture, tissage et broderie
The traditional Li textile techniques of spinning, dyeing, weaving and embroidering are employed by women of the Li ethnic group of Hainan Province, China, to make clothing and other daily necessities out of cotton, hemp and other fibres. In the absence of a written language, the patterns used on the textiles record the history and...
Les savoir-faire traditionnels liés au tissage du pagne en Côte d'Ivoire
In Côte d’Ivoire, the traditional skills of loincloth weaving are characterised by the specific weaving techniques and raw materials used. The fabrics woven by the Gouro, Baoule, Malinke, Senufo, Koulango, Nafana and Abron communities are made from dyed cotton threads of various colours. They are woven in narrow strips on a hand loom...
Le tissage du Mosi (ramie fine) dans la région de Hansan
Weaving of Mosi in Hansan is transmitted by middle-aged women in the township located in South Chungcheong Province, Republic of Korea. The region boasts fertile land and sea winds that allow ramie plants to thrive. Weaving ramie cloth involves a number of processes, including harvesting, boiling and bleaching ramie plants, spinning...
Les chevaux du vin
Los Caballos del Vino (Wine Horses) takes place each year from 1-3 May in Caravaca de la Cruz and forms part of the fiestas held in honour of the Santísima y Vera Cruz in Caravaca. The equestrian ritual consists of a series of events in which the horse is the protagonist. The process of enjaezamiento involves dressing the horses in...
Le Xeedho
Xeedho is a dish given by a mother-in-law to her son-in-law to celebrate the first week of her daughter’s marriage. It consists of a container carved from a tree trunk, made to hold small pieces of dried dromedary meat that is fried in butter and preserved in ghee. The container is placed inside a basket, wrapped in aluminium foil and...
La xhubleta, savoir-faire, artisanat et formes d’utilisation
Xhubleta is a handcrafted garment worn by highland women and girls in Northern Albania, characterised by its undulating bell form. Predominantly black with colourful embroidered motifs, the crafting process entails preparing the shajak (woven felt), cutting, sewing and embroidering symbolic figures. Xhubleta was once used in everyday...
La broderie de Zmijanje
Zmijanje embroidery is a specific technique practised by the women of Zmijanje villages in Bosnia and Herzegovina. Traditionally, Zmijanje embroidery is used to decorate female costumes and household items, including wedding dresses, scarves, garments and bed linen. The main characteristic is the use of a deep blue thread, handmade with...
Heritage, design and Global South stories from established outlets.
