UNESCO representative list1 sources
L’« hatajo de negritos » et l’« hatajo de pallitas » de la côte sud-centrale du Pérou
‘Hatajo de Negritos’ and the ‘Hatajo de Pallitas’ from the Peruvian south-central coastline are two complementary expressions featuring music and singing as part of Christmas celebrations, hailing from the central department of Ica in Peru. The expressions are biblical representations of the story of the visit of a group of shepherds to...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le boléro, identité, émotion et poésie en chanson
Bolero is an indispensable part of the Latin American sentimental song, with a strong lyrical character deeply rooted in Cuba and Mexico. A cultural amalgam, it combines the language used in European poetry, with African rhythms of enslaved peoples and the sentiments of the native peoples of the Americas. Bolero lyrics allude to daily...
Latin America and CaribbeanCuba / MexicoNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Candombe et son espace socioculturel : une pratique communautaire
Every Sunday and on many holidays, the ''llamadas'' ''de'' ''tambores'' ''de'' ''candombe'' or candombe drum calls enliven the Sur, Palermo and Cordón districts in southern Montevideo, Uruguay, home to a population of African descent. The practice of the candombe begins around communal fires as people gather to tune their drums and...
Latin America and CaribbeanUruguayNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le carnaval de Negros y Blancos
Arising out of native Andean and Hispanic traditions, the Carnaval de negros y blancos (Black and White Carnival) in San Juan de Pasto in south-western Colombia is a great celebration lasting from 28 December to 6 January each year. The celebrations begin on the 28th with the Carnival of Water − the throwing of water in homes and on the...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le carnaval de Barranquilla
Every year during the four days before Lent, the Carnival de Barranquilla offers a repertory of dances and musical expressions originating from different Colombian sub-cultures. Because of its geographical location situated on the Caribbean coast and the commercial development during the colonial period, the city of Barranquilla became...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le carnaval d’El Callao, représentation festive d’une mémoire et d’une identité culturelle
The Carnival of El Callao, practised in communities of Venezuela, is associated with cannes brulées emancipation celebrations in French-speaking islands of the Caribbean. Running from January to March, the traditional practice features parades of people dressed as characters from history and fantasy, as well as calypso music, dancing...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le carnaval d’Oruro
The town of Oruro, situated at an altitude of 3,700 metres in the mountains of western Bolivia and once a pre-Columbian ceremonial site, was an important mining area in the nineteenth and twentieth centuries. Resettled by the Spanish in 1606, it continued to be a sacred site for the Uru people, who would often travel long distances to...
Latin America and CaribbeanBolivia, Plurinational State ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le ceebu jën, art culinaire du Sénégal
Ceebu jën is a dish that originated in the fishing communities on the Island of Saint-Louis in Senegal. Although recipes vary from one region to the next, the dish is typically made with fish steak, broken rice, dried fish, mollusc and seasonal vegetables such as onions, parsley, garlic, chilli pepper, tomatoes, carrots, eggplant, white...
AfricaSenegalNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Ch’utillos, la fête de Saint Barthélemy et de Saint Ignace de Loyola : la rencontre des cultures à Potosí
Ch’utillos, or the Festival of San Bartolomé and San Ignacio de Loyola, is celebrated in Potosí, Bolivia in the month of August. An integral part of the local cultural identity, the festival is characterised by gastronomic fairs, dance performances and a procession to the sanctuary located in the Mullu Punku gorge, a natural site with...
Latin America and CaribbeanBolivia, Plurinational State ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition du théâtre dansé Cocolo
The Cocolo dancing drama tradition developed among descendants of British Caribbean slaves who had come to the Dominican Republic in the mid-nineteenth century to work in the sugar fields. This linguistically and culturally distinct community set up their own churches, schools, benevolent societies and mutual assistance lodges. Their...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La rumba congolaise
Congolese rumba is a musical genre and a dance common in urban areas of the Democratic Republic of the Congo and the Republic of the Congo. Generally danced by a male-female couple, it is a multicultural form of expression originating from an ancient dance called nkumba (meaning ‘waist’ in Kikongo). The rumba is used for celebration and...
