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Les connaissances et les savoir-faire musicaux ancestraux d’Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu
Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu, ancestral musical sound knowledge and skills relates to the specific traditional music of the Nama people, one of Namibia’s tribal minority groups. It involves the use of traditional musical instruments: the khab (musical bow) and !guitsib (traditional guitar), usually played by men or women, and the...
AfricaNamibiaNot specified in UNESCO dataset
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L’Ahellil du Gourara
Performed during collective ceremonies, the Ahellil is a poetic and musical genre emblematic of the Zenete population of Gourara. This region in southwest Algeria includes some one hundred oases populated by over 50,000 inhabitants of Berber, Arab and Sudanese origin. The Ahellil, which is specific to the Berber-speaking part of...
AfricaAlgeriaNot specified in UNESCO dataset
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L'aitysh/aitys, art de l'improvisation
Aitysh/Aitys is a contest centred on improvised oral poetry spoken or sung to the accompaniment of traditional musical instruments – the Kazakh dombra or Kyrgyz komuz. Two performers (''akyns'') compete with one other to improvise verses on topical themes in a battle of wits that alternates between humorous ripostes and penetrating...
Central AsiaKazakhstan / KyrgyzstanNot specified in UNESCO dataset
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L’Akiu no Taue Odori
In the Akiu no Taue Odori, residents of the town of Akiu in northern Japan pray for a good harvest by simulating in dance the actions involved in transplanting rice. Performed since the end of the seventeenth century in communities throughout the region, the Akiu no Taue Odori today takes place during festivals in the spring or autumn....
East AsiaJapanNot specified in UNESCO dataset
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Al ‘azi, élégie, marche processionnelle et poésie
Al ‘azi is a genre of sung poetry performed in the northern regions of the Sultanate of Oman. It constitutes one of the major expressions of Omani cultural and musical identity. It takes the form of a poetry contest punctuated by sword and step movements and poetic exchanges between a singer poet and a choir. It may involve a large...
Middle EastOmanNot specified in UNESCO dataset
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Al Ahalla, un art du spectacle vivant aux Émirats arabes unis
Al Ahalla is a traditional art form that blends performing arts with oral tradition. Historically tied to diving trips, the performances entail the recitation of poetry verses, typically at joyful celebrations such as weddings, holidays and public events. The practice unites people through its captivating chants and performances. Unlike...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
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L’Al 'azi, art de la poésie, symbole de louange, de fierté et de force d’âme
Al Azi is a traditional poetry recital performed by a group of individuals without rhythmical or musical instruments. It consists of a full-rhymed poem based on traditional poetry and the lines of poetry are sometimes interposed with sayings and proverbs. Bearers and practitioners include the poet, performer, chorus and audience. The...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
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Al-Ayyala, un art traditionnel du spectacle dans le Sultanat d’Oman et aux Émirats arabes unis
Al-Ayyala is a popular and expressive cultural performance practised in north-western Oman and throughout the United Arab Emirates. Al-Ayyala involves chanted poetry, drum music and dance, and simulates a battle scene. Two rows of about twenty men face each other, carrying thin bamboo sticks to signify spears or swords. Between the rows...
Middle EastOman / United Arab EmiratesNot specified in UNESCO dataset
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Al-Bar’ah, musique et danse des vallées du Dhofar d’Oman
Al-Bar’ah is a Bedouin musical tradition from the Dhofar mountains in southern Oman. It takes the form of a warlike dance performed to drums and the chanting of poetry in a local tribal dialect. Al-Bar’ah is performed in a half circle formed by ten to thirty men and women. As they chant and clap, two male dancers holding ''khanjars''...
Middle EastOmanNot specified in UNESCO dataset
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Al-Jertiq : pratiques, rituels et expressions pour la préservation, la protection, l’abondance et la fertilité au Soudan
Among the Nubian populations residing in northern Sudan, along the Nile, up to the Egyptian border, Al-Jertiq is a ritual for protection, fertility and abundance that is held during significant life events such as marriage, childbirth and circumcision, or to mourn the death of a young, unmarried man. Although the ritual has adapted over...
AfricaSudanNot specified in UNESCO dataset
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Al-Muhaibis : pratiques sociales et traditions associées
Al-Muhaibis is a popular game that tests players’ insight and intelligence. It is typically played during the month of Ramadan, after the Tarawih prayers. The game involves two teams sitting across from each other. A random draw determines which team goes first. The captain of the first team hides a ring in one of the team member’s...
Middle EastIraqNot specified in UNESCO dataset
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L’al-Qudoud al-Halabiya
Al-Qudoud al-Halabiya is a form of traditional music from Aleppo with a fixed melody. Sung for religious and entertainment purposes, the lyrics vary according to the type of event. Well-versed singers can improvise lyrics according to what is happening around them. They are known to use deep vocals and to reach a peak while holding a...
Middle EastSyrian Arab RepublicNot specified in UNESCO dataset
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L’épopée Al-Sirah al-Hilaliyyah
This oral poem, also known as the Hilali epic, recounts the saga of the Bani Hilal Bedouin tribe and its migration from the Arabian Peninsula to North Africa in the tenth century. This tribe held sway over a vast territory in central North Africa for more than a century before being annihilated by Moroccan rivals. As one of the major...
AfricaEgyptNot specified in UNESCO dataset
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Al-Taghrooda, poésie chantée traditionnelle des Bédouins dans les Émirats arabes unis et le Sultanat d’Oman
Al-Taghrooda traditional Bedouin chanted poetry is composed and recited by men travelling on camelback through desert areas of the United Arab Emirates and the Sultanate of Oman. Bedouins believe that chanting entertains the riders and stimulates animals to walk in time. Short poems of seven lines or less are improvised and repeated...
Middle EastUnited Arab Emirates / OmanNot specified in UNESCO dataset
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Al-Zajal, poésie déclamée ou chantée
Al-Zajal is a form of Lebanese folk poetry declaimed or sung at social and family celebrations and in daily life. The performers, both men and women, express themselves either individually or collectively on a variety of themes including life, love, nostalgia, death, politics and daily events. During poetic jousts, troupes of poets and...
Middle EastLebanonNot specified in UNESCO dataset
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Alardah Alnajdiyah, danse, tambours et poésie d’Arabie saoudite
Alardah is a traditional performance combining dance, drumming and chanting poetry that signifies the start and end of notable occasions, such as religious holidays, weddings, births, graduation ceremonies, or events of national or local significance. It is considered a fundamental component of the cultural expressions of the practicing...
Middle EastSaudi ArabiaNot specified in UNESCO dataset
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L’isopolyphonie populaire albanaise
Traditional Albanian polyphonic music can be divided into two major stylistic groups as performed by the Ghegs of northern Albania and the Tosks and Labs living in the southern part of the country. The term iso is related to the ison of Byzantine church music and refers to the drone accompanying polyphonic singing. The drone is...
EuropeAlbaniaNot specified in UNESCO dataset
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L'Almezmar, danse du bâton au son des tambours
Almezmar is a traditional group performance practised by members of the Hijazi community in Saudi Arabia for festive occasions, such as family and national celebrations, religious holidays or government events. It involves about 15 to 100 practitioners dressed in long white garments who begin by standing in two rows opposite each other....
Middle EastSaudi ArabiaNot specified in UNESCO dataset
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Le système ancestral de connaissances des quatre peuples autochtones arhuaco, kankuamo, kogi et wiwa de la Sierra Nevada de Santa Marta
The Ancestral System of Knowledge of the Arhuaco, Kankuamo, Kogui and Wiwa peoples of the Sierra Nevada de Santa Marta is comprised of sacred mandates that keep the existence of the four peoples in harmony with the physical and spiritual universe. Through many years of dedication, the knowledgeable men (Mamos) and women (Sagas) acquire...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
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La méthode géorgienne de vinification à l’ancienne dans des kvevris traditionnels
Qvevri wine-making is practised throughout Georgia, particularly in village communities where unique varieties of grapes are grown. The Qvevri is an egg-shaped earthenware vessel used for making, ageing and storing the wine. Knowledge and experience of Qvevri manufacture and wine-making are passed down by families, neighbours, friends...
Middle EastGeorgiaNot specified in UNESCO dataset
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Le chant traditionnel Arirang dans la République populaire démocratique de Corée
Arirang is a popular lyrical singing genre transmitted and recreated orally. It exists in multiple traditional forms as well as symphonic and modern arrangements. Arirang typically contains a gentle and lyrical melody, accompanied by the refrain: ‘Arirang, arirang, arariyo, Over the Arirang hill you go’. Arirang songs speak about...
East AsiaKorea, Democratic People's Republic ofNot specified in UNESCO dataset
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L’Arirang, chant lyrique traditionnel en République de Corée
Arirang is a popular form of Korean folk song and the outcome of collective contributions made by ordinary Koreans throughout generations. Essentially a simple song, it consists of the refrain ‘Arirang, arirang, arariyo’ and two simple lines, which differ from region to region. While dealing with diverse universal themes, the simple...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
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L’art des Akyn, conteurs épiques Kirghiz
The predominant form of cultural expression among the Kyrgyz nomads is the narration of epics. The art of the Akyns, the Kyrgyz epic tellers, combines singing, improvisation and musical composition. The epics are performed at religious and private festivities, seasonal ceremonies and national holidays and have survived over the...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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L’art des Ashiqs d’Azerbaïdjan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. Characterized by the accompaniment of the ''saz,'' a stringed musical instrument, the classical repertoire includes 200 songs, 150 literary-musical...
