UNESCO representative list1 sources
L’art des Akyn, conteurs épiques Kirghiz
The predominant form of cultural expression among the Kyrgyz nomads is the narration of epics. The art of the Akyns, the Kyrgyz epic tellers, combines singing, improvisation and musical composition. The epics are performed at religious and private festivities, seasonal ceremonies and national holidays and have survived over the...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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L’art des Ashiqs d’Azerbaïdjan
The art of Azerbaijani Ashiqs combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. Characterized by the accompaniment of the ''saz,'' a stringed musical instrument, the classical repertoire includes 200 songs, 150 literary-musical...
Middle EastAzerbaijanNot specified in UNESCO dataset
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L’art des Meddah, conteurs publics
Meddahlik was a Turkish theatre form performed by a single storyteller called a meddah and practised throughout Turkey and Turkishspeaking countries. Through the ages, similar narrative genres have flourished due to interaction among the peoples of Asia, the Caucasus and the Middle East within this wide geographical area. Historically,...
Middle EastTürkiyeNot specified in UNESCO dataset
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La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
Middle EastTürkiyeNot specified in UNESCO dataset
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L’art du bakhshi
Epic poetry plays a crucial role in the musical and poetic heritage of the Uzbek and Karakalpak people of Uzbekistan. Called dostons, the traditional centuries-old poems are based on myths, legends, folk tales and legendary chants, and address varied themes such as patriotism, commitment, love, friendship and solidarity. Bakhshi refers...
Central AsiaUzbekistanNot specified in UNESCO dataset
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Les chants des Baul
The Bauls are mystic minstrels living in rural Bangladesh and West Bengal, India. The Baul movement, at its peak in the nineteenth and early twentieth centuries, has now regained popularity among the rural population of Bangladesh. Their music and way of life have influenced a large segment of Bengali culture, and particularly the...
South AsiaBangladeshNot specified in UNESCO dataset
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L’artisanat et l’art de jouer du balaban/mey
Balaban (in Azerbaijan) or Mey (in Türkiye) is a centuries-old woodwind instrument made up of three parts: a body, a wide and flat double reed and a clip. The instrument is traditionally made of plum or apricot wood and coated with linseed or olive oil. Once dry, crafters drill several holes into the front of the body and one hole into...
Middle EastAzerbaijan / TürkiyeNot specified in UNESCO dataset
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L’espace culturel de la place Jemaa el-Fna
The Jemaa el-Fna Square is one of the main cultural spaces in Marrakesh and has become one of the symbols of the city since its foundation in the eleventh century. It represents a unique concentration of popular Moroccan cultural traditions performed through musical, religious and artistic expressions. Located at the entrance of the...
AfricaMoroccoNot specified in UNESCO dataset
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Le chant épique Görogly
The epic art of Gorogly is an oral performing tradition describing the achievements of the legendary hero Gorogly and his forty cavalrymen. The epic incorporates narration, singing, composition, prose, poetry and vocal improvisation, and also functions as an oral encyclopaedia of traditional customs and knowledge (including stock...
Central AsiaTurkmenistanNot specified in UNESCO dataset
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La tradition épique du Gesar
The ethnic Tibetan, Mongolian and Tu communities in western and northern China share the story of the ancient hero King Gesar, sent to heaven to vanquish monsters, depose the powerful, and aid the weak while unifying disparate tribes. The singers and storytellers who preserve the Gesar epic tradition perform episodes of the vast oral...
East AsiaChinaNot specified in UNESCO dataset
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Héritage de Dede Qorqud/Korkyt Ata/Dede Korkut : la culture, les légendes populaires et la musique liées à cette épopée
The epic culture, folk tales and music of Dede Qorqud/Korkyt Ata/Dede Korkut are based on twelve heroic legends, stories and tales and thirteen traditional musical compositions shared and transmitted across the generations through oral expressions, performing arts, cultural codes and musical compositions. Dede Qorqud appears in each...
