Relationship
35 public knowledge systems connected to this registry facet.
L’art des Meddah, conteurs publics
Meddahlik was a Turkish theatre form performed by a single storyteller called a meddah and practised throughout Turkey and Turkishspeaking countries. Through the ages, similar narrative genres have flourished due to interaction among the peoples of Asia, the Caucasus and the Middle East within this wide geographical area. Historically,...
La tradition Âşıklık (de l’art des trouvères)
The Âşıklık (minstrelsy) tradition of Turkey is performed by wandering poet-singers known as ''âşıks.'' Dressed in traditional clothes and plucking a stringed ''saz,'' the âşık is a common performer at weddings, in coffeehouses and during public festivals of all sorts. The âşık is called in a dream to undertake a long apprenticeship in...
La tradition de la marionnette à tringle à Bruxelles
Rod puppetry is a traditional form of theatre inherited from traveling fairground theatres in Europe. The puppets are manipulated using metal rods attached to the head and body. These rods allow puppeteers to control the puppets’ movements. The practice requires the skilled teamwork of up to six puppeteers hidden behind a booth. The...
La construction et l’utilisation des pirogues monoxyles expansées dans la région de Soomaa
The Estonian expanded dugout boat from the Soomaa region is a canoe-like boat, hollowed out from a single tree (usually aspen), with expanded sides and a shallow base. The building of a dugout boat is a complex process, beginning with the identification of a suitable tree and culminating with the boat’s launch. Dugout boatbuilding is a...
Le chogan, jeu équestre accompagné de musique et de contes
Chogān is a traditional horse-riding game accompanied by music and storytelling; it has a history of over 2,000 years in Iran and has mostly been played in royal courts and urban fields. In Chogān, two rider teams compete and the aim is to pass the ball through the opposing team’s goal posts using a wooden stick. Chogān includes the...
Le bram de Noël et le sambai de Gales Point Manatee au Belize
The Christmas Bram and Sambai are annual cultural celebrations held on 25 and 26 December in the Gales Point Manatee Village, located on a peninsula inside Southern Lagoon on the central coast of Belize. Deeply rooted in African heritage, these festivities promote unity and a shared sense of identity within the practising community. The...
Le Daimokutate
In Yahashira Shrine of Nara City in central Japan, young men of the Kami-fukawa community stand in a semi-circle dressed in samurai clothes and carrying bows. One by one, they are called to the centre by an old man who reads the name of a character in the tales of the feud between the Genji and Heike clans. Each in turn delivers his...
Le chant épique Görogly
The epic art of Gorogly is an oral performing tradition describing the achievements of the legendary hero Gorogly and his forty cavalrymen. The epic incorporates narration, singing, composition, prose, poetry and vocal improvisation, and also functions as an oral encyclopaedia of traditional customs and knowledge (including stock...
La tradition épique du Gesar
The ethnic Tibetan, Mongolian and Tu communities in western and northern China share the story of the ancient hero King Gesar, sent to heaven to vanquish monsters, depose the powerful, and aid the weak while unifying disparate tribes. The singers and storytellers who preserve the Gesar epic tradition perform episodes of the vast oral...
Héritage de Dede Qorqud/Korkyt Ata/Dede Korkut : la culture, les légendes populaires et la musique liées à cette épopée
The epic culture, folk tales and music of Dede Qorqud/Korkyt Ata/Dede Korkut are based on twelve heroic legends, stories and tales and thirteen traditional musical compositions shared and transmitted across the generations through oral expressions, performing arts, cultural codes and musical compositions. Dede Qorqud appears in each...
Le Yimakan, les récits oraux des Hezhen
When the element was first inscribed, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. This programme has engaged families, communities, schools, local authorities and the State in safeguarding the custom. Its...
Le savoir-faire de la culture du mastiha à l’île de Chios
Mastic is cultivated on the island of Chios from the aromatic resin mastiha, which is extracted from the shrub pistacia lentiscus. Mastic has long been renowned for its numerous properties and its culture is a family occupation that requires laborious care throughout the year by men and women of all ages who participate on equal terms...