Middle EastAzerbaijanNot specified in UNESCO dataset
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L'art du đờn ça tài tử, musique et chants, dans le sud du Viet Nam
A musical art with both scholarly and folk roots, Đờn ca tài tử is an indispensable part of the spiritual activity and cultural heritage of the people of southern Viet Nam. The music and songs evoke the people’s life and work on the land and rivers of the Mekong Delta region. Performed at numerous events such as festivals, death...
Southeast AsiaViet NamNot specified in UNESCO dataset
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L’art de jouer, chanter et fabriquer la lahuta
The lahuta is a single-stringed wooden instrument with a sound box covered in leather and a carved neck that is made, played and sung with by which the rural communities of north and northwestern Albania. The instrument is handcrafted from wood such as maple or walnut, with strings once made of horsehair and now often nylon. It is...
EuropeAlbaniaNot specified in UNESCO dataset
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L’As-Samer en Jordanie
Practised across many areas of Jordan, As-Samer consists mainly of dancing and singing and is performed on various occasions, most commonly during marriage ceremonies. Practitioners range from young to older individuals, with children being encouraged to take part during performances. On the wedding day, the father of the groom...
Middle EastJordanNot specified in UNESCO dataset
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La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
Middle EastTürkiyeNot specified in UNESCO dataset
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Les fêtes du 15 août (Dekapentavgoustos) dans deux communautés montagnardes du nord de la Grèce : Tranos Choros (la grande danse) à Vlásti et le Festival de Syrráko
The Tranos Choros (Grand Dance) and Syrrako festival are celebrated nationwide in Greece to commemorate the Dormition of the Virgin Mary. Historically, these Orthodox festivities originating in Vlasti and Syrrako marked the annual reunion of pastoral communities before the sheep or cattle farmers moved to their winter pastures. Although...
EuropeGreeceNot specified in UNESCO dataset
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Le mugham azerbaïdjanais
The Azerbaijani Mugham is a traditional musical form, characterized by a large degree of improvisation. The Mugham, though a classical and academic art, draws upon popular bard melodies, rhythms and performance techniques and is performed in many venues throughout the country. Contemporary representations of the Azerbaijani Mugham...
Middle EastAzerbaijanNot specified in UNESCO dataset
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Le baile chino
Bailes Chinos are brotherhoods of musicians who express their faith through music, dance and singing in the context of commemoration festivities. The practice stretches mainly from the area known as the Norte Chico to the central region of Chile and comprises five fully differentiated styles, each named after the valley or basin where...
Latin America and CaribbeanChileNot specified in UNESCO dataset
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Les célébrations de chants et danses baltes
Both a repository and a showcase for the region’s tradition of performing folk art, this cultural expression culminates in large-scale festivals every fifth year in Estonia and Latvia and every fourth year in Lithuania.These grand events, held over several days, assemble as many as 40,000 singers and dancers. For the most part, the...
EuropeEstonia / LatviaNot specified in UNESCO dataset
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Les chants des Baul
The Bauls are mystic minstrels living in rural Bangladesh and West Bengal, India. The Baul movement, at its peak in the nineteenth and early twentieth centuries, has now regained popularity among the rural population of Bangladesh. Their music and way of life have influenced a large segment of Bengali culture, and particularly the...
South AsiaBangladeshNot specified in UNESCO dataset
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La pratique du chant et de la musique bećarac de Croatie orientale
Bećarac is a popular genre of music in eastern Croatia deeply rooted in the cultures of Slavonia, Baranja and Srijem. Communication among its performers is essential: lead singers interchange vocal lines, striving to out-sing one another while creating, emulating and combining decasyllabic verses and shaping the melody – all the while...
EuropeCroatiaNot specified in UNESCO dataset
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Betashar, rituel traditionnel de mariage
In Kazakhstan, the Betashar ritual is the ceremony of revealing the bride’s face during a wedding ceremony. It originated in medieval times, when the groom rarely saw his future bride before the wedding. At the beginning of the ceremony, the bride’s mother dresses her in the traditional Kazakh headdress and a veil. She is escorted into...
Central AsiaKazakhstanNot specified in UNESCO dataset
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Le geetgawai, chants populaires en bhojpuri à Maurice
Geet-Gawai is a pre-wedding ceremony that combines rituals, prayer, songs, music and dance. It is performed mainly by Bhojpuri-speaking communities in Mauritius who have Indian descent. The traditional practice takes place at the home of the bride or groom and involves female family members and neighbours. It begins with five married...
AfricaMauritiusNot specified in UNESCO dataset
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Le bigwala, musique de trompes en calebasse et danse du royaume du Busoga en Ouganda
Bigwala music and dance is a cultural practice of the Basoga people of Uganda, performed during royal celebrations such as coronations and funerals and, in recent decades, on social occasions. Bigwala describes a set of five or more monotone gourd trumpets blown in hocket to produce a melody, accompanied by a specific dance. A typical...
AfricaUgandaNot specified in UNESCO dataset
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Les Babi de Bistritsa, polyphonie, danses et pratiques rituelles archaïques de la région de Shoplouk
The traditional dances and polyphonic singing found in the Shoplouk region of Bulgaria are still performed by a group of elderly women, the Bistritsa Babi. This tradition includes diaphony, or what is known as shoppe polyphony, ancient forms of the horo chain dance and the ritual practice of lazarouvane, an initiation ceremony for young...
EuropeBulgariaNot specified in UNESCO dataset
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Le boléro, identité, émotion et poésie en chanson
Bolero is an indispensable part of the Latin American sentimental song, with a strong lyrical character deeply rooted in Cuba and Mexico. A cultural amalgam, it combines the language used in European poetry, with African rhythms of enslaved peoples and the sentiments of the native peoples of the Americas. Bolero lyrics allude to daily...
Latin America and CaribbeanCuba / MexicoNot specified in UNESCO dataset
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Le chant bouddhique du Ladakh : récitation de textes sacrés bouddhiques dans la région transhimalayenne du Ladakh, Jammu-et-Cachemire, Inde
In the monasteries and villages of the Ladakh region, Buddhist lamas (priests) chant sacred texts representing the spirit, philosophy and teachings of the Buddha. Two forms of Buddhism are practised in Ladakh – Mahayana and Vajrayana – and there are four major sects, namely Nyngma, Kagyud, Shakya and Geluk. Each sect has several forms...
South AsiaIndiaNot specified in UNESCO dataset
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Le chant byzantin
As a living art that has existed for more than 2000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire. Highlighting and musically enhancing the liturgical texts of the Greek Orthodox Church, it is inextricably...
Global DiasporasCyprus / GreeceNot specified in UNESCO dataset
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Le chant Ca trù
Ca trù is a complex form of sung poetry found in the north of Viet Nam using lyrics written in traditional Vietnamese poetic forms. Ca trù groups comprise three performers: a female singer who uses breathing techniques and vibrato to create unique ornamented sounds, while playing the clappers or striking a wooden box, and two...
Southeast AsiaViet NamNot specified in UNESCO dataset
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Le Canto a tenore, chant pastoral sarde
Canto a tenore has developed within the pastoral culture of Sardinia. It represents a form of polyphonic singing performed by a group of four men using four different voices called bassu, contra, boche and mesu boche. One of its characteristics is the deep and guttural timbre of the bassu and contra voices. It is performed standing in a...
EuropeItalyNot specified in UNESCO dataset
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Le Cantu in paghjella profane et liturgique de Corse de tradition orale
The paghjella is a male Corsican singing tradition. It combines three vocal registers that always enter the song in the same order: a segonda, which begins, give the pitch and carries the main melody; u bassu, which follows, accompanies and supports it, and finally a terza, the highest placed, which enriches the song. Paghjella makes...
EuropeFranceNot specified in UNESCO dataset
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Le chant de la Sibylle de Majorque
The chant of the Sybil is performed at matins on the night of 24 December in churches throughout Majorca. The chant marks the annual Christmas Vigil, and is sung by a boy or girl accompanied by two or more altar boys or girls. During the chant they walk through the church towards the chancel, the singer carrying a sword in his or her...
EuropeSpainNot specified in UNESCO dataset
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Le chapei Dang Veng
Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the Cambodian people. It features the chapei (a type of lute often played at cultural festivals) accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while incorporating...
Southeast AsiaCambodiaNot specified in UNESCO dataset
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Le rituel pour amadouer les chamelles
Mongol herders perform the coaxing ritual to encourage a female camel to accept a new-born calf or to adopt an orphan. The mother is tied close to the calf and a singer begins a monotone song accompanied by gestures and chanting. The coaxer changes the melody depending on the mother’s behaviour, which may be initially aggressive, and...
East AsiaMongoliaNot specified in UNESCO dataset
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La cobza, connaissances, savoir-faire et musique traditionnels
The cobza is a pear-shaped string instrument with a short neck and wooden body, traditionally used to provide rhythm and harmony in folk music. It can be played solo or in groups and is usually strummed with a folded goose feather. Though its design has changed slightly over time, such as with the recent use of metal strings, the...
EuropeRomania / Moldova, Republic ofNot specified in UNESCO dataset
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Les chants de travail de llano colombo-vénézuéliens
Colombian-Venezuelan llano work songs are a practice of vocal communication consisting of tunes sung individually, a capella, on the themes of herding and milking. The practice emerged from the close relationship between human communities and cattle and horses and is in harmony with the environmental conditions and the dynamics of...