Global DiasporasAzerbaijan / KazakhstanNot specified in UNESCO dataset
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Le Yimakan, les récits oraux des Hezhen
When the element was first inscribed, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. This programme has engaged families, communities, schools, local authorities and the State in safeguarding the custom. Its...
East AsiaChinaNot specified in UNESCO dataset
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Manas, Semetey, Seitek : trilogie épique kirghize
The Kyrgyz epic trilogy of Manas, Semetey and Seytek describes the unification of scattered tribes into one nation. The trilogy expresses the historical memory of the Kyrgyz people and survives thanks to a community of epic tellers, both women and men, of all ages. Narrators accept their calling after experiencing a prophetic dream,...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
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Le Manas
The Kirgiz ethnic minority in China, concentrated in the Xinjiang region in the west, pride themselves on their descent from the hero Manas, whose life and progeny are celebrated in one of the best-known elements of their oral tradition: the Manas epic. Traditionally sung by a Manaschi without musical accompaniment, epic performances...
East AsiaChinaNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
Le Tuuli mongol, épopée mongole
The Mongolian Tuuli is an oral tradition comprising heroic epics that run from hundreds to thousands of lines and combine benedictions, eulogies, spells, idiomatic phrases, fairy tales, myths and folk songs. They are regarded as a living encyclopaedia of Mongolian oral traditions and immortalize the heroic history of the Mongolian...
East AsiaMongoliaNot specified in UNESCO dataset
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UNESCO urgent safeguarding list1 sources
L’épopée maure T’heydinne
The T’heydinn epic encompasses dozens of poems lauding the glorious feats of Moorish emirs and sultans. It propounds ancestral values underpinning the way of life of the Moorish community in Mauritania, and constitutes a literary and artistic manifestation of the Hassaniya language. Griots perform the epic accompanied by traditional...
AfricaMauritaniaNot specified in UNESCO dataset
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L’interprétation de l’épopée arménienne « Les enragés de Sassoun » ou « David de Sassoun »
The Armenian epic Daredevils of Sassoun recounts the story of David of Sassoun, a defiant and self-reliant youth, who by the grace of God defends his homeland in an unequal duel against the evil. The epic falls within the tradition of heroic folktales that dramatize and voice the deepest sentiments and aspirations of a nation. The epic...
Middle EastArmeniaNot specified in UNESCO dataset
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Register of Good Safeguarding Practices1 sources
Le programme de sauvegarde pour le Yimakan, les récits oraux des Hezhen
At the time of the initial inscription, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. In this context, a well-structured programme has engaged families, communities, schools, local authorities and the State...
East AsiaChinaNot specified in UNESCO dataset
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La réfection septennale du toit du Kamablon, case sacrée de Kangaba
The Malinke and other peoples of the Manden region of south-west Mali gather every seven years to celebrate when a new thatch roof is installed atop the Kamablon (or House of Speech) in the village of Kangaba. Built in 1653, the distinctive circular Kamablon of Kangaba shelters objects and furniture of high symbolic value to the...
AfricaMaliNot specified in UNESCO dataset
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Le chant accompagné au gusle
Singing to the accompaniment of the Gusle – a simple string instrument – is an ancient art of performing primarily heroic epics practised for centuries as a form of historical memory and an expression of cultural identity. Performances involve a complex form of interaction between the audience and performer and are based on the skills...
EuropeSerbiaNot specified in UNESCO dataset
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L'épopée Samba Gueladio
The Epic of Samba Gueladio is a legend in which the hero, Samba Gueladio, the legitimate heir to the throne, was cast aside by his uncle. To regain his throne, he forged alliances wherever he went. For instance, he killed a monster that had been preventing the Moors from fetching water from the river and recovered their cattle from a...
AfricaMauritaniaNot specified in UNESCO dataset
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Le muqam ouïgour du Xinjiang
The Xinjiang Uyghur Muqam is the general term for a variety of Muqam practices widespread among the Uyghur communities, which form one of the largest ethnic minorities of the People’s Republic of China. Throughout its history, the Xinjiang region has been marked by a high degree of cultural exchange between East and West, due in...
East AsiaChinaNot specified in UNESCO dataset
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