UNESCO urgent safeguarding list1 sources
Les connaissances et les savoir-faire musicaux ancestraux d’Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu
Aboxan Musik ǀŌb ǂÂns tsî ǁKhasigu, ancestral musical sound knowledge and skills relates to the specific traditional music of the Nama people, one of Namibia’s tribal minority groups. It involves the use of traditional musical instruments: the khab (musical bow) and !guitsib (traditional guitar), usually played by men or women, and the...
AfricaNamibiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L'aitysh/aitys, art de l'improvisation
Aitysh/Aitys is a contest centred on improvised oral poetry spoken or sung to the accompaniment of traditional musical instruments – the Kazakh dombra or Kyrgyz komuz. Two performers (''akyns'') compete with one other to improvise verses on topical themes in a battle of wits that alternates between humorous ripostes and penetrating...
Central AsiaKazakhstan / KyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al ‘azi, élégie, marche processionnelle et poésie
Al ‘azi is a genre of sung poetry performed in the northern regions of the Sultanate of Oman. It constitutes one of the major expressions of Omani cultural and musical identity. It takes the form of a poetry contest punctuated by sword and step movements and poetic exchanges between a singer poet and a choir. It may involve a large...
Middle EastOmanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al Ahalla, un art du spectacle vivant aux Émirats arabes unis
Al Ahalla is a traditional art form that blends performing arts with oral tradition. Historically tied to diving trips, the performances entail the recitation of poetry verses, typically at joyful celebrations such as weddings, holidays and public events. The practice unites people through its captivating chants and performances. Unlike...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L’Al 'azi, art de la poésie, symbole de louange, de fierté et de force d’âme
Al Azi is a traditional poetry recital performed by a group of individuals without rhythmical or musical instruments. It consists of a full-rhymed poem based on traditional poetry and the lines of poetry are sometimes interposed with sayings and proverbs. Bearers and practitioners include the poet, performer, chorus and audience. The...
Middle EastUnited Arab EmiratesNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’al-Qudoud al-Halabiya
Al-Qudoud al-Halabiya is a form of traditional music from Aleppo with a fixed melody. Sung for religious and entertainment purposes, the lyrics vary according to the type of event. Well-versed singers can improvise lyrics according to what is happening around them. They are known to use deep vocals and to reach a peak while holding a...
Middle EastSyrian Arab RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’épopée Al-Sirah al-Hilaliyyah
This oral poem, also known as the Hilali epic, recounts the saga of the Bani Hilal Bedouin tribe and its migration from the Arabian Peninsula to North Africa in the tenth century. This tribe held sway over a vast territory in central North Africa for more than a century before being annihilated by Moroccan rivals. As one of the major...
AfricaEgyptNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Al-Taghrooda, poésie chantée traditionnelle des Bédouins dans les Émirats arabes unis et le Sultanat d’Oman
Al-Taghrooda traditional Bedouin chanted poetry is composed and recited by men travelling on camelback through desert areas of the United Arab Emirates and the Sultanate of Oman. Bedouins believe that chanting entertains the riders and stimulates animals to walk in time. Short poems of seven lines or less are improvised and repeated...
Middle EastUnited Arab Emirates / OmanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant traditionnel Arirang dans la République populaire démocratique de Corée
Arirang is a popular lyrical singing genre transmitted and recreated orally. It exists in multiple traditional forms as well as symphonic and modern arrangements. Arirang typically contains a gentle and lyrical melody, accompanied by the refrain: ‘Arirang, arirang, arariyo, Over the Arirang hill you go’. Arirang songs speak about...