Latin America and CaribbeanColombia / Venezuela, Bolivarian Republic ofNot specified in UNESCO dataset
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La rumba congolaise
Congolese rumba is a musical genre and a dance common in urban areas of the Democratic Republic of the Congo and the Republic of the Congo. Generally danced by a male-female couple, it is a multicultural form of expression originating from an ancient dance called nkumba (meaning ‘waist’ in Kikongo). The rumba is used for celebration and...
AfricaCongo, Democratic Republic of the / CongoNot specified in UNESCO dataset
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Les chants cosaques de la région de Dnipropetrovsk
Cossack songs are sung by communities of the Dnipropetrovsk region which tell stories about the tragedy of war but also the personal relationships of Cossack soldiers. Singers practise the tradition in three different groups: Krynycya, Boguslavochka and Pershocvit. The songs are sung for pleasure and so practitioners can have a...
EuropeUkraineNot specified in UNESCO dataset
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La danse traditionnelle csárdás
The csárdás is a Hungarian dance that is performed by couples consisting of a man and a woman, or, in some regions, of two women. Multiple couples participate in the dance at the same time, forming one large or several smaller circles. Each region has its own themes, gestures and figures, which are improvised according to well-known,...
EuropeHungaryNot specified in UNESCO dataset
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Le cuarteto : musique, danse et paroles dans la ville de Córdoba, Argentine
Cuarteto is a lively dance music genre that blends local criollo musical styles with influences from European immigrants. Early cuarteto orchestras featured instruments such as the piano, violin, accordion and double bass, with a singer leading the performance. Over time, the genre has incorporated Caribbean rhythms, Afro-Latin...
Latin America and CaribbeanArgentinaNot specified in UNESCO dataset
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L’espace culturel des Bedu de Petra et Wadi Rum
The Bedu are settled and nomadic communities living in the southern part of Jordan, particularly near Petra and Wadi Rum, within a region of semi-arid highlands and deserts. These conditions have allowed for the development and existence in complementary relationship of both types of communities. Several Bedu tribes, namely the Bdul,...
Middle EastJordanNot specified in UNESCO dataset
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L’espace culturel de la Fraternité du Saint-Esprit des congos de Villa Mella
The Brotherhood of the Holy Spirit of the Congos of Villa Mella is distinguished in the fields of music, dance and popular festivities. The Brotherhood musicians play instruments called congos. These congos, the origin of which is attributed to the Holy Spirit, are hand-drums. The Brotherhood, which is nowadays open to all without...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
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La dabkeh, danse traditionnelle en Palestine
Dabkeh is a popular group dance in Palestine that is accompanied by traditional wind instruments and popular singing. A social activity, it is performed in several regions during festivals, celebrations and events such as weddings and graduations. Dabkeh is performed by eleven dancers, regardless of gender. The dancers stand in a...
Middle EastPalestine, State ofNot specified in UNESCO dataset
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L’épopée Darangen des Maranao du lac Lanao
The Darangen is an ancient epic song that encompasses a wealth of knowledge of the Maranao people who live in the Lake Lanao region of Mindanao. This southernmost island of the Philippine archipelago is the traditional homeland of the Maranao, one of the country’s three main Muslim groups. Comprising 17 cycles and a total of 72,000...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
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Le dikopelo, musique traditionnelle des Bakgatla ba Kgafela dans le district de Kgatleng
The Dikopelo music practice involves vocal singing and dancing in a patterned choreography without musical instruments in which people from a particular area join together to sing as a choir. The element is practised by men, women and children but is mostly dominated by Elders who, forming an informal Council of Advisors, transmit their...
AfricaBotswanaNot specified in UNESCO dataset
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La Doïna
Known by various names throughout Romania, the ''doina'' is a lyrical, solemn chant that is improvised and spontaneous. As the essence of Romanian folklore, until 1900 it was the only musical genre in many regions of the country. Technically, the doina can be sung in any context (outdoors, at home, at work or during wakes), and is...
EuropeRomaniaNot specified in UNESCO dataset
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Le Dondang Sayang
Dondang Sayang is a traditional Malay art still practised in Melaka by four communities: the Malay, Baba Nyonya, Chitty and Portuguese communities. The practice combines elements of music (violins, gongs and tambourines or the tambour), songs and chants, and features beautiful melodious strains of poetry. Also known as love ballads, the...
Southeast AsiaMalaysiaNot specified in UNESCO dataset
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Le chant épique Görogly
The epic art of Gorogly is an oral performing tradition describing the achievements of the legendary hero Gorogly and his forty cavalrymen. The epic incorporates narration, singing, composition, prose, poetry and vocal improvisation, and also functions as an oral encyclopaedia of traditional customs and knowledge (including stock...
Central AsiaTurkmenistanNot specified in UNESCO dataset
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Esuwa, prières chantées en Harakbut des Wachiperi du Pérou
The Wachiperi are an indigenous ethnic group speaking the Harakbut language and living in Peru’s southern Amazon tropical forest. The Esuwa or sung prayer is an expression of Wachiperi religious myths, performed for healing or as part of traditional ceremonies such as the drinking of masato, a traditional beverage made of fermented...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
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Le Fado, chant populaire urbain du Portugal
Fado is a performance genre incorporating music and poetry widely practised by various communities in Lisbon. It represents a Portuguese multicultural synthesis of Afro-Brazilian sung dances, local traditional genres of song and dance, musical traditions from rural areas of the country brought by successive waves of internal...
EuropePortugalNot specified in UNESCO dataset
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Le falak
Falak, meaning ‘heaven’, ‘fortune’ and ‘universe’, is the traditional folklore music of the mountain people of Tajikistan. The expressive and philosophical musical genre may be performed by a male or female soloist, either acappella, or with a single instrumental accompaniment or an ensemble and dancers. Characterized by their high...
Central AsiaTajikistanNot specified in UNESCO dataset
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Le fest-noz, rassemblement festif basé sur la pratique collective des danses traditionnelles de Bretagne
Fest-Noz is a festive gathering based on the collective practice of traditional Breton dances, accompanied by singing or instrumental music. The strong Breton cultural movement has preserved this expression of a living and constantly renewed practice of inherited dance repertoires with several hundred variations, and thousands of tunes....
EuropeFranceNot specified in UNESCO dataset
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La fête des patios de Cordoue
For twelve days at the beginning of May, the city of Cordova celebrates the Fiesta of the Patios. The patio houses are communal, family or multi-family dwellings or sets of individual houses with a shared patio, located in the city’s historical quarter. This characteristic cultural space boasts an abundant array of plants, and during...
EuropeSpainNot specified in UNESCO dataset
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Le fjiri
Fjiri is a musical performance that commemorates the history of pearl diving in Bahrain. Dating back to the late nineteenth century, it was traditionally performed by pearl divers and pearling crews to express the hardships faced at sea. The performers sit in a circle, singing and playing different types of drums, finger chimes and a...
Middle EastBahrainNot specified in UNESCO dataset
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Le Flamenco
Flamenco is an artistic expression fusing song ''(cante),'' dance ''(baile)'' and musicianship ''(toque).'' Andalusia in southern Spain is the heartland of Flamenco, although it also has roots in regions such as Murcia and Extremadura. ''Cante'' is the vocal expression of flamenco, sung by men and women, preferably seated, with no...
EuropeSpainNot specified in UNESCO dataset
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La technique d’interprétation du chant long des joueurs de flûte limbe – la respiration circulaire
The Limbe is a side-blown flute of hardwood or bamboo, traditionally used to perform Mongolian folk long songs. Through the use of circular breathing, Limbe performers are able to produce the continuous, wide-ranging melodies characteristic of the long song. Players breathe in through the nose while simultaneously blowing out through...
East AsiaMongoliaNot specified in UNESCO dataset
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La Fujara et sa musique
The Fujara, an extremely long flute with three finger holes traditionally played by Slovak shepherds, is regarded as an integral part of the traditional culture of Central Slovakia. It is not just a musical instrument, but also an artefact of great artistic value due to its highly elaborate, individual ornamentation. The main tube of...
EuropeSlovakiaNot specified in UNESCO dataset
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Les Furyu-odori, danses rituelles imprégnées des espoirs et prières de la population
Furyu-odori in Japan refers to various ritual folk dances, characterized by eye-catching costumes and lively dances and music. These local dances have been performed for centuries, primarily in rural areas. With life in these areas often affected by severe climate events, local communities created ritualistic performances to express...
East AsiaJapanNot specified in UNESCO dataset
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Le Gada, système socio-politique démocratique autochtone des Oromo
Gada is a traditional system of governance used by the Oromo people in Ethiopia developed from knowledge gained by community experience over generations. The system regulates political, economic, social and religious activities of the community dealing with issues such as conflict resolution, reparation and protecting women’s rights. It...
AfricaEthiopiaNot specified in UNESCO dataset
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Le Gagaku
Gagaku, characterized by long, slow songs and dance-like movements, is the oldest of the Japanese traditional performing arts. It is performed at banquets and ceremonies in the Imperial Palace and in theatres throughout the country, and encompasses three distinct arts. The first, Kuniburi no Utamai, features ancient Japanese songs,...