AfricaCongo, Democratic Republic of the / CongoNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel de Palenque de San Basilio
The village of Palenque de San Basilio, with a population of about 3,500 inhabitants, is located in the foothills of the Montes de María, southeast of the regional capital, Cartagena. Palenque de San Basilio was one of the walled communities called palenques, which were founded by escaped slaves as a refuge in the seventeenth century....
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel de la Fraternité du Saint-Esprit des congos de Villa Mella
The Brotherhood of the Holy Spirit of the Congos of Villa Mella is distinguished in the fields of music, dance and popular festivities. The Brotherhood musicians play instruments called congos. These congos, the origin of which is attributed to the Holy Spirit, are hand-drums. The Brotherhood, which is nowadays open to all without...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
El Güegüense
A forceful expression of protest against colonial rule, El Güegüense is a satirical drama well known throughout Nicaragua. It is performed during the feast of San Sebastián, patron saint of the city of Diriamba in Nicaragua’s Carazo province. El Güegüense, a synthesis of Spanish and indigenous cultures combining theatre, dance and...
Latin America and CaribbeanNicaraguaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le cycle des festivités autour de la vénération et du culte de Saint Jean-Baptiste
The Venezuelan Saint John the Baptist celebrations feature practices and knowledge that originated in the eighteenth century in Afro-Venezuelan communities associated with former colonial estates. From the beginning, the festivities have been heavily influenced by Catholicism, but they are also rich in verbal, musical and physical...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le gwoka : musique, chants, danses et pratique culturelle représentatifs de l’identité guadeloupéenne
Gwoka is found among all ethnic and religious groups of Guadeloupean society. It combines responsorial singing in Guadeloupean Creole, rhythms played on the Ka drums and dancing. In its traditional form, Gwoka unites these three areas of expression and emphasizes individual qualities of improvisation. The participants and public form a...
EuropeFranceNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Hiragasy, art du spectacle des Hautes terres Centrales de Madagascar
Hiragasy is a performing art composed of song, dance and speech. Originating in the central highlands of Madagascar, the performance takes place in public spaces. It generally involves two troupes and lasts about one hour and thirty minutes, following a standard structure, including drumming, greetings, storytelling, dance and folk...
AfricaMadagascarNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Semaine sainte au Guatemala
Holy Week in Guatemala is one of the country’s most notable events, entailing processions, vigils, funeral marches, seasonal gastronomy and the creation of carpets, orchards and altars. On this occasion, the fronts of houses and buildings are also decorated, adding to the festive atmosphere. Holy Week is a religious and cultural...
Latin America and CaribbeanGuatemalaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L'Ingoma Ya Mapiko
The mapiko dance is a celebratory dance practiced by the Makonde people of Mozambique. A part of the traditional rite of passage from puberty to adulthood, the dance is performed in an enclosure, usually under mango trees, with dancers, musicians and the public coming together to celebrate the initiation rite. The dance may also be...
AfricaMozambiqueNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Soupe au giraumon
Joumou or giraumon soup is a traditional Haitian pumpkin soup made with vegetables, plantains, meat, pasta and spices. It is a celebratory dish, deeply rooted in Haitian identity, and its preparation promotes social cohesion and belonging among communities. Originally reserved for slave owners, Haitians took ownership of the soup when...
Latin America and CaribbeanHaitiNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Junkanoo
Junkanoo is the national cultural festival of The Bahamas. Dating back to the beginning of the nineteenth century, it was brought to The Bahamas by enslaved Africans who used their three-day holiday to recreate festivals from home. An outlet for creative expression, today Junkanoo is mainly celebrated through parades that retain many...