East AsiaKorea, Democratic People's Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’Arirang, chant lyrique traditionnel en République de Corée
Arirang is a popular form of Korean folk song and the outcome of collective contributions made by ordinary Koreans throughout generations. Essentially a simple song, it consists of the refrain ‘Arirang, arirang, arariyo’ and two simple lines, which differ from region to region. While dealing with diverse universal themes, the simple...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art des Akyn, conteurs épiques Kirghiz
The predominant form of cultural expression among the Kyrgyz nomads is the narration of epics. The art of the Akyns, the Kyrgyz epic tellers, combines singing, improvisation and musical composition. The epics are performed at religious and private festivities, seasonal ceremonies and national holidays and have survived over the...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L'art du đờn ça tài tử, musique et chants, dans le sud du Viet Nam
A musical art with both scholarly and folk roots, Đờn ca tài tử is an indispensable part of the spiritual activity and cultural heritage of the people of southern Viet Nam. The music and songs evoke the people’s life and work on the land and rivers of the Mekong Delta region. Performed at numerous events such as festivals, death...
Southeast AsiaViet NamNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
Middle EastTürkiyeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’askiya, l’art de la plaisanterie
Askiya is a genre of Uzbek verbal folk art that takes the form of a dialogue between two or more participants, who eloquently debate and exchange witticisms around a particular theme. Bearers and practitioners, mainly men, must master the peculiarities of Uzbek language, and be able to improvise and reason quickly and skilfully, using...
Central AsiaUzbekistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le mugham azerbaïdjanais
The Azerbaijani Mugham is a traditional musical form, characterized by a large degree of improvisation. The Mugham, though a classical and academic art, draws upon popular bard melodies, rhythms and performance techniques and is performed in many venues throughout the country. Contemporary representations of the Azerbaijani Mugham...
Middle EastAzerbaijanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le baile chino
Bailes Chinos are brotherhoods of musicians who express their faith through music, dance and singing in the context of commemoration festivities. The practice stretches mainly from the area known as the Norte Chico to the central region of Chile and comprises five fully differentiated styles, each named after the valley or basin where...
Latin America and CaribbeanChileNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art du bakhshi
Epic poetry plays a crucial role in the musical and poetic heritage of the Uzbek and Karakalpak people of Uzbekistan. Called dostons, the traditional centuries-old poems are based on myths, legends, folk tales and legendary chants, and address varied themes such as patriotism, commitment, love, friendship and solidarity. Bakhshi refers...
Central AsiaUzbekistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La pratique du chant et de la musique bećarac de Croatie orientale
Bećarac is a popular genre of music in eastern Croatia deeply rooted in the cultures of Slavonia, Baranja and Srijem. Communication among its performers is essential: lead singers interchange vocal lines, striving to out-sing one another while creating, emulating and combining decasyllabic verses and shaping the melody – all the while...
EuropeCroatiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition de la marionnette à tringle à Bruxelles
Rod puppetry is a traditional form of theatre inherited from traveling fairground theatres in Europe. The puppets are manipulated using metal rods attached to the head and body. These rods allow puppeteers to control the puppets’ movements. The practice requires the skilled teamwork of up to six puppeteers hidden behind a booth. The...
EuropeBelgiumNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le Cantu in paghjella profane et liturgique de Corse de tradition orale
The paghjella is a male Corsican singing tradition. It combines three vocal registers that always enter the song in the same order: a segonda, which begins, give the pitch and carries the main melody; u bassu, which follows, accompanies and supports it, and finally a terza, the highest placed, which enriches the song. Paghjella makes...
EuropeFranceNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le cercle de capoeira
Capoeira is an Afro-Brazilian cultural practice – simultaneously a fight and a dance – that can be interpreted as a tradition, a sport and even an art form. Capoeira players form a circle at the centre of which two players engage with one another. The movements require great bodily dexterity. The other players around the circle sing,...
Latin America and CaribbeanBrazilNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le chapei Dang Veng
Chapei Dang Veng is a Cambodian musical tradition closely associated with the life, customs and beliefs of the Cambodian people. It features the chapei (a type of lute often played at cultural festivals) accompanied by singing. Song lyrics range from the educational and a type of social commentary, to satire while incorporating...
Southeast AsiaCambodiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre d’ombres chinoises
Chinese shadow puppetry is a form of theatre acted by colourful silhouette figures made from leather or paper, accompanied by music and singing. Manipulated by puppeteers using rods, the figures create the illusion of moving images on a translucent cloth screen illuminated from behind. Many elder shadow puppetry artists can perform...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La danse traditionnelle csárdás
The csárdás is a Hungarian dance that is performed by couples consisting of a man and a woman, or, in some regions, of two women. Multiple couples participate in the dance at the same time, forming one large or several smaller circles. Each region has its own themes, gestures and figures, which are improvised according to well-known,...
EuropeHungaryNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’épopée Darangen des Maranao du lac Lanao
The Darangen is an ancient epic song that encompasses a wealth of knowledge of the Maranao people who live in the Lake Lanao region of Mindanao. This southernmost island of the Philippine archipelago is the traditional homeland of the Maranao, one of the country’s three main Muslim groups. Comprising 17 cycles and a total of 72,000...
Southeast AsiaPhilippinesNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le dikopelo, musique traditionnelle des Bakgatla ba Kgafela dans le district de Kgatleng
The Dikopelo music practice involves vocal singing and dancing in a patterned choreography without musical instruments in which people from a particular area join together to sing as a choir. The element is practised by men, women and children but is mostly dominated by Elders who, forming an informal Council of Advisors, transmit their...
AfricaBotswanaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Doïna
Known by various names throughout Romania, the ''doina'' is a lyrical, solemn chant that is improvised and spontaneous. As the essence of Romanian folklore, until 1900 it was the only musical genre in many regions of the country. Technically, the doina can be sung in any context (outdoors, at home, at work or during wakes), and is...
EuropeRomaniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Duduk et sa musique
The duduk, the Armenian oboe, is a double-reed wind instrument characterized by a warm, soft, slightly nasal timbre. It belongs to the category of aerophones, which also includes the balaban played in Azerbaijan and Iran, the duduki common in Georgia and the ney in Turkey.The soft wood of the apricot tree is the ideal material for the...
Middle EastArmeniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La fabrication artisanale du dutar et l’art de pratiquer la musique traditionnelle associée au chant
Dutar is a traditional instrument and musical genre from Turkmenistan. The dutar instrument is a long-necked, two-stringed lute with a pear-shaped body covered by a thin wooden sounding board. The resonating body and soundboard are made from a piece of mulberry wood, and the neck is made with the dried trunk of an apricot tree. To make...
Central AsiaTurkmenistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant épique Görogly
The epic art of Gorogly is an oral performing tradition describing the achievements of the legendary hero Gorogly and his forty cavalrymen. The epic incorporates narration, singing, composition, prose, poetry and vocal improvisation, and also functions as an oral encyclopaedia of traditional customs and knowledge (including stock...
Central AsiaTurkmenistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le frevo, arts du spectacle du Carnaval de Recife
Frevo is a Brazilian artistic expression comprising music and dance, performed mainly during the Carnival of Recife. Its quick frenetic and vigorous rhythm draws upon the fusion of musical genres such as marching music, Brazilian tango, square dance, polka and pieces of classical repertoire, performed by martial bands and fanfares. The...
Latin America and CaribbeanBrazilNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Ganggangsullae
Ganggangsullae is a seasonal harvest and fertility ritual popular in the south-western part of the Republic of Korea, performed primarily on Korea’s Thanksgiving in the eighth lunar month. Under a bright full moon, dozens of young, unmarried village women gather in a circle, join hands and sing and dance all night under the direction of...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le gwoka : musique, chants, danses et pratique culturelle représentatifs de l’identité guadeloupéenne
Gwoka is found among all ethnic and religious groups of Guadeloupean society. It combines responsorial singing in Guadeloupean Creole, rhythms played on the Ka drums and dancing. In its traditional form, Gwoka unites these three areas of expression and emphasizes individual qualities of improvisation. The participants and public form a...
EuropeFranceNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le rassemblement hadrami dan
Hadrami Dan is a traditional performance and community gathering that combines spontaneous poetry, music and dance, widespread practiced across Hadhramaut Governorate. A typical Hadrami Dan gathering includes at least one singer and poet, with the audience seated in rows or circles. The performance begins with the rhythmic chanting of...