East AsiaJapanNot specified in UNESCO dataset
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Le Gagok, cycles de chant lyrique accompagnés d’un orchestre
Gagok is a genre of traditional Korean vocal music sung by men and women to the accompaniment of a small orchestra, one of several forms of singing that together constitute ''jeongga,'' or ‘right song’. Formerly a music associated with the higher classes, Gagok is today widely popular throughout the country. Gagok comprises twenty-six...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
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Le garba du Gujarat
Garba is a ritualistic and devotional dance that is performed on the occasion of the Hindu festival of Navaratri, which is dedicated to the worship of the feminine energy or ‘Shakti’. The dance takes place around a perforated earthenware pot lit with an oil lamp, or an image of the mother goddess Amba. The dancers move around the centre...
South AsiaIndiaNot specified in UNESCO dataset
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Le chant polyphonique géorgien
Popular singing has a highly valued place in Georgian culture. Polyphonic singing, in the Georgian language, is a secular tradition in a country whose language and culture have often been oppressed by invaders. There are three types of polyphony in Georgia: complex polyphony, which is common in Svaneti; polyphonic dialogue over a bass...
Middle EastGeorgiaNot specified in UNESCO dataset
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La tradition épique du Gesar
The ethnic Tibetan, Mongolian and Tu communities in western and northern China share the story of the ancient hero King Gesar, sent to heaven to vanquish monsters, depose the powerful, and aid the weak while unifying disparate tribes. The singers and storytellers who preserve the Gesar epic tradition perform episodes of the vast oral...
East AsiaChinaNot specified in UNESCO dataset
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Le glasoechko, chant d'hommes à deux voix dans le bas Polog
Male two-part singing in Dolni Polog is a traditional form of vocal music, known locally as Glasoechko, which is characteristic to the region. Songs are sung in a polyphonic manner with the drone voice moving contrapuntally in relation to the melodic leading voice, often accompanied by a shepherd’s flute and a bagpipe. Glasoechko is...
EuropeNorth MacedoniaNot specified in UNESCO dataset
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Gnaoua
Gnawa refers to a set of musical events, performances, fraternal practices and therapeutic rituals mixing the secular with the sacred. Gnawa is first and foremost a Sufi brotherhood music combined with lyrics with a generally religious content, invoking ancestors and spirits. Originally practised by groups and individuals from slavery...
AfricaMoroccoNot specified in UNESCO dataset
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La grande fête de Tarija
The Grand Festival of Tarija takes place in the city of Tarija, in the southeast of Bolivia. Celebrated every year in August and September, it involves devotional processions, music festivals, competitions and fireworks dedicated to Saint Roch. The festival has its origins in the colonial period, when the inhabitants of the city...
Latin America and CaribbeanBolivia, Plurinational State ofNot specified in UNESCO dataset
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Le grand chant du groupe ethnique Dong
A popular saying among the Dong people in Guizhou Province in southern China has it that ‘rice nourishes the body and songs nourish the soul’. Their tradition of passing on culture and knowledge in music is exemplified in the Grand Song of the Dong ethnic group, multi-part singing performed without instrumental accompaniment or a...
East AsiaChinaNot specified in UNESCO dataset
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La guarania, son de l'âme paraguayenne
The Guarania is a musical genre originating in Paraguay. Created in the early twentieth century, it is a collective expression of Paraguayan values. It uses the Guarani language, combining elements of native and popular music. The genre is characterized by syncopated rhythms and a slow tempo that is inspired by the Paraguayan polka. It...
Latin America and CaribbeanParaguayNot specified in UNESCO dataset
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Le rassemblement hadrami dan
Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles. The performance begins with the rhythmic chanting of...
Middle EastYemenNot specified in UNESCO dataset
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La musique et la danse highlife
Highlife music and dance is a popular form of musical expression and storytelling known for its lively rhythms, lyrics and strong connection to everyday life. It features a mix of instruments, including guitars, horns, drums, xylophones and percussion. The music is often built around call-and-response singing, with the lead singer...
AfricaGhanaNot specified in UNESCO dataset
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La procession dansante d’Echternach
Each year, on the Tuesday of Pentecost (a Christian religious festival), the hopping procession of Echternach ''(Iechternacher Sprangprëssioun)'' takes place in the medieval town centre of Echternach, the oldest city in Luxembourg. Documented since the year 1100, the procession is founded on the cult of Saint Willibrord, a monk and...
EuropeLuxembourgNot specified in UNESCO dataset
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Le Hua’er
In Gansu and Qinghai Provinces and throughout north-central China, people of nine different ethnic groups share a music tradition known as Hua’er. The music is drawn from an extensive traditional repertoire named after ethnicities, towns or flowers (‘Tu People’s ''ling’,'' ‘White Peony ''ling’''), and lyrics are improvised in keeping...
East AsiaChinaNot specified in UNESCO dataset
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Le Hudhud, récits chantés des Ifugao
The Hudhud consists of narrative chants traditionally performed by the Ifugao community, which is well known for its rice terraces extending over the highlands of the northern island of the Philippine archipelago. It is practised during the rice sowing season, at harvest time and at funeral wakes and rituals. Thought to have originated...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
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L’Iftar/Eftari/Iftar/Iftor et ses traditions socioculturelles
Iftar (also called Eftari, İftar or Iftor in practicing countries) is observed by Muslims at sunset in the month of Ramadan (the ninth month in the lunar calendar), upon completion of all religious and ceremonial rites. Observed by people of all ages, genders and backgrounds, it marks the daily termination of the hardships of fasting...
Global DiasporasAzerbaijan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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Le chant et la danse du tambour des Inuits
Drum dancing and drum singing are indigenous forms of Inuit artistic expression and music in Greenland. Drum dances and songs are frequently performed during national holidays, festive celebrations and social events, by a single person or a group. A single drum dancer may also perform with a choir. During a drum dance, the performer...
EuropeDenmarkNot specified in UNESCO dataset
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Le maqâm iraquien
Widely recognized as Iraq’s predominant classical music tradition, the Maqam encompasses a vast repertory of songs, accompanied by traditional instruments. Moreover, this popular genre provides a wealth of information on the musical history of the region and the Arab influences that have held sway over the centuries. The Iraqi Maqam is...
Middle EastIraqNot specified in UNESCO dataset
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La pratique de la harpe irlandaise
Irish harping is at the heart of the identity of the people of the island of Ireland. The harp is Ireland’s national symbol and has been played for more than 1,000 years; its bell-like sounds and music captivate all those who hear it and are celebrated in Irish mythology, folklore and literature. Nowadays, instead of a harp hewn from a...
EuropeIrelandNot specified in UNESCO dataset
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Le joropo au Venezuela
Joropo is a lively festive tradition resulting from the encounter between Indigenous People, Africans and Europeans. Its practice varies according to the regions: East, Guayana, The Andes, West Central, Central and The Plains. It combines music, poetry, singing and dancing, and involves various instruments such as the harp, cuatro,...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
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Les chants et danses populaires Kalbelia du Rajasthan
Songs and dances are an expression of the Kalbelia community’s traditional way of life. Once professional snake handlers, Kalbelia today evoke their former occupation in music and dance that is evolving in new and creative ways. Today, women in flowing black skirts dance and swirl, replicating the movements of a serpent, while men...
South AsiaIndiaNot specified in UNESCO dataset
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La danse kalela
The Kalela dance originated during colonial times in the Luapula Province of Zambia. It was adopted by mine workers and used for entertainment at the Chief's Palace during traditional ceremonies, funerals, harvest celebrations and other important occasions. Kalela is a kind of dance drill formation in which the dancers form two or three...
AfricaZambiaNot specified in UNESCO dataset
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Le Katta Ashula
Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. An original genre, Katta Ashula combines performing arts, singing,...
Central AsiaUzbekistanNot specified in UNESCO dataset
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La pratique du violon à Kaustinen et les pratiques et expressions connexes
Kaustinen folk music is a Finnish tradition where the fiddle (violin), although not the only instrument, is the main melodic instrument. It is in fact the violin (with or without other instruments) that cadences the dances or the songs. Based on playing by ear, it is characterized by syncopated and accented rhythms that are easy for...
EuropeFinlandNot specified in UNESCO dataset
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La musique du khène du peuple lao
The khaen music of the Lao people is played with a mouth organ that resembles panpipes but made with bamboo tubes of varying lengths, each with a metal reed. The player blows into the instrument through an air chamber and the sound produced depends on the size of the tube. Khaen music is popular in all regions of the Lao People’s...
Southeast AsiaLao People's Democratic RepublicNot specified in UNESCO dataset
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Le lazgi, danse de Khorezm
The movements of Khorazm dance, Lazgi encapsulate human creativity by reflecting the sounds and phenomena of surrounding nature, feelings of love and happiness. Initially associated with the Khorazm Region, Khorazm dance, Lazgi has since become widespread in Uzbekistan. Paintings of the dance can be found in the archaeological site of...
Central AsiaUzbekistanNot specified in UNESCO dataset
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L’espace culturel de Kihnu
Lying off Estonia’s Baltic coast, the small islands of Kihnu and Manija are home to a community of 600 people whose cultural expressions and agricultural traditions have been kept alive over the centuries largely through the island’s female population. The men of the Kihnu community have taken to sea to hunt seals and fish, while the...
EuropeEstoniaNot specified in UNESCO dataset
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La klapa, chant à plusieurs voix de Dalmatie, Croatie méridionale
Klapa singing is a multipart singing tradition of the southern Croatian regions of Dalmatia. Multipart singing, a capella homophonic singing, oral tradition and simple music making are its main features. The leader of each singing group is the first tenor, followed by several tenori, baritoni and basi voices. During performances, the...