La tradition orale Koogere des Basongora, Banyabidi et Batooro
Koogere was a female chief of Busongora about 1,500 years ago. Oral tradition describes her exceptional wisdom and the prosperity of the chiefdom through a series of narratives, which form part of the collective memory of Basongora, Banyabindi and Batooro communities in Kasese. This oral tradition is an essential and inspirational part...
Le kwagh-hir, représentation théâtrale
Kwagh-Hir theatrical performance is a composite art form encompassing a spectacle that is both visually stimulating and culturally edifying. Kwagh-hir has its roots in the story-telling tradition of the Tiv people called ‘kwagh-alom’, a practice where the family was treated to a storytelling session by creative storytellers, usually in...
Manas, Semetey, Seitek : trilogie épique kirghize
The Kyrgyz epic trilogy of Manas, Semetey and Seytek describes the unification of scattered tribes into one nation. The trilogy expresses the historical memory of the Kyrgyz people and survives thanks to a community of epic tellers, both women and men, of all ages. Narrators accept their calling after experiencing a prophetic dream,...
Le programme « Terre des légendes »pour promouvoir et redynamiser l’art du conte dans le comté de Kronoberg
The Land-of-Legends programme is aimed at promoting and revitalizing the art of storytelling in the Kronoberg region of southern Sweden. In Sweden, as elsewhere, factors such as industrialization, urbanization and television and social media have led to the disappearance of traditional venues for storytelling and modes of transmission,...
L’épopée maure T’heydinne
The T’heydinn epic encompasses dozens of poems lauding the glorious feats of Moorish emirs and sultans. It propounds ancestral values underpinning the way of life of the Moorish community in Mauritania, and constitutes a literary and artistic manifestation of the Hassaniya language. Griots perform the epic accompanied by traditional...
Mvet Oyeng, art musical, pratiques et savoir-faire associés à la communauté Ekang
Mvet Oyeng is a cultural tradition that is practised by the Ekang community. It entails the singing of a series of epic stories, accompanied by dancing and the playing of a traditional stringed instrument. The audience actively participates in the performance by playing drumsticks or clapping, singing and engaging with the storyteller....
Le Naqqāli, narration dramatique iranienne
Naqqāli is the oldest form of dramatic performance in the Islamic Republic of Iran and has long played an important role in society, from the courts to the villages. The performer – the Naqqāl – recounts stories in verse or prose accompanied by gestures and movements, and sometimes instrumental music and painted scrolls. Naqqāls...
Le Nar Bayrami, fête traditionnelle de la grenade et sa culture
Nar Bayrami is an annual festival in October/November in Azerbaijan’s Goychay region that celebrates the pomegranate and its traditional uses and symbolic meaning. Pomegranate culture is a set of practices, knowledge, traditions and skills related to the cultivation of the fruit, which is used not only in a range of culinary contexts,...
Le Nguon, rituels de gouvernance et expressions associées dans la communauté Bamoun
Nguon refers to a series of rituals between the Mfon, or monarch, and his people. Aimed at promoting dialogue, harmony and peace, the rituals are observed over a period of three days by the Bamoun community of Cameroon’s West Region. Every two years in early December, ritual chiefs consult the members of the community on the state of...
L’Olonkho, épopée héroïque iakoute
One of the oldest epic arts of the Turkic peoples, the termOlonkho refers to the entire Yakut epic tradition as well as its central epic.Today, it is still incidentally performed in the Sakha Republic, situated in the far east of the Russian Federation. The poetic tales, which vary from 10 to 15,000 verses in length, are performed by...
La Hikaye palestinienne
The Palestinian Hikaye is a narratiave expression practised by women.The fictitious tales, which have evolved over the centuries, deal with current concerns of Middle Eastern Arab society and family issues.The Hikaye offers a critique of society from the women’s perspective and draws a portrait of the social structure that directly...
Les chants épiques Pansori
Pansori is a genre of musical storytelling performed by a vocalist and a drummer.This popular tradition, characterized by expressive singing, stylized speech, a repertory of narratives and gesture, embraces both elite and folk culture. During performances lasting up to eight hours, a male or female singer, accompanied by a single barrel...