Middle EastYemenNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Yimakan, les récits oraux des Hezhen
When the element was first inscribed, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. This programme has engaged families, communities, schools, local authorities and the State in safeguarding the custom. Its...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Hua’er
In Gansu and Qinghai Provinces and throughout north-central China, people of nine different ethnic groups share a music tradition known as Hua’er. The music is drawn from an extensive traditional repertoire named after ethnicities, towns or flowers (‘Tu People’s ''ling’,'' ‘White Peony ''ling’''), and lyrics are improvised in keeping...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Huaconada, danse rituelle de Mito
Huaconada is a ritual dance performed in the village of Mito in the province of Concepción in the central Peruvian Andes. Every year, on the first three days of January, masked men known as ''huacones'' perform a choreographed series of dances in the centre of the town. The ''huacones'' represent the former council of elders, and for...
Latin America and CaribbeanPeruNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La tradition de l’ensemble à cordes hongrois
The Hungarian string band tradition is one of the country’s defining ensembles and one of the most common representatives of folk music culture. The basic fiddle-viola-bass line-up takes many forms across regions and eras and can be expanded to include additional string players or reed instruments. Up until the middle of the twentieth...
EuropeHungaryNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le maqâm iraquien
Widely recognized as Iraq’s predominant classical music tradition, the Maqam encompasses a vast repertory of songs, accompanied by traditional instruments. Moreover, this popular genre provides a wealth of information on the musical history of the region and the Arab influences that have held sway over the centuries. The Iraqi Maqam is...
Middle EastIraqNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La pratique de la danse k’cimi de Tropojë
In Albania, the k’cimi dance is a popular, festive dance performed in spontaneous gatherings or during traditional ceremonies such as weddings, birthdays, initiations and village celebrations. Typically accompanied by drums, k’cimi is performed by men, women and children of all ages, and usually in couples, with partners changing...
EuropeAlbaniaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les chants et danses populaires Kalbelia du Rajasthan
Songs and dances are an expression of the Kalbelia community’s traditional way of life. Once professional snake handlers, Kalbelia today evoke their former occupation in music and dance that is evolving in new and creative ways. Today, women in flowing black skirts dance and swirl, replicating the movements of a serpent, while men...
South AsiaIndiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Katta Ashula
Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. An original genre, Katta Ashula combines performing arts, singing,...
Central AsiaUzbekistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’art traditionnel kazakh du dombra kuï
The art of DombraKuy refers to a short solo composition performed on a traditional pear-shaped, long-necked, two-stringed, plucked musical instrument known as a dombra. The music aims to connect people to their historic roots and traditions through classical and improvised pieces that engage the audience at a spiritual and emotional...
Central AsiaKazakhstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le lazgi, danse de Khorezm
The movements of Khorazm dance, Lazgi encapsulate human creativity by reflecting the sounds and phenomena of surrounding nature, feelings of love and happiness. Initially associated with the Khorazm Region, Khorazm dance, Lazgi has since become widespread in Uzbekistan. Paintings of the dance can be found in the archaeological site of...
Central AsiaUzbekistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le rite chanté et dansé de Kushtdepdi
The Kushtdepdi rite of singing and dancing is a performing art involving creative poeticizing focused on good feelings and wishes. It involves singing with vocal improvisation and dancing with movements of the hands, gestures and footsteps in accordance with the tune of the song. The rite serves as a tool for conveying good wishes and...
Central AsiaTurkmenistanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Manas, Semetey, Seitek : trilogie épique kirghize
The Kyrgyz epic trilogy of Manas, Semetey and Seytek describes the unification of scattered tribes into one nation. The trilogy expresses the historical memory of the Kyrgyz people and survives thanks to a community of epic tellers, both women and men, of all ages. Narrators accept their calling after experiencing a prophetic dream,...
Central AsiaKyrgyzstanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le L-Għana, une tradition du chant populaire maltais
Ghana (pronounced ‘ana’) is used to describe three related types of rhymed folksong in Malta. The most popular form of ghana is the ‘quick-wit’ ghana, an improvised duel between one or two pairs of singers, focusing on rhymes, convincing argumentation and witty repartee. ‘Factual’ ghana is a long, narrative poem sung by a soloist,...
EuropeMaltaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Tumba Francesa
The dance, song and drumming style known as Tumba Francesa (French Drum) was brought to Cuba by Haitian slaves who were resettled in the island’s eastern regions following the unrest in Haiti during the 1790s. It embodies one of the oldest and most tangible links to the Afro-Haitian heritage of Cuba’s Oriente province and developed from...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre Mak Yong
This ancient theatre form created by Malaysia’s Malay communities combines acting, vocal and instrumental music, gestures and elaborate costumes. Specific to the villages of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is performed mainly as entertainment or for ritual purposes related to healing practices....
Southeast AsiaMalaysiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Manas
The Kirgiz ethnic minority in China, concentrated in the Xinjiang region in the west, pride themselves on their descent from the hero Manas, whose life and progeny are celebrated in one of the best-known elements of their oral tradition: the Manas epic. Traditionally sung by a Manaschi without musical accompaniment, epic performances...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le Tuuli mongol, épopée mongole
The Mongolian Tuuli is an oral tradition comprising heroic epics that run from hundreds to thousands of lines and combine benedictions, eulogies, spells, idiomatic phrases, fairy tales, myths and folk songs. They are regarded as a living encyclopaedia of Mongolian oral traditions and immortalize the heroic history of the Mongolian...
East AsiaMongoliaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La morna, pratique musicale de Cabo Verde
Morna, musical practice of Cabo Verde is a traditional Cape Verdean musical and choreographic practice with instrumental accompaniment that incorporates voice, music, poetry, and dance. Morna can be either sung or played only with instruments, mainly chordophones, including the guitar, violin, ten-string guitar, replaced with a...
AfricaCabo VerdeNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le moutya
Moutya was brought to Seychelles by the enslaved Africans who arrived with the French settlers in the early eighteenth century. They used to practise this dance at night in the forest, at a distance from the plantation house where their masters lived. Historically, Moutya was a psychological comfort against hardship and poverty and a...
AfricaSeychellesNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant à plusieurs voix de Horehronie
The Multipart Singing of Horehronie is characterized by a variable solo melody of pre-singing and more static choir answers, either by men or women. The singing culminates in intertwined parallel melodies with rich variations, consisting of two or three parts; each section presents a variation of the initial melodic formula. The song...
EuropeSlovakiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le Naqqāli, narration dramatique iranienne
Naqqāli is the oldest form of dramatic performance in the Islamic Republic of Iran and has long played an important role in society, from the courts to the villages. The performer – the Naqqāl – recounts stories in verse or prose accompanied by gestures and movements, and sometimes instrumental music and painted scrolls. Naqqāls...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Nijemo Kolo, ronde dansée silencieuse de l’arrière-pays dalmate
The Nijemo Kolo is practised by communities in the Dalmatian hinterland, in southern Croatia. Nijemo Kolo is performed in a closed circle with male dancers leading female partners in energetic, spontaneous steps – the male dancer publicly testing the skills of his female partner, seemingly without defined rules. The steps and figures,...
EuropeCroatiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre de marionnettes Ningyo Johruri Bunraku
Ranking with Nô and Kabuki as one of Japan’s foremost stage arts, the Ningyo Johruri Bunraku puppet theatre is a blend of sung narrative, instrumental accompaniment and puppet drama. This theatrical form emerged during the early Edo period (ca. 1600) when puppetry was coupled with Johruri, a popular fifteenth-century narrative genre....
East AsiaJapanNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le nora, drame dansé dans le sud de la Thaïlande
Nora is a lively and acrobatic form of dance theatre and improvisational singing from southern Thailand. Performances normally include a long oral invocation, followed by a presentation by a lead character who dances with vigorous and elaborate movements of the legs, arms and fingers. The performances are usually based on stories about...
Southeast AsiaThailandNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’Olonkho, épopée héroïque iakoute
One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation. The poetic tales, which vary from 10 to 15,000 verses in length, are performed by...