EuropeCroatiaNot specified in UNESCO dataset
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Le Kumiodori, théâtre traditionnel musical d’Okinawa
Kumiodori is a Japanese performing art found on the Okinawa islands. It is based upon traditional Okinawan music and dance, but also incorporates elements from mainland Japan, such as Nogaku or Kabuki, as well as from China. Kumiodori dramas recount local historical events or legends, accompanied by a traditional three-stringed...
East AsiaJapanNot specified in UNESCO dataset
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L’opéra Kun Qu
Kun Qu Opera developed under the Ming dynasty (fourteenth to seventeenth centuries) in the city of Kunshan, situated in the region of Suzhou in southeast China. With its roots in popular theatre, the repertory of songs evolved into a major theatrical form. Kun Qu is one of the oldest forms of Chinese opera still performed today. It is...
East AsiaChinaNot specified in UNESCO dataset
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Le rite chanté et dansé de Kushtdepdi
The Kushtdepdi rite of singing and dancing is a performing art involving creative poeticizing focused on good feelings and wishes. It involves singing with vocal improvisation and dancing with movements of the hands, gestures and footsteps in accordance with the tune of the song. The rite serves as a tool for conveying good wishes and...
Central AsiaTurkmenistanNot specified in UNESCO dataset
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Le L-Għana, une tradition du chant populaire maltais
Ghana (pronounced ‘ana’) is used to describe three related types of rhymed folksong in Malta. The most popular form of ghana is the ‘quick-wit’ ghana, an improvised duel between one or two pairs of singers, focusing on rhymes, convincing argumentation and witty repartee. ‘Factual’ ghana is a long, narrative poem sung by a soloist,...
EuropeMaltaNot specified in UNESCO dataset
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La Tumba Francesa
The dance, song and drumming style known as Tumba Francesa (French Drum) was brought to Cuba by Haitian slaves who were resettled in the island’s eastern regions following the unrest in Haiti during the 1790s. It embodies one of the oldest and most tangible links to the Afro-Haitian heritage of Cuba’s Oriente province and developed from...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
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Les danses des garçons en Roumanie
Lad’s dances are a genre of men’s folk dance in Romania practised in community life on festive occasions, such as weddings and holidays, as well as during stage performances. Each community has its own variants, all of which display virtuosity and harmonious combinations of movement and rhythm. A special role is assigned to the dance...
EuropeRomaniaNot specified in UNESCO dataset
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Lakalaka, danses et discours chantés du Tonga
The Tonga archipelago lies in the South Pacific approximately 2,000 kilometres north-east of New Zealand. It is the only constitutional monarchy in the Pacific region. Often considered Tonga’s national dance, Lakalaka is a blend of choreography, oratory, and vocal and instrumental polyphony. This cultural expression is practised by...
PacificTongaNot specified in UNESCO dataset
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La danse et musique de lyre arquée ma’di
The Ma’di bowl lyre music and dance is a cultural practice of the Madi people of Uganda. Passed on by the community’s ancestors, the songs and dances involved in the tradition are performed for various purposes, including weddings, political rallies, to celebrate good harvests, educate children, resolve conflict or mourn the passing of...
AfricaUgandaNot specified in UNESCO dataset
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Le théâtre Mak Yong
This ancient theatre form created by Malaysia’s Malay communities combines acting, vocal and instrumental music, gestures and elaborate costumes. Specific to the villages of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is performed mainly as entertainment or for ritual purposes related to healing practices....
Southeast AsiaMalaysiaNot specified in UNESCO dataset
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Le Malhoun, un art poético-musical populaire
Malhun is a popular form of poetic expression in Morocco. The verses are sung in dialectical Arabic and sometimes Hebrew. They are accompanied by music played on traditional instruments, notably the lute, the violin, the rebab and small drums. Popular topics include love, the joys of life, the beauty of people, nature, religious prayer...
AfricaMoroccoNot specified in UNESCO dataset
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Le Maloya
Maloya is a form of music, song and dance native to Réunion Island. Of mixed racial origins since its outset, maloya was created by Malagasy and African slaves on the sugar plantations and was eventually appropriated by the whole of the island’s population. Initially conceived as a dialogue between a soloist and a choir accompanied by...
EuropeFranceNot specified in UNESCO dataset
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Le Manas
The Kirgiz ethnic minority in China, concentrated in the Xinjiang region in the west, pride themselves on their descent from the hero Manas, whose life and progeny are celebrated in one of the best-known elements of their oral tradition: the Manas epic. Traditionally sung by a Manaschi without musical accompaniment, epic performances...
East AsiaChinaNot specified in UNESCO dataset
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La danse mangwengwe
The Mangwengwe is a traditional dance that is performed by the Mambwe and Namwanga people of Zambia. Dating to pre-colonial times, it is characterized by circular movements of the shoulders and sometimes waist. The performance involves a lead singer or dancer, supporting singers and dancers, hand-clappers and musicians. The rhythm is...
AfricaZambiaNot specified in UNESCO dataset
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Le Mariachi, musique à cordes, chant et trompette
Mariachi is a traditional Mexican music and a fundamental element of Mexican culture. Traditional Mariachi groups, made up of two or more members, wear regional costumes adapted from the charro costume and interpret a broad repertoire of songs on stringed instruments. Ensembles playing ‘modern Mariachi’ include trumpets, violins, the...
Latin America and CaribbeanMexicoNot specified in UNESCO dataset
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Les musiques de marimba, les chants et les danses traditionnels de la région du Pacifique Sud colombien et de la province d'Esmeraldas d'Équateur
Marimba music and traditional chants and dances are musical expressions integral to the family and community fabric of people of African descent in the Colombian South Pacific region and Esmeraldas Province of Ecuador. Chanted stories and poems are performed by men and women at ritual, religious and festive events as a celebration of...
Latin America and CaribbeanColombia / EcuadorNot specified in UNESCO dataset
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La međimurska popevka, chanson populaire traditionnelle de Međimurje
Međimurska popevka, a folksong from the Međimurje region, in the north-western part of Croatia, was historically predominantly a soloist vocal genre practised by women. Nowadays, it is performed by individuals and groups, men and women, in vocal, vocal-instrumental, instrumental, monophonic and multipart renditions, as a musical genre...
EuropeCroatiaNot specified in UNESCO dataset
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Le Mek Mulung
Mek Mulung is a traditional Malaysian performance involving acting, dialogue, singing and dancing. Originating in the village of Wang Tepus, it is performed by a group of fifteen to twenty people, accompanied by a music ensemble consisting of traditional percussion and wind instruments such as drums, clappers and a gong. Mek Mulung...
Southeast AsiaMalaysiaNot specified in UNESCO dataset
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Le Meshrep
Found among the Uygur people concentrated largely in China’s Xinjiang Uygur Autonomous Region, Meshrep constitutes the most important cultural carrier of Uygur traditions. A complete Meshrep event includes a rich collection of traditions and performance arts, such as music, dance, drama, folk arts, acrobatics, oral literature, foodways...
East AsiaChinaNot specified in UNESCO dataset
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Le Tuuli mongol, épopée mongole
The Mongolian Tuuli is an oral tradition comprising heroic epics that run from hundreds to thousands of lines and combine benedictions, eulogies, spells, idiomatic phrases, fairy tales, myths and folk songs. They are regarded as a living encyclopaedia of Mongolian oral traditions and immortalize the heroic history of the Mongolian...
East AsiaMongoliaNot specified in UNESCO dataset
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L’art mongol du chant Khoomei
The Mongolian art of singing: Khoomei, or Hooliin Chor (‘throat harmony’), is a style of singing in which a single performer produces a diversified harmony of multiple voice parts, including a continued bass element produced in the throat. These singers may perform alone or in groups. Khoomei is practised today among Mongolian...
East AsiaChinaNot specified in UNESCO dataset
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L’art traditionnel du Khöömei mongol
Khöömei is a form of singing originating in western Mongolia, in the Altai mountains. The performer imitates sounds of nature, simultaneously emitting two distinct vocal sounds: along with a continuous drone, the singer produces a melody of harmonics. Khöömei literally means pharynx, and it is believed to have been learned from birds,...
East AsiaMongoliaNot specified in UNESCO dataset
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La morna, pratique musicale de Cabo Verde
Morna, musical practice of Cabo Verde is a traditional Cape Verdean musical and choreographic practice with instrumental accompaniment that incorporates voice, music, poetry, and dance. Morna can be either sung or played only with instruments, mainly chordophones, including the guitar, violin, ten-string guitar, replaced with a...
AfricaCabo VerdeNot specified in UNESCO dataset
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Le Moussem de Tan-Tan
The Moussem of Tan-Tan in southwest Morocco is an annual gathering of nomadic peoples of the Sahara that brings together more than thirty tribes from southern Morocco and other parts of northwest Africa. Originally this was an annual event around the month of May. Part of the agricultural and herding calendar of the nomads, these...
AfricaMoroccoNot specified in UNESCO dataset
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Le moutya
Moutya was brought to Seychelles by the enslaved Africans who arrived with the French settlers in the early eighteenth century. They used to practise this dance at night in the forest, at a distance from the plantation house where their masters lived. Historically, Moutya was a psychological comfort against hardship and poverty and a...
