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Natural pigments

15 public knowledge systems connected to this registry facet.

UNESCO representative list1 sources

Al-Qatt Al-Asiri, female traditional interior wall decoration in Asir, Saudi Arabia

L’Al-Qatt Al-Asiri, décoration murale traditionnelle par les femmes de l’Asir (Arabie saoudite)

Al-Qatt Al-Asiri, a traditionally female interior wall decoration, is an ancient art form considered as a key element of the identity of the region of Asir. It is a spontaneous art technique carried out largely by women today in the community that involves decorating the interior walls of their houses, specifically rooms for visiting...

Middle EastSaudi ArabiaNot specified in UNESCO dataset
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UNESCO representative list1 sources

Art of illumination: Təzhib/Tazhib/Zarhalkori/Tezhip/Naqqoshlik

L’art de l’enluminure : Təzhib/Tazhib/ Zarhalkori/Tezhip/ Naqqoshlik

Illumination is a centuries-old decorative art practised on the pages of manuscripts, calligraphic texts and miniatures. The main component is gold leaf or gold paint, both of which entail specific knowledge and techniques. Natural pigments are also used, and synthetic paints such as watercolour or gouache have become widespread in...

Global DiasporasAzerbaijan / Iran, Islamic Republic ofNot specified in UNESCO dataset
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Artisanal talavera of Puebla and Tlaxcala (Mexico) and ceramics of Talavera de la Reina and El Puente del Arzobispo (Spain) making process

Processus de fabrication de la talavera artisanale de Puebla et de Tlaxcala (Mexique) et de la céramique de Talavera de la Reina et d’El Puente del Arzobispo (Espagne)

The processes of making the artisanal talavera of Puebla and Tlaxcala (Mexico) and ceramics of Talavera de la Reina and El Puente del Arzobispo (Spain) are identified with two communities in both Mexico and Spain. The ceramics have domestic, decorative and architectural uses. Despite changes over time and the developments ceramics have...

Global DiasporasMexico / SpainNot specified in UNESCO dataset
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Behzad's style of miniature art

L’art de la miniature de style Behzad

Miniature art is a detailed and symbolic form of painting scenes from history and literature. Its primary function is to acquaint the communities concerned with elements of culture, history and literature, embodying the knowledge and insight of their collective past. Certain artists have contributed to its recognition and popularity,...

South AsiaAfghanistanNot specified in UNESCO dataset
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UNESCO representative list1 sources

Ceramic arts in Uzbekistan

Les arts de la céramique en Ouzbékistan

Ceramic art is one of the oldest forms of applied art in Uzbekistan, where deposits of loess clay, including pottery clay, can be found. The practice is used to create large household items used in the everyday life of rural populations, such as large containers for storing food and water, tandoor ovens, jugs and toys. Traditionally,...

Central AsiaUzbekistanNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources

Craft of making Đông Hồ Folk woodblock printings

L’artisanat de la gravure sur bois traditionnelle de Đông Hồ

Đông Hồ Folk woodblock printing is the practice of creating colourful prints using carved wooden blocks, observed in a village forming part of Bắc Ninh province. The themes of these prints often include worship, history, daily life and landscapes. The entire process is carried out by hand, from drawing the design with ink on special...

Southeast AsiaViet NamNot specified in UNESCO dataset
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UNESCO representative list1 sources

Ebru, Turkish art of marbling

Ebru, l’art turc du papier marbré

Ebru is the traditional Turkish art of creating colourful patterns by sprinkling and brushing colour pigments onto a pan of oily water and then transferring the patterns to paper. Known as marbling, the designs and effects include flowers, foliage, ornamentation, latticework, mosques and moons, and are used for decoration in the...

Middle EastTürkiyeNot specified in UNESCO dataset
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UNESCO representative list1 sources

Hüsn-i Hat, traditional calligraphy in Islamic art in Turkey

Hüsn-i Hat, la calligraphie traditionnelle dans l'art islamique en Turquie

The Hüsn-i hat is the centuries-old practice of writing letters of Arabic origin in a measured and proportional manner while taking into consideration certain aesthetic values. Traditional tools include a specific type of paper glazed with organic substances, a reed pen, pen knives, a special slab for trimming the reed pen, an inkwell,...

Middle EastTürkiyeNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources

Margilan Crafts Development Centre, safeguarding of the atlas and adras making traditional technologies

Le Centre de développement artisanal de Marguilan, sauvegarde des technologies traditionnelles de fabrication d’atlas et d’adras

The history of ikat atlas and adras-making technologies in the territory of modern-day Uzbekistan dates back to the Late Antique Period. Historically, Margilan was the centre for making atlas and adras – vivid and fine traditional fabrics. Traditional crafts went through turbulent times during the Soviet period, jeopardizing some...

Central AsiaUzbekistanNot specified in UNESCO dataset
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UNESCO representative list1 sources

Petrykivka decorative painting as a phenomenon of the Ukrainian ornamental folk art

La peinture décorative de Petrykivka, expression de l’art populaire ornemental ukrainien

The people of the village of Petrykivka decorate their living quarters, household belongings and musical instruments with a style of ornamental painting that is characterized by fantastic flowers and other natural elements, based on careful observation of the local flora and fauna. This art is rich in symbolism: the rooster stands for...

EuropeUkraineNot specified in UNESCO dataset
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Pottery-related values, knowledge, lore and practices of the Awajún people

Les valeurs, connaissances, coutumes et pratiques du peuple awajún liées à la poterie

The Awajún people of northern Peru view pottery as an example of their harmonious relationship with nature. The pottery preparation process comprises five stages: the collection of materials, modelling, firing, decorating and finishing. Each stage of the process has a meaning and associated values that are told in the people’s oral...

Latin America and CaribbeanPeruNot specified in UNESCO dataset
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UNESCO representative list1 sources

Regong arts

Les arts Regong

In monasteries and villages along the Longwu River basin in Qinghai Province in western China, Buddhist monks and folk artists of the Tibetan and Tu ethnicity carry on the plastic arts of painting ''thangka'' and murals, crafting patchwork ''barbola'' and sculpting known collectively as the Regong arts. Their influence extends to nearby...

East AsiaChinaNot specified in UNESCO dataset
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UNESCO representative list1 sources

Rūkada Nātya, traditional string puppet drama in Sri Lanka

Le rūkada nātya, théâtre traditionnel de marionnettes à fils au Sri Lanka

Rūkada Nātya is a type of drama performed using string puppets, traditionally to provide light entertainment and convey moral lessons to village communities. Rūkada Nātya is performed by family groups who belong to, or are connected with, the lineage known as Gamwari, living around the southern coastal towns of Ambalangoda, Balapitiya...

South AsiaSri LankaNot specified in UNESCO dataset
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UNESCO representative list1 sources

Traditional skills of carpet weaving in Fars

Les savoir-faire traditionnels du tissage des tapis du Fars

Iranians enjoy a global reputation in carpet weaving, and the carpet weavers of Fars, located in the south-west of Iran, are among the most prominent. Wool for the carpets is shorn by local men in spring or autumn. The men then construct the carpet loom – a horizontal frame placed on the ground – while the women convert the wool into...

South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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UNESCO representative list1 sources

Traditional skills of carpet weaving in Kashan

Les savoir-faire traditionnels du tissage des tapis à Kashan

Long a centre for fine carpets, Kashan has almost one in three residents employed in carpet-making, with more than two-thirds of the carpet-makers being women. The carpet-weaving process starts with a design, elaborated from among a series of established styles, including motifs such as flowers, leaves, branches, animals and scenes...

South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
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