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La culture de la cornemuse
Bagpipe culture consists of a wide range of expressions and knowledge associated with bagpipes and their use, including music repertoire, style and ornamentation, songs, dances, instrument-making, folk customs and traditions and special verbal expressions. The bagpipe tradition exists throughout Slovakia, with regional differences...
EuropeSlovakiaNot specified in UNESCO dataset
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Les cornemuses et la pratique de la cornemuse en Bulgarie : transmission des connaissances et des savoir-faire
The bagpipe is a traditional wind instrument made of a leather bag connected to a chanter (a pipe with finger holes and a reed), a drone (a pipe that produces a continuous tone), and a blowpipe used to fill the bag with air. There are different types based on pitch: high, medium and low. The bagpipe is played at social and cultural...
EuropeBulgariaNot specified in UNESCO dataset
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Le baile chino
Bailes Chinos are brotherhoods of musicians who express their faith through music, dance and singing in the context of commemoration festivities. The practice stretches mainly from the area known as the Norte Chico to the central region of Chile and comprises five fully differentiated styles, each named after the valley or basin where...
Latin America and CaribbeanChileNot specified in UNESCO dataset
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Le bigwala, musique de trompes en calebasse et danse du royaume du Busoga en Ouganda
Bigwala music and dance is a cultural practice of the Basoga people of Uganda, performed during royal celebrations such as coronations and funerals and, in recent decades, on social occasions. Bigwala describes a set of five or more monotone gourd trumpets blown in hocket to produce a melody, accompanied by a specific dance. A typical...
AfricaUgandaNot specified in UNESCO dataset
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La fête du pardon célestinien
The Celestinian forgiveness celebration was inspired by Pope Celestine V, who issued a historical ‘Bull’ as an act of partnership among local populations. Taking place in the city and province of L’Aquila, the tradition comprises a set of rituals and celebrations transmitted uninterruptedly since 1294. The practice conveys a sense of...
EuropeItalyNot specified in UNESCO dataset
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Le chidaoba, lutte en Géorgie
Chidaoba (wrestling) is an ancient form of martial art practised by a large proportion of the male population throughout all the regions, villages and communities of Georgia. Bearers of the tradition include young people, city residents, sports clubs, educational institutions and amateur organizations. The practice is a complex...
Middle EastGeorgiaNot specified in UNESCO dataset
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L’artisanat et l’art de jouer du balaban/mey
Balaban (in Azerbaijan) or Mey (in Türkiye) is a centuries-old woodwind instrument made up of three parts: a body, a wide and flat double reed and a clip. The instrument is traditionally made of plum or apricot wood and coated with linseed or olive oil. Once dry, crafters drill several holes into the front of the body and one hole into...
Middle EastAzerbaijan / TürkiyeNot specified in UNESCO dataset
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La dabkeh, danse traditionnelle en Palestine
Dabkeh is a popular group dance in Palestine that is accompanied by traditional wind instruments and popular singing. A social activity, it is performed in several regions during festivals, celebrations and events such as weddings and graduations. Dabkeh is performed by eleven dancers, regardless of gender. The dancers stand in a...
Middle EastPalestine, State ofNot specified in UNESCO dataset
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Le Duduk et sa musique
The duduk, the Armenian oboe, is a double-reed wind instrument characterized by a warm, soft, slightly nasal timbre. It belongs to the category of aerophones, which also includes the balaban played in Azerbaijan and Iran, the duduki common in Georgia and the ney in Turkey.The soft wood of the apricot tree is the ideal material for the...
Middle EastArmeniaNot specified in UNESCO dataset
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La technique d’interprétation du chant long des joueurs de flûte limbe – la respiration circulaire
The Limbe is a side-blown flute of hardwood or bamboo, traditionally used to perform Mongolian folk long songs. Through the use of circular breathing, Limbe performers are able to produce the continuous, wide-ranging melodies characteristic of the long song. Players breathe in through the nose while simultaneously blowing out through...
East AsiaMongoliaNot specified in UNESCO dataset
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La Fujara et sa musique
The Fujara, an extremely long flute with three finger holes traditionally played by Slovak shepherds, is regarded as an integral part of the traditional culture of Central Slovakia. It is not just a musical instrument, but also an artefact of great artistic value due to its highly elaborate, individual ornamentation. The main tube of...
EuropeSlovakiaNot specified in UNESCO dataset
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La pratique de la danse k’cimi de Tropojë
In Albania, the k’cimi dance is a popular, festive dance performed in spontaneous gatherings or during traditional ceremonies such as weddings, birthdays, initiations and village celebrations. Typically accompanied by drums, k’cimi is performed by men, women and children of all ages, and usually in couples, with partners changing...
EuropeAlbaniaNot specified in UNESCO dataset
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L’art mongol du chant Khoomei
The Mongolian art of singing: Khoomei, or Hooliin Chor (‘throat harmony’), is a style of singing in which a single performer produces a diversified harmony of multiple voice parts, including a continued bass element produced in the throat. These singers may perform alone or in groups. Khoomei is practised today among Mongolian...
East AsiaChinaNot specified in UNESCO dataset
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La cérémonie rituelle des Voladores
The ritual ceremony of the Voladores (‘flying men’) is a fertility dance performed by several ethnic groups in Mexico and Central America, especially the Totonac people in the eastern state of Veracruz, to express respect for and harmony with the natural and spiritual worlds. During the ceremony, four young men climb a wooden pole...
Latin America and CaribbeanMexicoNot specified in UNESCO dataset
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La fabrication et la pratique de la cornemuse traditionnelle (gayda/tulum)
The traditional bagpipe (Gayda/Tulum) is a traditional woodwind instrument that is made and performed across the area that includes the Republic of North Macedonia, and the Eastern Black Sea and Thrace regions of Türkiye. In North Macedonia, it consists of four parts: a melody pipe, a drone pipe, a blowing pipe and an air reservoir. In...
Global DiasporasNorth Macedonia / TürkiyeNot specified in UNESCO dataset
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La musique traditionnelle pour flûte tsuur
Tsuur music is based on a combination of instrumental and vocal performance – a blending of sounds created simultaneously by both the musical instrument and the human throat. Tsuur music has an inseparable connection to the Uriankhai Mongolians of the Altai Region, and remains an integral part of their daily life. Its origins lie in an...
East AsiaMongoliaNot specified in UNESCO dataset
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L'uilleann piping
Uilleann piping is a musical practice which uses a particular type of bagpipe (known as the ‘uilleann’, ‘Irish’ or ‘union’ pipes) to play Irish music. It is a highly developed instrument with strong roots in tradition dating back many generations. Bearers and practitioners are dispersed throughout the world, but the greatest...
EuropeIrelandNot specified in UNESCO dataset
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Le yalli (kochari, tenzere), danses collectives traditionnelles du Nakhtchivan
Yalli, traditional group dances, are dance expressions based exclusively on collective performances. Typically, yalli are performed in a circle, chain or line, and involve elements of games, pantomime (bird or other animal imitations), physical exercises and movements. The community of the yalli dances consists of practising dancers,...
Middle EastAzerbaijanNot specified in UNESCO dataset
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