AfricaSeychellesNot specified in UNESCO dataset
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La musique et la danse de la bachata dominicaine
The music and dance of Dominican Bachata is a danceable musical expression, deriving from a fusion of rhythmic bolero with other Afro-Antillean genres such as Son, the Cha-cha-cha, Merengue, etc. The Dominican people consider the music and dance of Bachata as a vernacular cultural manifestation, omnipresent in community celebrations and...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
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La musique de Terchová
The village of Terchová in north-west Slovakia is renowned for its collective vocal and instrumental music, performed by three-, four- or five-member string ensembles with a small two-string bass or diatonic button accordion. It is often accompanied by polyphonic singing and combined with folk dances. The musical tradition of Terchová...
EuropeSlovakiaNot specified in UNESCO dataset
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La musique des Bakhshis du Khorasan
In Khorasan Province, the Bakhshis are renowned for their musical skill with the ''dotār,'' a two-stringed, long-necked lute. They recount Islamic and Gnostic poems and epics containing mythological, historical or legendary themes. Their music, known as ''Maghami,'' consists of instrumental and/or vocal pieces, performed in Turkish,...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Mvet Oyeng, art musical, pratiques et savoir-faire associés à la communauté Ekang
Mvet Oyeng is a cultural tradition that is practised by the Ekang community. It entails the singing of a series of epic stories, accompanied by dancing and the playing of a traditional stringed instrument. The audience actively participates in the performance by playing drumsticks or clapping, singing and engaging with the storyteller....
AfricaGabon / CameroonNot specified in UNESCO dataset
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L’atā thingyan, la fête traditionnelle du Nouvel An au Myanmar
Atā Thingyan is a five-day festival that is observed in Myanmar to celebrate the traditional new year. The Myanmar Calendar Advisory Board determines the date on which Thingyan falls each year (typically in mid-April). Each community celebrates the festival in accordance with its traditions and customs, but common activities include...
Southeast AsiaMyanmarNot specified in UNESCO dataset
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Le mystère d’Elche
The mystery play of Elche is a sacred musical drama of the death, the passage into heaven (known as the Assumption) and the crowning of the Virgin Mary. Since the mid-fifteenth century it has been performed in the Basilica of Santa Maria and in the streets of the old city of Elche, situated in the region of Valencia. It is a living...
EuropeSpainNot specified in UNESCO dataset
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Le Nanyin
Nanyin is a musical performing art central to the culture of the people of Minnan in southern Fujian Province along China’s south-eastern coast, and to Minnan populations overseas. The slow, simple and elegant melodies are performed on distinctive instruments such as a bamboo flute called the ''dongxiao'' and a crooked-neck lute played...
East AsiaChinaNot specified in UNESCO dataset
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Le théâtre Nôgaku
Nôgaku theatre had its heyday in the fourteenth and fifteenth centuries, but actually originated in the eighth century when the Sangaku was transmitted from China to Japan. At the time, the term Sangaku referred to various types of performance featuring acrobats, song and dance as well as comic sketches. Its subsequent adaption to...
East AsiaJapanNot specified in UNESCO dataset
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Le chant Ojkanje
Ojkanje two-part singing, found in the Croatian regions of the Dalmatian hinterland, is performed by two or more singers (male or female) using a distinctive voice-shaking technique created by the throat. Each song lasts as long as the lead singer can hold his or her breath. Melodies are based on limited, mostly chromatic, tonal scales,...
EuropeCroatiaNot specified in UNESCO dataset
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L’Olonkho, épopée héroïque iakoute
One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation. The poetic tales, which vary from 10 to 15,000 verses in length, are performed by...
EuropeRussian FederationNot specified in UNESCO dataset
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Les chants épiques Pansori
Pansori is a genre of musical storytelling performed by a vocalist and a drummer.This popular tradition, characterized by expressive singing, stylized speech, a repertory of narratives and gesture, embraces both elite and folk culture. During performances lasting up to eight hours, a male or female singer, accompanied by a single barrel...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
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Le pantun
Pantun is a form of Malay verse used to express intricate ideas and emotions. It is a widespread oral form in maritime Southeast Asia. Pantun has a clear a-b-a-b rhyme scheme. The four-line variety is the most common. Pantuns may be transmitted in music, song and writing. Performances are headed by the ‘pemantun’ (the pantun narrator),...
Southeast AsiaIndonesia / MalaysiaNot specified in UNESCO dataset
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Le pasillo, chant et poésie
The pasillo is a type of music and dance that emerged in Ecuador in the nineteenth century, during the South American independence wars. It is a fusion of elements of indigenous music, such as the yaraví, with a complex variety of musical genres including the waltz, the minuet and the Spanish bolero. The pasillo, which means ‘small...
Latin America and CaribbeanEcuadorNot specified in UNESCO dataset
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L’opéra de Pékin
Peking opera is a performance art incorporating singing, reciting, acting, martial arts. Although widely practised throughout China, its performance centres on Beijing, Tianjin and Shanghai. Peking opera is sung and recited using primarily Beijing dialect, and its librettos are composed according to a strict set of rules that prize form...
East AsiaChinaNot specified in UNESCO dataset
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Les arts du spectacle chez les ṭwāyef de Ghbonten
In Tunisia, the Twāyef are troupes of poet singers affiliated with the Ghbonten tribe. The troupes perform chants or songs wearing white robes and scarlet chechias (caps). They are accompanied by the sounds of the chenna, a traditional drum. Consisting of a leader and a group of male performers, each troupe boasts a unique repertoire of...
AfricaTunisiaNot specified in UNESCO dataset
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La Pirekua, chant traditionnel des P’urhépecha
Pirekua is a traditional music of the indigenous P’urhépecha communities of the State of Michoacán, Mexico, sung by both men and women. Its diverse mix of styles draws on African, European and indigenous American origins, with regional variations identified in 30 of the 165 P’urhépecha communities. A Pirekua, which is generally sung...
Latin America and CaribbeanMexicoNot specified in UNESCO dataset
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Les chants polyphoniques des pygmées Aka de Centrafrique
The Aka Pygmies living in the south-west region of the Central African Republic have developed a distinctive vocal musical tradition, which involves a complex type of contrapuntal polyphony based on four voices, mastered by all members of the Aka community. Music and dance form an integral part of Aka rituals including ceremonies...
AfricaCentral African RepublicNot specified in UNESCO dataset
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La pratique de la musique et de la danse traditionnelles au Setesdal, jouer de la musique, danser et chanter (stev/stevjing)
In the practice of traditional music and dance in Setesdal, playing, dancing and singing (stev/stevjing), traditional dance and music belong together, interwoven in the social context. The melodies are named after the ‘gangar’ dance and are mostly dance tunes; the melodies of the ‘stev’ songs can be played on instruments, and the lyrics...
EuropeNorwayNot specified in UNESCO dataset
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Les pratiques et savoirs liés à l’imzad des communautés touarègues de l’Algérie, du Mali et du Niger
Imzad music is a characteristic feature of Tuareg communities and is performed by women on a single-stringed bowed instrument known as the Imzad. The musician sits with the instrument on her knees and plays it with a wooden, arched bow. Imzad combines music and poetry and is frequently performed on ceremonial occasions in Tuareg camps....
AfricaAlgeria / MaliNot specified in UNESCO dataset
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Le punto
Punto is the poetry and music of Cuban farmers, consisting of a tune or melody over which a person sings an improvised or learned stanza of ten octameter verse lines, with a rhyming scheme. There are two main variants of Punto: punto libre, a tune of free metre; and punto fijo, which can be in key or crossed. Throughout history, the...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
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Les rituels Qālišuyān de Mašhad-e Ardehāl à Kāšān
Qālišuyān rituals are practised in Iran to honour the memory of Soltān Ali, a holy figure among the people of Kāšān and Fin. According to legend, he was martyred, and his body found and carried in a carpet to a stream, where it was washed and buried by the people of Fin and Xāve. Today, Soltān Ali mausoleum is the site of a ritual where...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Les chants populaires Quan Họ de Bắc Ninh
In the provinces of Bắc Ninh and Bắc Giang in northern Viet Nam, many of the villages are twinned, reinforcing their relationship through social customs such as Quan họ Bắc Ninh folk songs. The songs are performed as alternating verses between two women from one village who sing in harmony, and two men from another village who respond...
Southeast AsiaViet NamNot specified in UNESCO dataset
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Le Radif de la musique iranienne
The Radif of Iranian music is the traditional repertoire of the classical music of Iran that forms the essence of Persian musical culture. More than 250 melodic units, called ''gushe,'' are arranged into cycles, with an underlying modal layer providing the backdrop against which a variety of melodic motifs are set. Although the main...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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Le raï, chant populaire d'Algérie
Raï is a popular folk song from Algeria. A means of conveying social reality without taboos or censorship, Raï music touches on topics such as love, freedom, despair and social pressures. It was originally practised in rural settings by doyens who sang poetic texts in vernacular Arabic, accompanied by a traditional orchestra. At the...
AfricaAlgeriaNot specified in UNESCO dataset
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Le rebétiko
Rebetiko is a musical and cultural expression directly linked to song and dance that initially spread among the urban lower and working-class populations in the early twentieth century. Rebetiko songs are now a standardized repertoire in almost every social occasion involving music and dance. The element is performed in public and...