Latin America and CaribbeanBahamasNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La parranda de San Pedro de Guarenas et Guatire
Every year in the small towns of Guarenas and Guatire, devotees of San Pedro the Apostle celebrate his saint’s day with a series of popular festivities and rituals. An image of San Pedro is stored in all the town’s churches while the saint is celebrated with popular songs. Then, at midnight, a mass is held and the images are taken out...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La romería, cycle rituel de pèlerinage de la Vierge de Zapopan portée en procession
The annual celebration of La Romería on 12 October, honouring the image of the Virgin of Zapopan, is a tradition that dates back to 1734. The day marks the final phase of the annual ritual cycle popularly known as ‘The Carrying of the Virgin’, which begins in May and encompasses many community and liturgical activities. The cycle ends...
Latin America and CaribbeanMexicoNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Tumba Francesa
The dance, song and drumming style known as Tumba Francesa (French Drum) was brought to Cuba by Haitian slaves who were resettled in the island’s eastern regions following the unrest in Haiti during the 1790s. It embodies one of the oldest and most tangible links to the Afro-Haitian heritage of Cuba’s Oriente province and developed from...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La langue, la danse et la musique des Garifuna
A population of mixed origin incorporating cultural elements of indigenous Caribbean and African groups, the Garifuna settled along the Atlantic coast of Central America after being forced to flee from the Caribbean island of Saint Vincent in the eighteenth century. Today, Garifuna communities mainly live in Honduras, Guatemala,...
Latin America and CaribbeanBelize / GuatemalaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les traditions des Marrons de Moore Town
Situated in the highlands of eastern Jamaica, Moore Town is home to the descendants of independent communities of former runaway slaves known as Maroons. The African ancestors of the Moore Town Maroons were forcibly removed from their native lands to the Caribbean by Spanish slave traders in the sixteenth and seventeenth centuries. The...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La danse Mbende Jerusarema
The Mbende Jerusarema Dance is a popular dance style practiced by the Zezuru Shona people living in eastern Zimbabwe, especially in the Murewa and Uzumba-Maramba-Pfungwe districts. The dance is characterized by acrobatic and sensual movements by women and men, driven by a polyrhythmic drummer accompanied by men playing woodblock...
AfricaZimbabweNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La musique et la danse de la bachata dominicaine
The music and dance of Dominican Bachata is a danceable musical expression, deriving from a fusion of rhythmic bolero with other Afro-Antillean genres such as Son, the Cha-cha-cha, Merengue, etc. The Dominican people consider the music and dance of Bachata as a vernacular cultural manifestation, omnipresent in community celebrations and...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le patrimoine oral et les manifestations culturelles du peuple Zápara
The Zápara people live in a part of the Amazon jungle straddling Ecuador and Peru. The Zápara developed in what is one of the most bio-diverse areas in the world and are the last representatives of an ethno-linguistic group that included many other populations before the Spanish conquest. In the heart of Amazonia, they have elaborated...
Latin America and CaribbeanEcuador / PeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le pèlerinage à Watt Town
The Revival Pilgrimage to the community of Watt Town in Jamaica occurs every year on the first Thursday in March. Watt Town is considered a sacred site, which was once a refuge for enslaved Africans. Groups, called bands, journey from across Jamaica to the sacred site. The bands engage in ritual songs and dances, wearing clothing with...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les lieux de mémoire et traditions vivantes du peuple Otomí-Chichimecas de Tolimán : la Peña de Bernal, gardienne d’un territoire sacré
Living in the semi-desert zone of the state of Querétaro in central Mexico, the Otomí-Chichimeca people have developed a range of traditions that express a unique relationship with their local topography and ecology. Their cultural environment is dominated by a symbolic triangle formed by the Zamorano and Frontón hills and the Bernal...
Latin America and CaribbeanMexicoNot specified in UNESCO dataset
Source supportedContext required
Register of Good Safeguarding Practices1 sources
Le Programme de sauvegarde des Bandos et Parrandas des Saints Innocents de Caucagua : pôles d’initiation et de transmission des connaissances et Conseils communautaires
The Bandos and Parrandas of the Holy Innocents of Caucagua, Venezuela refers to street celebrations that take place on the nights of 27 and 28 December. This Afro-descendant festivity is characterized by live music and satirical clothing mocking the styles of slave owners. A safeguarding programme was developed to address its decreasing...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
La poterie de Quinchamalí et Santa Cruz de Cuca
Chili's Quinchamalí and Santa Cruz de Cuca pottery is embedded in the mestizo cultural tradition of central Chile and is characterized by black functional and decorative objects with white accents, created using techniques dating back centuries. Functional items include pots, fountains and tableware. Decorative items include figurines...