EuropeRussian FederationNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le théâtre de marionnettes sicilien Opera dei Pupi
The puppet theatre known as the Opera dei Pupi emerged in Sicily at the beginning of the nineteenth century and enjoyed great success among the island’s working classes. The puppeteers told stories based on medieval chivalric literature and other sources, such as Italian poems of the Renaissance, the lives of saints and tales of...
EuropeItalyNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La fabrication des orgues et leur musique
Organ craftsmanship and music has shaped Germany’s musical landscape and instrument-making for centuries, and there are a diverse number of related traditions in the country. Organ craftsmanship and music are closely related since each instrument is created specifically for the architectural space in which it will be played. The highly...
EuropeGermanyNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les chants épiques Pansori
Pansori is a genre of musical storytelling performed by a vocalist and a drummer.This popular tradition, characterized by expressive singing, stylized speech, a repertory of narratives and gesture, embraces both elite and folk culture. During performances lasting up to eight hours, a male or female singer, accompanied by a single barrel...
East AsiaKorea, Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les chants polyphoniques des pygmées Aka de Centrafrique
The Aka Pygmies living in the south-west region of the Central African Republic have developed a distinctive vocal musical tradition, which involves a complex type of contrapuntal polyphony based on four voices, mastered by all members of the Aka community. Music and dance form an integral part of Aka rituals including ceremonies...
AfricaCentral African RepublicNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le punto
Punto is the poetry and music of Cuban farmers, consisting of a tune or melody over which a person sings an improvised or learned stanza of ten octameter verse lines, with a rhyming scheme. There are two main variants of Punto: punto libre, a tune of free metre; and punto fijo, which can be in key or crossed. Throughout history, the...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les chants populaires Quan Họ de Bắc Ninh
In the provinces of Bắc Ninh and Bắc Giang in northern Viet Nam, many of the villages are twinned, reinforcing their relationship through social customs such as Quan họ Bắc Ninh folk songs. The songs are performed as alternating verses between two women from one village who sing in harmony, and two men from another village who respond...
Southeast AsiaViet NamNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le Radif de la musique iranienne
The Radif of Iranian music is the traditional repertoire of the classical music of Iran that forms the essence of Persian musical culture. More than 250 melodic units, called ''gushe,'' are arranged into cycles, with an underlying modal layer providing the backdrop against which a variety of melodic motifs are set. Although the main...
South AsiaIran, Islamic Republic ofNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Le rite des Tsars de Kalyady (Tsars de Noël)
The Kalyady Tsars (Christmas Tsars) is a ritual and festive event celebrated in the village of Semezhava in the Minsk region of Belarus. Typical Belarusian New Year celebrations take place according to the ‘old’ Julian style calendar and are combined with distinctive local performing arts. About 500 men participate annually in the...
EuropeBelarusNot specified in UNESCO dataset
Source supportedContext required
Register of Good Safeguarding Practices1 sources
Le programme de sauvegarde pour le Yimakan, les récits oraux des Hezhen
At the time of the initial inscription, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. In this context, a well-structured programme has engaged families, communities, schools, local authorities and the State...
East AsiaChinaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La Samba de Roda de Recôncavo de Bahia
The Samba de Roda, which involves music, dance and poetry, is a popular festive event that developed in the State of Bahia, in the region of Recôncavo during the seventeenth century. It drew heavily on the dances and cultural traditions of the region’s African slaves. The performance also included elements of Portuguese culture, such as...
Latin America and CaribbeanBrazilNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant accompagné au gusle
Singing to the accompaniment of the Gusle – a simple string instrument – is an ancient art of performing primarily heroic epics practised for centuries as a form of historical memory and an expression of cultural identity. Performances involve a complex form of interaction between the audience and performer and are based on the skills...
EuropeSerbiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Slovácko Verbuňk, la danse des recrues
The Slovácko verbŭnk is an improvised dance performed by boys and men living in the South Moravia and Zlín districts of the Czech Republic. The name of the dance is derived from the German term Werbung (changed into verbŭnk), meaning “recruitment”, reflecting its historical origins in the recruitment of dancers and soldiers for the...
EuropeCzechiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
L’espace culturel des Suiti
The Suiti are a small Catholic community in the Protestant (Lutheran) western part of Latvia. The Suiti cultural space is characterized by a number of distinct features, including vocal drone singing performed by Suiti women, wedding traditions, colourful traditional costumes, the Suiti language, local cuisine, religious traditions,...
EuropeLatviaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le bài chòi, art traditionnel du Centre du Viet Nam
The art of Bài Chòi in Central Viet Nam is a diverse art combining music, poetry, acting, painting and literature. It takes two main forms: ‘Bài Chòi games’ and ‘Bài Chòi performance’. Bài Chòi games involve a card game played in bamboo huts during the Lunar New Year. In Bai Choi performances, male and female Hieu artists perform on a...
Southeast AsiaViet NamNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La pratique du son cubain
Son is a traditional music and dance practice that blends singing, instruments, rhythm and movement. It is performed in pairs or groups and combines improvisation with structured patterns. Son includes lyrics drawn from daily life, which are passed down orally, and brings together African and European musical influences. The dance is...
Latin America and CaribbeanCubaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
La pratique de la danse moderne en Allemagne
Modern Dance is a form of physical expression distinct from classical ballet. Rather than reproducing predetermined dance positions, the dancers seek a true-to-life expression that reflects emotions and life experiences. The focus lies on solo pieces as well as on co-creation in small groups, and age, social status, origin, physical...
EuropeGermanyNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
Les marionnettes à gaine traditionnelles
Al-Aragoz is an old form of Egyptian theatre using traditional hand puppetry. Performances are highly popular events during which puppeteers remain hidden inside a small portable stage while an assistant interacts with the puppets and crowd. Al-Aragoz takes its name from the main puppet, whose distinctive voice is created with a voice...
AfricaEgyptNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le séga mauricien traditionnel
Traditional Mauritian Sega Tipik is a vibrant performing art, emblematic of the Creole community and performed at informal private family events or in public spaces. Songs sung in a minor key gradually increase in tempo, as dancers move their hips and hands to a percussive beat, using short steps to manoeuvre around each other in a...
AfricaMauritiusNot specified in UNESCO dataset
Source supportedContext required
UNESCO urgent safeguarding list1 sources
La musique traditionnelle vallenato de la région du Magdalena Grande
Traditional Vallenato music fuses cultural expressions from northern Colombia, the songs of cow-herders of the Greater Magdalena region and the chants of African slaves with the traditional dance rhythms of the indigenous people of the Sierra Nevada de Santa Marta. These expressions are also blended with Spanish poetry and musical...
Latin America and CaribbeanColombiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Le chant et la musique à deux voix dans la gamme istrienne
On the Istrian peninsula in western Croatia, several varieties of two-part singing and playing in the Istrian scale are preserved by Croatian, Istro-Romanian and Italian communities. The style is characterized by vigorous, partly nasal singing. It involves a degree of variation and improvisation in both vocal parts but always ends with...
EuropeCroatiaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L'uilleann piping
Uilleann piping is a musical practice which uses a particular type of bagpipe (known as the ‘uilleann’, ‘Irish’ or ‘union’ pipes) to play Irish music. It is a highly developed instrument with strong roots in tradition dating back many generations. Bearers and practitioners are dispersed throughout the world, but the greatest...
EuropeIrelandNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
L’Urtiin Duu, chants longs traditionnels populaires
The Urtiin duu or “long song” is one of the two major forms of Mongolian songs, the other being the short song” (bogino duu). As a ritual form of expression associated with important celebrations and festivities, Urtiin duu plays a distinct and honoured role in Mongolian society. It is performed at weddings, the inauguration of a new...
East AsiaChina / MongoliaNot specified in UNESCO dataset
Source supportedContext required
UNESCO representative list1 sources
Les dessins sur le sable de Vanuatu
Situated in the South Pacific, the Vanuatu archipelago has preserved a unique and complex tradition of sand drawing. This multifunctional “writing” is more than an indigenous artistic expression and it occurs in a wide range of ritual, contemplative and communicative contexts. The drawings are produced directly on the ground, in sand,...
PacificVanuatuNot specified in UNESCO dataset
Source supportedContext required