EuropeGreeceNot specified in UNESCO dataset
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Le reggae de Jamaïque
Having originated within a cultural space that was home to marginalized groups, mainly in Western Kingston, the Reggae music of Jamaica is an amalgam of numerous musical influences, including earlier Jamaican forms as well as Caribbean, North American and Latin strains. In time, Neo-African styles, soul and rhythm and blues from North...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
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L’art du spectacle du Reog Ponorogo
In Indonesia, Reog Ponorogo Performing Art is a centuries-old theatrical dance that is traditionally performed on various occasions, including disaster aversion ceremonies, village cleansing events, weddings, Islamic and national holidays, circumcisions, thanksgiving ceremonies, public festivities, and when welcoming guests. Dancers...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le rituel et les cérémonies de la Sebeïba dans l'oasis de Djanet, Algérie
The ritual and ceremonies of Sebeïba are practised by two communities living in Djanet during ten days in the first month of the Islamic lunar calendar. Male dancers and female singers compete for the right to represent their communities during a nine-day contest called Timoulawine. The chosen winners take part in the Sebeïba ritual and...
AfricaAlgeriaNot specified in UNESCO dataset
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Les expressions rituelles et festives de la culture congo
The ritual and festive expressions of the Congo culture encompass the contemporary vision of a collective celebration of the black rebel descendants enslaved during the colonial period. Nowadays, participants play congo, celebrate their freedom, cheerfully sing about their everyday lives and perform representations and sensual dances...
Latin America and CaribbeanPanamaNot specified in UNESCO dataset
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La danse rituelle au tambour royal
The ritual dance of the royal drum is a spectacle combining powerful, synchronized drumming with dancing, heroic poetry and traditional songs. The entire population of Burundi recognizes it as a fundamental part of its heritage and identity. The dance calls for at least a dozen or so drums, always in an odd number, arranged in a...
AfricaBurundiNot specified in UNESCO dataset
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L’art dramatique rituel du Ta‘zīye
Ta‘zīye (or Ta’azyeh) is a ritual dramatic art that recounts religious events, historical and mythical stories and folk tales. Each performance has four elements: poetry, music, song and motion. Some performances have up to a hundred roles, divided into historical, religious, political, social, supernatural, real, imaginary and fantasy...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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La rumba à Cuba, mélange festif de musiques et de danses et toutes les pratiques associées
The music and movements of rumba in Cuba are mainly associated with African culture but also feature elements from Antillean culture and Spanish flamenco. Historically, rumba in Cuba developed in marginal neighbourhoods of cities in Cuba like Havana and Matanzas, near other ports and shanty towns and grew especially popular in rural...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
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Le Sada Shin Noh, danse sacrée au sanctuaire de Sada, Shimane
Sada Shin Noh comprises a series of ritual purification dances performed every year on 24 and 25 September at the Sada Shrine in Matsue City, Shimane Prefecture, Japan as part of the ''gozakae'' ritual of the changing of the rush mats. The dances are undertaken to purify new rush mats ''(goza)'', upon which the tutelary deities of the...
East AsiaJapanNot specified in UNESCO dataset
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La célébration du Sadeh/Sada
Sadeh, or Sada, is a celebration held annually on 30 January. In the folk calendar, it marks the day when farmlands are prepared for their next spring plantation and when people celebrate the end of the coldest winter days, with 50 days and 50 nights remaining to spring. Accordingly, ‘Sadeh’ means ‘one hundred’. The element enjoys...
Global DiasporasIran, Islamic Republic of / TajikistanNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le concept Kodály, sauvegarde du patrimoine musical traditionnel
Over the past century, the Kodály concept of safeguarding traditional folk music has helped to promote, transmit and document local practices in Hungary and assisted communities abroad for similar purposes. Devised by researcher, composer and pedagogue Zoltán Kodály and supported by the Hungarian Academy of Sciences, it advocates:...
EuropeHungaryNot specified in UNESCO dataset
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La danse Saman
The Saman dance is part of the cultural heritage of the Gayo people of Aceh province in Sumatra. Boys and young men perform the Saman sitting on their heels or kneeling in tight rows. Each wears a black costume embroidered with colourful Gayo motifs symbolizing nature and noble values. The leader sits in the middle of the row and leads...
Southeast AsiaIndonesiaNot specified in UNESCO dataset
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Le sankirtana, chants rituels, tambours et danses du Manipur
Sankirtana encompasses an array of arts performed to mark religious occasions and various stages in the life of the Vaishnava people of the Manipur plains. Sankirtana practices centre on the temple, where performers narrate the lives and deeds of Krishna through song and dance. In a typical performance, two drummers and about ten...
South AsiaIndiaNot specified in UNESCO dataset
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Le séga tambour de Rodrigues
Sega Tambour of Rodrigues Island is a vibrant rhythmic performance of music, song and dance with its origins in slave communities. The leading percussion, the tambour, is banged energetically, while a triyang is hit from the side and the bwat and mayos are clapped. Sega Tambour is performed all over Rodrigues Island in the home and on...
AfricaMauritiusNot specified in UNESCO dataset
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Le Leelo seto, tradition chorale polyphonique seto
For the Seto community living in south-eastern Estonia and the Pechory district of the Russian Federation, the tradition of ''leelo,'' an ancient polyphonic singing tradition, is a cornerstone of contemporary identity. Performed to traditional melodies and in traditional costume, leelo features a lead singer who delivers a verse line...
EuropeEstoniaNot specified in UNESCO dataset
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La sevdalinka, chant folklorique urbain traditionnel
Sevdalinka is a form of traditional urban singing that is practised in Bosnia and Herzegovina. It originated as the result of a long process of acculturation that occurred when the traditional oral poetry of the South-Slavic population merged with the musical influences of the Ottoman Empire. Performed a capella or with the...
EuropeBosnia and HerzegovinaNot specified in UNESCO dataset
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La musique Shashmaqom
For over ten centuries, the classical music tradition of Shashmaqom has evolved in the urban centres of Central Asia formerly known as Mâwarâ al-nahr, an area which now encompasses present-day Tajikistan and Uzbekistan. Shashmaqom, meaning “six maqoms”, constitutes a fusion of vocal and instrumental music, melodic and rhythmic idioms...
Central AsiaUzbekistan / TajikistanNot specified in UNESCO dataset
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La fête de shuwalid
Shuwalid is an annual three-day festival celebrated by the Harari people of Ethiopia. It marks the end of six days of fasting to compensate omissions during Ramadan. The Harari people celebrate Shuwalid at the shrines of Aw Shulum Ahmed and Aw Akebara, found at the main entrance gates of the walled city of Harar. The festival starts...
AfricaEthiopiaNot specified in UNESCO dataset
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Le chant accompagné au gusle
Singing to the accompaniment of the Gusle – a simple string instrument – is an ancient art of performing primarily heroic epics practised for centuries as a form of historical memory and an expression of cultural identity. Performances involve a complex form of interaction between the audience and performer and are based on the skills...
EuropeSerbiaNot specified in UNESCO dataset
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La Slava, célébration de la fête du saint patron de la famille
In Serbia, Orthodox Christian families celebrate an important holiday in honour of the patron saint, Slava, who is believed to be their protector and provider of welfare. The celebration consists of the ritual offering of a bloodless sacrifice and a feast held for relatives, neighbours and friends. A specially designed candle is lit in...
EuropeSerbiaNot specified in UNESCO dataset
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Le chant de Sana’a
The Song of Sana’a, also known as al-Ghina al-San’ani, designates a group of songs that belongs to a rich musical tradition practised throughout Yemen. Derived from various poetic traditions dating from the fourteenth century, this genre constitutes an integral part of social events, such as the samra marriage evenings and the magyal,...
Middle EastYemenNot specified in UNESCO dataset
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Le rite du printemps de Juraǔski Karahod
The spring rite of Juraǔski Karahod is performed by residents of the village of Pahost on St. George’s Day. For Belarusians, St. George safeguards livestock and agriculture. In Pahost, the holiday is observed through a specific ceremonial rite that encompasses various ceremonial activities, songs, games, omens and beliefs....
EuropeBelarusNot specified in UNESCO dataset
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L’estivage dans un fäbod et seter : connaissances, traditions et pratiques liées au pâturage des terres reculées et à la production alimentaire artisanale
In Sweden and Norway, summer farming refers to the practice of moving livestock to outlying lands in late spring. It entails knowledge concerning animal husbandry and herding, dairy production, land management and handicrafts. It also involves herding calls, songs, storytelling and rituals. The practices and expressions of summer...
EuropeSweden / NorwayNot specified in UNESCO dataset
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Les Sutartinės, chants lituaniens à plusieurs voix
Sutartinės (from the word ''sutarti ''– to be in concordance) is a form of polyphonic music performed by female singers in north-east Lithuania. The songs have simple melodies, with two to five pitches, and comprise two distinct parts: a meaningful main text and a refrain that may include nonce words. There are almost forty different...
EuropeLithuaniaNot specified in UNESCO dataset
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La méthode Táncház : un modèle hongrois pour la transmission du patrimoine culturel immatériel
The Táncház (‘dance-house’) model of teaching folk dance and music combines traditional forms of acquisition with modern pedagogical and academic methods. Participants acquire dance knowledge from experienced members or tradition bearers by direct observation and imitation, to the accompaniment of live music, while using their own...
EuropeHungaryNot specified in UNESCO dataset
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Le Tango
The Argentinian and Uruguayan tradition of the Tango, now familiar around the world, was developed by the urban lower classes in Buenos Aires and Montevideo in the Rio de la Plata basin. Among this mix of European immigrants to the region, descendents of African slaves and the natives of the region known as ''criollos,'' a wide range of...