Latin America and CaribbeanChileNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le reggae de Jamaïque
Having originated within a cultural space that was home to marginalized groups, mainly in Western Kingston, the Reggae music of Jamaica is an amalgam of numerous musical influences, including earlier Jamaican forms as well as Caribbean, North American and Latin strains. In time, Neo-African styles, soul and rhythm and blues from North...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les expressions rituelles et festives de la culture congo
The ritual and festive expressions of the Congo culture encompass the contemporary vision of a collective celebration of the black rebel descendants enslaved during the colonial period. Nowadays, participants play congo, celebrate their freedom, cheerfully sing about their everyday lives and perform representations and sensual dances...
Latin America and CaribbeanPanamaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le carnaval d’été de Rotterdam
The Rotterdam Summer Carnival is a multicultural celebration that unites participants from the Caribbean and European Netherlands, as well as ethnic minority groups from Central and South America and Africa living in the Netherlands. The event includes a street parade, a brass band competition and a festival market featuring Caribbean...
EuropeNetherlands, Kingdom of theNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le séga tambour de Rodrigues
Sega Tambour of Rodrigues Island is a vibrant rhythmic performance of music, song and dance with its origins in slave communities. The leading percussion, the tambour, is banged energetically, while a triyang is hit from the side and the bwat and mayos are clapped. Sega Tambour is performed all over Rodrigues Island in the home and on...
AfricaMauritiusNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Compas d'Haïti
Compas is a popular music and dance genre that holds deep cultural significance for the practising communities. As strong identifying factor, it brings together people of all ages, genders and backgrounds. The music is characterized by a syncopated rhythm and accompanied by instruments such as guitars, keyboards and drums. Compas...
Latin America and CaribbeanHaitiNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Confrérie des fleurs et des palmes
The Confraternity of flowers and palms is a traditional celebration that blends indigenous beliefs with Catholic practices in the community of Panchimalco. The event coincides with the beginning of the rainy and harvest season and is characterized by a procession of palms decorated with wildflowers. This procession, which attracts...
Latin America and CaribbeanEl SalvadorNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Les traditions sociales et culturelles associées aux landships à la Barbade
Landships are community-based cultural groups known for their social structure, performances and shared traditions. They are organized like naval ships, with members holding ranks such as Lord High Admiral, Commander and Kit Inspector. Members use nautical terms with localized meanings to reflect life challenges and achievements....
Latin America and CaribbeanBarbadosNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La construction traditionnelle de bateaux en bois à Carriacou et à la Petite Martinique
Traditional wooden boatbuilding is a centuries-old tradition practised in Carriacou and Petite Martinique in Grenada. The men, women and children in the boat-building communities each have specific roles and functions during each stage of the process. Established shipwrights build the boats, felling trees that have been hand-selected...
Latin America and CaribbeanGrenadaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les diables danseurs de Corpus Christi du Venezuela
The small communities along the central coastal region of Venezuela have a special way to celebrate the Feast of Corpus Christi, an annual Roman Catholic holiday commemorating the presence of Christ in the Sacrament. Groups of adults, young men and children disguised as masked devils dance backwards in penitence as an official of the...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Vimbuza, danse de guérison
Vimbuza is a healing dance popular among the Tumbuka people living in northern Malawi. It is an important manifestation of the ng’oma, a healing tradition found throughout Bantu-speaking Africa. Ng’oma, meaning “drums of affliction”, carries considerable historical depth and, despite various attempts over the years to suppress it,...
AfricaMalawiNot specified in UNESCO dataset
Source supportedContext required