Le pantun
Pantun is a form of Malay verse used to express intricate ideas and emotions. It is a widespread oral form in maritime Southeast Asia. Pantun has a clear a-b-a-b rhyme scheme. The four-line variety is the most common. Pantuns may be transmitted in music, song and writing. Performances are headed by the ‘pemantun’ (the pantun narrator),...
L’interprétation de l’épopée arménienne « Les enragés de Sassoun » ou « David de Sassoun »
The Armenian epic Daredevils of Sassoun recounts the story of David of Sassoun, a defiant and self-reliant youth, who by the grace of God defends his homeland in an unequal duel against the evil. The epic falls within the tradition of heroic folktales that dramatize and voice the deepest sentiments and aspirations of a nation. The epic...
Le Programme de sauvegarde des Bandos et Parrandas des Saints Innocents de Caucagua : pôles d’initiation et de transmission des connaissances et Conseils communautaires
The Bandos and Parrandas of the Holy Innocents of Caucagua, Venezuela refers to street celebrations that take place on the nights of 27 and 28 December. This Afro-descendant festivity is characterized by live music and satirical clothing mocking the styles of slave owners. A safeguarding programme was developed to address its decreasing...
Le programme de sauvegarde pour le Yimakan, les récits oraux des Hezhen
At the time of the initial inscription, only five storytellers were still capable of performing certain Yimakan cantos, and the traditional practices associated with the Hezhen oral narratives faced several threats. In this context, a well-structured programme has engaged families, communities, schools, local authorities and the State...
La sevdalinka, chant folklorique urbain traditionnel
Sevdalinka is a form of traditional urban singing that is practised in Bosnia and Herzegovina. It originated as the result of a long process of acculturation that occurred when the traditional oral poetry of the South-Slavic population merged with the musical influences of the Ottoman Empire. Performed a capella or with the...
Le théâtre d’ombres
Shadow play is a traditional art consisting of handmade puppets moving behind a thin translucent curtain or screen inside a dark theatre, now practised mainly in Damascus. A light from behind the stage projects the shadows of the puppets onto the screen as they move along to an oral script and music. The theatrical content of Shadow...
Sona, dessins et figures géométriques sur le sable
Sona refers to drawings and geometric figures on sand. Practised by the Lunda Cokwe and neighbouring peoples in eastern Angola, it is a form of expression that seeks to convey beliefs, thoughts and emotions, as well as the relationship between human beings and nature. Practitioners mark reference points on a wet floor covered in sand...
L’estivage dans un fäbod et seter : connaissances, traditions et pratiques liées au pâturage des terres reculées et à la production alimentaire artisanale
In Sweden and Norway, summer farming refers to the practice of moving livestock to outlying lands in late spring. It entails knowledge concerning animal husbandry and herding, dairy production, land management and handicrafts. It also involves herding calls, songs, storytelling and rituals. The practices and expressions of summer...
La tradition du récit des anecdotes de Nasreddin Hodja / Molla Nesreddin / Molla Ependi / Apendi / Afendi Kozhanasyr / Nasriddin Afandi
The Telling Tradition of Nasreddin Anecdotes refers to the social practices and festivals around the telling of anecdotes attributed to Nasreddin, a philosopher and wiseman recognized for his wisdom and humorous analyses and representations of society and life experiences. Although there are slight differences across communities in...
La tradition de la fabrication des tapis à Tchiprovtsi
Kilimi are hand-woven carpets made by the women of Chiprovtsi in north-eastern Bulgaria. Almost every household in the town contains a vertical handloom, which the women use to make two-sided tapestries traditionally utilized as floor coverings. The weaver takes several threads of the warp with her left hand, interlaces the weft yarn...
Les savoir-faire traditionnels liés à la fabrication et à la pratique du dotâr
The traditional skills of crafting and playing the Dotār are one of the most prominent social and cultural components of the folkloric music among the ethnic groups and communities of the Dotār regions. Bearers and practitioners are mostly farmers, including male crafters and players and female players. The Dotār is a folkloric plucked...
Heritage, design and Global South stories from established outlets.