Latin America and CaribbeanArgentina / UruguayNot specified in UNESCO dataset
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La tchopa, danse sacrificielle des Lomwe du sud du Malawi
Tchopa is a performing art practised among Lhomwe communities in southern Malawi. The dance is usually performed during celebrations after good harvests and successful hunting trips and during offerings to ancestral spirits after calamities such as droughts and outbreaks of disease. Tchopa entails knowledge of particular dancing skills...
AfricaMalawiNot specified in UNESCO dataset
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La prise de la pierre sacrée ou les rites du nouvel an en pays Guin au Togo
The rites of the New Year are a series of around twenty rituals practised annually by the Guin People of southern Togo, over the course of seven months, to honour deities and ancestors. These rituals follow a lunar calendar and take place at the same times each year. The new year is marked by the most important rite, ‘Ekpéssosso’, which...
AfricaTogoNot specified in UNESCO dataset
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Le Compas d'Haïti
Compas is a popular music and dance genre that holds deep cultural significance for the practising communities. As strong identifying factor, it brings together people of all ages, genders and backgrounds. The music is characterized by a syncopated rhythm and accompanied by instruments such as guitars, keyboards and drums. Compas...
Latin America and CaribbeanHaitiNot specified in UNESCO dataset
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La pratique du son cubain
Son is a traditional music and dance practice that blends singing, instruments, rhythm and movement. It is performed in pairs or groups and combines improvisation with structured patterns. Son includes lyrics drawn from daily life, which are passed down orally, and brings together African and European musical influences. The dance is...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
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La pratique du chant lyrique en Italie
Italian opera singing is a physiologically controlled way of singing that enhances the carrying power of the voice in acoustic spaces such as auditoriums, amphitheatres, arenas and churches. Performed by people of all genders, it is associated with specific facial expressions and body gestures and involves a combination of music, drama,...
EuropeItalyNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
L'École des traditions vivantes
In 1995, the Sub-commission on Cultural Communities and Traditional Arts of the National Commission for Culture and the Arts (NCCA) – the lead agency mandated to preserve, promote and develop Philippine culture and the arts – affirmed the need to safeguard traditional knowledge and practices from rapid cultural devaluation brought about...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
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L’opéra tibétain
Tibetan opera, the most popular traditional opera of minority ethnic groups in China, is a comprehensive art combining folk song, dance, storytelling, chant, acrobatics and religious performance. Most popular in the Qinghai-Tibetan Plateau in western China, the performance begins with a prayer ceremony, including the cleansing of the...
East AsiaChinaNot specified in UNESCO dataset
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La tradition du chant védique
The Vedas comprise a vast corpus of Sanskrit poetry, philosophical dialogue, myth, and ritual incantations developed and composed by Aryans over 3,500 years ago. Regarded by Hindus as the primary source of knowledge and the sacred foundation of their religion, the Vedas embody one of the world’s oldest surviving cultural traditions. The...
South AsiaIndiaNot specified in UNESCO dataset
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La musique traditionnelle du Morin Khuur
The two-stringed fiddle morin khuur has figured prominently in Mongolia’s nomad culture. String instruments adorned with horse heads are attested to by written sources dating from the Mongol empire of the thirteenth and fourteenth centuries. The fiddle’s significance extends beyond its function as a musical instrument, for it was...
East AsiaMongoliaNot specified in UNESCO dataset
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La musique traditionnelle pour flûte tsuur
Tsuur music is based on a combination of instrumental and vocal performance – a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur music has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an...
East AsiaMongoliaNot specified in UNESCO dataset
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Les rencontres traditionnelles Sohbet
Traditional Sohbet meetings play a crucial role in transmitting Turkish folk literature, folk dances and music, village plays as well as societal values. Turkish men meet regularly indoors, especially in winter, to discuss local social and cultural issues, safeguard traditions, and encourage solidarity, mutual respect and a sense of...
Middle EastTürkiyeNot specified in UNESCO dataset
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Les rites festifs traditionnels printaniers des éleveurs de chevaux kazakhs
Traditional spring festive rites of the Kazakh horse breeders – taking place in Terisakkan Village in the Ulytau District of Karaganda Oblast – mark the end of the old and the beginning of the new yearly horse-breeding cycle. Rooted in traditional knowledge about nature and the age-old relations between man and horse, the rites involve...
Central AsiaKazakhstanNot specified in UNESCO dataset
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La musique traditionnelle vallenato de la région du Magdalena Grande
Traditional Vallenato music fuses cultural expressions from northern Colombia, the songs of cow-herders of the Greater Magdalena region and the chants of African slaves with the traditional dance rhythms of the indigenous people of the Sierra Nevada de Santa Marta. These expressions are also blended with Spanish poetry and musical...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
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Tsapiky, rythme et style musical caractéristique de la région Sud-ouest de Madagascar
Tsapiky is a fast-paced musical genre that combines modern and traditional sounds and is deeply rooted in the social life of the inhabitants of southwestern Madagascar. It features electric guitars, drums, accordions and local instruments such as the ‘kabosy’ (a small guitar) and the ‘marovany’ (a string instrument). Although initially...
AfricaMadagascarNot specified in UNESCO dataset
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Les Tsiattista, joutes poétiques
The lively, impromptu oral poetry known as Tsiattista is often performed to the accompaniment of violin or lute in ‘jousts’ in which one poet-singer attempts to outdo another with clever verses made up of rhyming couplets. It has long been a popular component of wedding feasts, fairs and other public celebrations, where eager crowds...
Middle EastCyprusNot specified in UNESCO dataset
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Le chant et la musique à deux voix dans la gamme istrienne
On the Istrian peninsula in western Croatia, several varieties of two-part singing and playing in the Istrian scale are preserved by Croatian, Istro-Romanian and Italian communities. The style is characterized by vigorous, partly nasal singing. It involves a degree of variation and improvisation in both vocal parts but always ends with...
EuropeCroatiaNot specified in UNESCO dataset
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L’Urtiin Duu, chants longs traditionnels populaires
The Urtiin duu or “long song” is one of the two major forms of Mongolian songs, the other being the short song” (bogino duu). As a ritual form of expression associated with important celebrations and festivities, Urtiin duu plays a distinct and honoured role in Mongolian society. It is performed at weddings, the inauguration of a new...
East AsiaChina / MongoliaNot specified in UNESCO dataset
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Le muqam ouïgour du Xinjiang
The Xinjiang Uyghur Muqam is the general term for a variety of Muqam practices widespread among the Uyghur communities, which form one of the largest ethnic minorities of the People’s Republic of China. Throughout its history, the Xinjiang region has been marked by a high degree of cultural exchange between East and West, due in...
East AsiaChinaNot specified in UNESCO dataset
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Le Vimbuza, danse de guérison
Vimbuza is a healing dance popular among the Tumbuka people living in northern Malawi. It is an important manifestation of the ng’oma, a healing tradition found throughout Bantu-speaking Africa. Ng’oma, meaning “drums of affliction”, carries considerable historical depth and, despite various attempts over the years to suppress it,...
AfricaMalawiNot specified in UNESCO dataset
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Le chant à plusieurs voix visoko de Dolen et Satovtcha, Bulgarie du Sud-Ouest
Visoko is a traditional practice of multipart singing that is unique to the Bulgarian villages of Dolen and Satovcha in the Blagoevgrad region. There are three types of multipart songs typical of Visoko: low-pitched, high-pitched and a combination of the two. Low-pitched singing consists of sustained singing by two vocal parts....
EuropeBulgariaNot specified in UNESCO dataset
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Le rituel wosana et les pratiques associées
Wosana is a rainmaking ritual that is observed by the Bakalanga community in the Northeast and Central Districts of Botswana and in certain Zimbabwean villages along the Botswana border. The ancestral practice is characterized by rituals, prayer, feasts, song and dance. It is a collaborative practice involving traditional leadership,...
AfricaBotswanaNot specified in UNESCO dataset
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L’ensemble d’instruments à vent et à percussion de Xi’an
Xi’an wind and percussion ensemble, which has been played for more than a millennium in China’s ancient capital of Xi’an, in Shaanxi Province, is a type of music integrating drums and wind instruments, sometimes with a male chorus. The content of the verses is mostly related to local life and religious belief and the music is mainly...
East AsiaChinaNot specified in UNESCO dataset
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Le chant Xoan de la Province de Phú Thọ (Viet Nam)
As a performing art, Xoan singing of Pho Tho province includes singing, dancing, drumming and clapper beating. It is closely linked to the worship of the Hung Kings, a belief rooted in the ancestor worship practice of the Viet people. Bearers and practitioners form four guilds, in which the male and female Trum play the most important...
Southeast AsiaViet NamNot specified in UNESCO dataset
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Le yalli (kochari, tenzere), danses collectives traditionnelles du Nakhtchivan
Yalli, traditional group dances, are dance expressions based exclusively on collective performances. Typically, yalli are performed in a circle, chain or line, and involve elements of games, pantomime (bird or other animal imitations), physical exercises and movements. The community of the yalli dances consists of practising dancers,...
Middle EastAzerbaijanNot specified in UNESCO dataset
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L’opéra Yueju
The Chinese tradition of Yueju opera combines Mandarin operatic traditions and Cantonese dialect. Rooted in the Cantonese-speaking provinces of Guangdong and Guangxi in south-eastern China, Yueju opera is characterized by a combination of string and percussion instruments, with elaborate costumes and face painting. It also incorporates...
East AsiaChinaNot specified in UNESCO dataset
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