UNESCO representative list1 sources
L’« hatajo de negritos » et l’« hatajo de pallitas » de la côte sud-centrale du Pérou
‘Hatajo de Negritos’ and the ‘Hatajo de Pallitas’ from the Peruvian south-central coastline are two complementary expressions featuring music and singing as part of Christmas celebrations, hailing from the central department of Ica in Peru. The expressions are biblical representations of the story of the visit of a group of shepherds to...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Candombe et son espace socioculturel : une pratique communautaire
Every Sunday and on many holidays, the ''llamadas'' ''de'' ''tambores'' ''de'' ''candombe'' or candombe drum calls enliven the Sur, Palermo and Cordón districts in southern Montevideo, Uruguay, home to a population of African descent. The practice of the candombe begins around communal fires as people gather to tune their drums and...
Latin America and CaribbeanUruguayNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le bram de Noël et le sambai de Gales Point Manatee au Belize
The Christmas Bram and Sambai are annual cultural celebrations held on 25 and 26 December in the Gales Point Manatee Village, located on a peninsula inside Southern Lagoon on the central coast of Belize. Deeply rooted in African heritage, these festivities promote unity and a shared sense of identity within the practising community. The...
Latin America and CaribbeanBelizeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’espace culturel de Palenque de San Basilio
The village of Palenque de San Basilio, with a population of about 3,500 inhabitants, is located in the foothills of the Montes de María, southeast of the regional capital, Cartagena. Palenque de San Basilio was one of the walled communities called palenques, which were founded by escaped slaves as a refuge in the seventeenth century....
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Gnaoua
Gnawa refers to a set of musical events, performances, fraternal practices and therapeutic rituals mixing the secular with the sacred. Gnawa is first and foremost a Sufi brotherhood music combined with lyrics with a generally religious content, invoking ancestors and spirits. Originally practised by groups and individuals from slavery...
AfricaMoroccoNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Soupe au giraumon
Joumou or giraumon soup is a traditional Haitian pumpkin soup made with vegetables, plantains, meat, pasta and spices. It is a celebratory dish, deeply rooted in Haitian identity, and its preparation promotes social cohesion and belonging among communities. Originally reserved for slave owners, Haitians took ownership of the soup when...
Latin America and CaribbeanHaitiNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La parranda de San Pedro de Guarenas et Guatire
Every year in the small towns of Guarenas and Guatire, devotees of San Pedro the Apostle celebrate his saint’s day with a series of popular festivities and rituals. An image of San Pedro is stored in all the town’s churches while the saint is celebrated with popular songs. Then, at midnight, a mass is held and the images are taken out...
Latin America and CaribbeanVenezuela, Bolivarian Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Tumba Francesa
The dance, song and drumming style known as Tumba Francesa (French Drum) was brought to Cuba by Haitian slaves who were resettled in the island’s eastern regions following the unrest in Haiti during the 1790s. It embodies one of the oldest and most tangible links to the Afro-Haitian heritage of Cuba’s Oriente province and developed from...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La langue, la danse et la musique des Garifuna
A population of mixed origin incorporating cultural elements of indigenous Caribbean and African groups, the Garifuna settled along the Atlantic coast of Central America after being forced to flee from the Caribbean island of Saint Vincent in the eighteenth century. Today, Garifuna communities mainly live in Honduras, Guatemala,...
Latin America and CaribbeanBelize / GuatemalaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Charte du Mandén, proclamée à Kouroukan Fouga
In the early thirteenth century, following a major military victory, the founder of the Mandingo Empire and the assembly of his wise men proclaimed in Kurukan Fuga the new Manden Charter, named after the territory situated above the upper Niger River basin, between present-day Guinea and Mali. The Charter, one of the oldest...
AfricaMaliNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les traditions des Marrons de Moore Town
Situated in the highlands of eastern Jamaica, Moore Town is home to the descendants of independent communities of former runaway slaves known as Maroons. The African ancestors of the Moore Town Maroons were forcibly removed from their native lands to the Caribbean by Spanish slave traders in the sixteenth and seventeenth centuries. The...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le moutya
Moutya was brought to Seychelles by the enslaved Africans who arrived with the French settlers in the early eighteenth century. They used to practise this dance at night in the forest, at a distance from the plantation house where their masters lived. Historically, Moutya was a psychological comfort against hardship and poverty and a...
AfricaSeychellesNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La musique et la danse de la bachata dominicaine
The music and dance of Dominican Bachata is a danceable musical expression, deriving from a fusion of rhythmic bolero with other Afro-Antillean genres such as Son, the Cha-cha-cha, Merengue, etc. The Dominican people consider the music and dance of Bachata as a vernacular cultural manifestation, omnipresent in community celebrations and...
Latin America and CaribbeanDominican RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le patrimoine oral et les manifestations culturelles du peuple Zápara
The Zápara people live in a part of the Amazon jungle straddling Ecuador and Peru. The Zápara developed in what is one of the most bio-diverse areas in the world and are the last representatives of an ethno-linguistic group that included many other populations before the Spanish conquest. In the heart of Amazonia, they have elaborated...
Latin America and CaribbeanEcuador / PeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le pèlerinage à Watt Town
The Revival Pilgrimage to the community of Watt Town in Jamaica occurs every year on the first Thursday in March. Watt Town is considered a sacred site, which was once a refuge for enslaved Africans. Groups, called bands, journey from across Jamaica to the sacred site. The bands engage in ritual songs and dances, wearing clothing with...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le reggae de Jamaïque
Having originated within a cultural space that was home to marginalized groups, mainly in Western Kingston, the Reggae music of Jamaica is an amalgam of numerous musical influences, including earlier Jamaican forms as well as Caribbean, North American and Latin strains. In time, Neo-African styles, soul and rhythm and blues from North...
Latin America and CaribbeanJamaicaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le séga tambour des Chagos
Sega tambour Chagos is one of the types of Sega music of Mauritius, with origins in the Chagos Archipelago. Like other Sega music, it is born from slavery and sung in Chagossian Creole particular to the islands. Sega tambour Chagos is a gentle, vibrant and rhythmic performance of music, song and dance based on the ‘tambour’ – a large,...
AfricaMauritiusNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le séga tambour de Rodrigues
Sega Tambour of Rodrigues Island is a vibrant rhythmic performance of music, song and dance with its origins in slave communities. The leading percussion, the tambour, is banged energetically, while a triyang is hit from the side and the bwat and mayos are clapped. Sega Tambour is performed all over Rodrigues Island in the home and on...
AfricaMauritiusNot specified in UNESCO dataset
Source supportedContext required